Exquisitely beautiful and almost unbearably sad... The Fountain is cinema as poetry; romance as revelation; science fiction as prayer.
The Fountain (2006)
Tomatometer
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Reviews Counted:187
Fresh:96
Rotten:91
Average Rating:5.9/10
Consensus: The Fountain -- a movie about metaphysics, universal patterns, Biblical symbolism, and boundless love spread across one thousand years -- is visually rich but suffers from its own unfocused ambitions.
Rated: 12A [See Full Rating] for some intense sequences of violent action, some sensuality and language.
Runtime: 1 hr 36 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:26-01-2007
Synopsis: It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate... It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate among his patient fans. During the frustrating gap since 2000's REQUIEM FOR A DREAM, Aronofsky has struggled to bring THE FOUNTAIN to the screen, principally because leading man Brad Pitt dropped out of the project. The complex tale is split into three different time periods, beginning in the 16th century, when a conquistador named Tomas (Hugh Jackman) strives to find the Tree of Life. The second part of the story finds Jackman playing a Buddha-like character who zips through outer space and dreams of a woman named Izzi (Rachel Weisz). And the third part, which consumes most of the film's screen time, is set in the present day and sees Jackman playing a doctor named Tommy, who is married to the terminally-ill Izzi. In this third section Tommy strives to find a cure for Izzi's brain tumor, and makes some progress after experimenting on a monkey with a substance discovered in a tree in South America. Meanwhile, Izzi has been writing a book that she calls THE FOUNTAIN, but has left the final chapter for Tommy to write. As Aronofsky pushes and pulls his sepia-tinted film between the three time periods, he weaves a deeply thoughtful, special effects-laden story that touches on themes of mortality and self, and requires a great deal of work from the director's audience. Movies such as Kubrick's 2001 and Tarkovsky's SOLARIS come to mind as Aronofsky gets deep into philosophical waters, and the various story strands of THE FOUNTAIN are as inconclusive and open to interpretation as the films that have clearly influenced it. The film makes for uneasy and sometimes confusing viewing, but will find its audience among intrepid souls who are fully prepared to let go and immerse themselves in Aronofsky's peculiar, daring, and thoughtful cinematic universe. [More]
Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn
Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn, Ethan Suplee, Cliff Curtis, Sean Gullette, Mark Margolis, Donna Murphy, Sean Patrick Thomas, Stephen McHattie
Director: Darren Aronofsky
Director: Darren Aronofsky
Story: Ari Handel
Producer: Arnon Milchan, Iain Smith, Eric Watson
Studio: Warner Bros.
Reviews for The Fountain
Director-writer Darren Aronofsky could reasonably be described as ambitious, obsessive and gifted. It's just too bad about his taste.
The Fountain is every bit as visionary as Aronofsky's 1998 Pi and 2000's Requiem for a Dream, but this time the vision could be one of a third-grader on hallucinogens.
The Fountain is the most ambitious, rich, romantic and ridiculous film of the year, a movie that's both awe and giggle inspiring.
The Fountain is either innovative science fiction or overwrought melodrama; I can't quite pinpoint which. I realize I'm charged with reaching an opinion here, but it's not easy.
[The Fountain] doesn't make for smooth, comfortable viewing, but I'd much rather watch somebody shoot for the moon when the stakes are sky-high than sit back while they play it safe.
For the first time, I felt Aronofsky's reach for cosmic concepts exceeded his grasp.
If there were more Darren Aronofskys, the multiplex would be a stranger and better place. Flaws and all, The Fountain believes in itself more fervently than any other movie you may see this year -- so fervently it doesn't need an audience's faith.
The picture is visually intoxicating --- the images have a luminous psychedelic beauty --- and the film's themes emerge elegantly out of the story's intricately-looped tri-level structure.
The visions Aronofsky imparts, particularly in an ending that rivals 2001 for acid-flashback trippiness, make The Fountain a movie experience that can't be skipped.
An awesome work, dazzlingly inventive, constantly surprising, and told with a minimum of showbiz hoopla.
...eclectic director Darren Aronofsky makes The Fountain work. In a really weird way.
Hugely ambitious and visually commanding...the kind of artful, textured, defiantly non-mainstream gamble more filmmakers should be taking.
The story of Darren Aronofsky's ambitious sci-fi epic The Fountain spans a thousand years. The movie itself only seems that long.
sort of like a wild combination of 'The English Patient' and '2001: A Space Odyssey.' ...Although it's brave and beautiful, 'The Fountain' is always more impressive than it is truly touching.
Like Pi, Aronofsky's first feature, The Fountain combines spiritual mumbo jumbo with vaguely scientific concerns, only even more pretentiously this time.
A haunting and remarkable emotional journey that takes us places movies rarely dare to go.
The tastiest fruit [Aronofsky's] talent has come to bear may be mainly an eye-stimulating array of pretty pictures.
I was utterly absorbed in watching it, yet when it was over I had no idea what had happened.
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