The movie is structured like an orchestral piece, with three distinct themes that gradually come together in a movement that is powerful and beautiful.
The Fountain (2006)
Tomatometer
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Reviews Counted:187
Fresh:96
Rotten:91
Average Rating:5.9/10
Consensus: The Fountain -- a movie about metaphysics, universal patterns, Biblical symbolism, and boundless love spread across one thousand years -- is visually rich but suffers from its own unfocused ambitions.
Rated: 12A [See Full Rating] for some intense sequences of violent action, some sensuality and language.
Runtime: 1 hr 36 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:26-01-2007
Synopsis: It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate... It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate among his patient fans. During the frustrating gap since 2000's REQUIEM FOR A DREAM, Aronofsky has struggled to bring THE FOUNTAIN to the screen, principally because leading man Brad Pitt dropped out of the project. The complex tale is split into three different time periods, beginning in the 16th century, when a conquistador named Tomas (Hugh Jackman) strives to find the Tree of Life. The second part of the story finds Jackman playing a Buddha-like character who zips through outer space and dreams of a woman named Izzi (Rachel Weisz). And the third part, which consumes most of the film's screen time, is set in the present day and sees Jackman playing a doctor named Tommy, who is married to the terminally-ill Izzi. In this third section Tommy strives to find a cure for Izzi's brain tumor, and makes some progress after experimenting on a monkey with a substance discovered in a tree in South America. Meanwhile, Izzi has been writing a book that she calls THE FOUNTAIN, but has left the final chapter for Tommy to write. As Aronofsky pushes and pulls his sepia-tinted film between the three time periods, he weaves a deeply thoughtful, special effects-laden story that touches on themes of mortality and self, and requires a great deal of work from the director's audience. Movies such as Kubrick's 2001 and Tarkovsky's SOLARIS come to mind as Aronofsky gets deep into philosophical waters, and the various story strands of THE FOUNTAIN are as inconclusive and open to interpretation as the films that have clearly influenced it. The film makes for uneasy and sometimes confusing viewing, but will find its audience among intrepid souls who are fully prepared to let go and immerse themselves in Aronofsky's peculiar, daring, and thoughtful cinematic universe. [More]
Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn
Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn, Ethan Suplee, Cliff Curtis, Sean Gullette, Mark Margolis, Donna Murphy, Sean Patrick Thomas, Stephen McHattie
Director: Darren Aronofsky
Director: Darren Aronofsky
Story: Ari Handel
Producer: Arnon Milchan, Iain Smith, Eric Watson
Studio: Warner Bros.
Reviews for The Fountain
A bravely nonlinear, noncommercial, and sadly noninteresting meditation on the desire to prolong youth and stave off death.
It's an incredibly ambitious film of sometimes thrilling visual achievement, but it didn't connect fully to my mind and nerves.
Technically, this is an impressive motion picture, but the fragmented story results in poor character development and Aronofsky's clinical approach limits identification.
Aronofsky's passion on this topic runs away with him so much that he neglects to make the characters connect in any meaningful way.
If there's a wavelength you can ride to feel touched and enlightened by The Fountain, it appears to have skipped my stop.
An artsy-fartsy disaster...a would-be film of ideas that runs dry of them very quickly.
A spiritual movie set in three centuries about death, the tree of life, the fountain of youth, and love that will not let us go.
One can easily appreciate the sheer vision, rich imagination and boldness of such a picture
"The Fountain" is his most brazen, beautiful and breathtaking yet, a work of spiritual gusto that might just be as close to a religious experience as one can experience in a movie theater.
It’s as if Aronofsky was so consumed with the film’s elaborately contrived aesthetics that he took no time for a little thing called character development.
I think I finally understand what George H.W. Bush meant by 'a thousand points of light.'
It's not as important to understand The Fountain as it is to absorb the experience.
Darren Aronofsky is a stylistically visionary director trapped by the limitations of his writing abilities. The Fountain works best as a high-concept sci-fi film with all of its seams showing.
Pretentious, preposterous and painfully bad, The Fountain is by far the worst film in an atrocious year. ... My wife thinks it's the worst movie that she has ever seen.
Audaciously spiritual and original - and just because you can't figure it out doesn't mean that there's not something interesting going on.
A pretentious, unfocused, and fussy mess, in which director Darren Aronofsky manages to make Hugh Jackman unattractive and unsympathetic.
In its own sappy way as daring and gonzo as Aronofsky's hyper-stylized trip down heroin lane, Requiem for a Dream.
Do the secrets of life warrant such fancy cinematic footwork and symbolistic ambiguity? The justification lies in a world of visionary artistry and taut performance.
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December 05, 2008:
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