Mr. Aronofsky’s outlook on life remains too constantly pessimistic for my taste, and too completely joyless as well.
The Fountain (2006)
Tomatometer
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Reviews Counted:187
Fresh:96
Rotten:91
Average Rating:5.9/10
Consensus: The Fountain -- a movie about metaphysics, universal patterns, Biblical symbolism, and boundless love spread across one thousand years -- is visually rich but suffers from its own unfocused ambitions.
Rated: 12A [See Full Rating] for some intense sequences of violent action, some sensuality and language.
Runtime: 1 hr 36 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:26-01-2007
Synopsis: It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate... It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate among his patient fans. During the frustrating gap since 2000's REQUIEM FOR A DREAM, Aronofsky has struggled to bring THE FOUNTAIN to the screen, principally because leading man Brad Pitt dropped out of the project. The complex tale is split into three different time periods, beginning in the 16th century, when a conquistador named Tomas (Hugh Jackman) strives to find the Tree of Life. The second part of the story finds Jackman playing a Buddha-like character who zips through outer space and dreams of a woman named Izzi (Rachel Weisz). And the third part, which consumes most of the film's screen time, is set in the present day and sees Jackman playing a doctor named Tommy, who is married to the terminally-ill Izzi. In this third section Tommy strives to find a cure for Izzi's brain tumor, and makes some progress after experimenting on a monkey with a substance discovered in a tree in South America. Meanwhile, Izzi has been writing a book that she calls THE FOUNTAIN, but has left the final chapter for Tommy to write. As Aronofsky pushes and pulls his sepia-tinted film between the three time periods, he weaves a deeply thoughtful, special effects-laden story that touches on themes of mortality and self, and requires a great deal of work from the director's audience. Movies such as Kubrick's 2001 and Tarkovsky's SOLARIS come to mind as Aronofsky gets deep into philosophical waters, and the various story strands of THE FOUNTAIN are as inconclusive and open to interpretation as the films that have clearly influenced it. The film makes for uneasy and sometimes confusing viewing, but will find its audience among intrepid souls who are fully prepared to let go and immerse themselves in Aronofsky's peculiar, daring, and thoughtful cinematic universe. [More]
Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn
Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn, Ethan Suplee, Cliff Curtis, Sean Gullette, Mark Margolis, Donna Murphy, Sean Patrick Thomas, Stephen McHattie
Director: Darren Aronofsky
Director: Darren Aronofsky
Story: Ari Handel
Producer: Arnon Milchan, Iain Smith, Eric Watson
Studio: Warner Bros.
Reviews for The Fountain
Mystic pizza. Aronofsky is less interested in coherence than in creating New Age-ish cosmic images.
The movie has some beautiful and surreal images, but they deserve to be part of a deeper story. I didn't dislike this, but I didn't like it as much as I wanted to when I first saw the trailer.
You have to look back to Malick or Kubrick to find an American filmmaker offering up such a challenging vision to a mainstream audience without apology.
The Fountain may fill your cup as the year's most mystical movie experience. But I make no promises that you'll feel any younger.
Darren Aronofsky clearly didn't set out to make a usual movie...[The Fountain's] a story of overreaching that itself overreaches, but that might have been impossible to avoid.
Those who eschew mysticism and melodrama should still appreciate the beauty and humanistic appeal of 'The Fountain.'
The movie may have significant truths to impart, although I have my doubts, but it feels too inexperienced, too unworldly, to have earned the right to them.
Aspires toward the transcendence of Tarkovsky but is more likely to appeal to fans of Carlos Castaneda and peyote buttons.
This film can be understood on multiple levels, and can be misunderstood on multiple levels.
This magical, mystical and moving film is stunning to look at and Hugh Jackman's performance is one of the best of the year.
Simultaneously one of the most grandiose and most personal films to hit theaters this year, a film that goes halfway around the galaxy to hit you where you live.
As Izzie's story becomes Tommy's, it becomes familiar. She's both his end and his means, and so, at last, not quite herself.
What keeps "The Fountain" from being a really great film is that it's so heavily based on the visual and pretty effects ... the idea of a simply told story gets lost in the shuffle.
At once incredibly dense and disconcertedly simple, utterly over the top and sincerely down to earth, profoundly saddening and defiantly hopeful.
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