While The Good Life is stylistically ambitious and heartfelt, it feels more forced than authentic.
The Good Life (2007)
Tomatometer
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Reviews Counted:5
Fresh:1
Rotten:4
Average Rating:4.2/10
Runtime: 1 hr 46 mins
Genre: Comedies
Synopsis: In the cold, small-town heartland that has always been the defining state of mind for America, there are two worlds. There is a community whose focal point is the football team, and there is the... In the cold, small-town heartland that has always been the defining state of mind for America, there are two worlds. There is a community whose focal point is the football team, and there is the alienated existence of the kid who doesn't fit in. In The Good Life, a debut feature that is remarkable for its maturity and sophistication, filmmaker Steve Berra unerringly sketches a portrait of life in these environs that is at once full of torment and hope. Jason Prayer (Mark Webber) works two jobs, struggles with his uncaring family, is tortured by a bully, and in general is quietly suffocating in the provincial insularity of his town. Other than that, the local cinema, which is literally on its last legs -- as is its aging operator, Gus (Harry Dean Stanton) -- is Jason's one escape and window to the outside world. But when he is courted by a mysterious stranger (Zooey Deschanel), his desperate life takes a turn. As a response to the lessons of Capra-corn in It's a Wonderful Life, and with a nod to The Last Picture Show, Berra offers a ray of light in these dark times -- a modern vision about the contradictions of small-town life. -- © Sundance Film Festival [More]
Starring: Mark Webber, Zooey Deschanel, Bill Paxton, Harry Dean Stanton
Starring: Mark Webber, Zooey Deschanel, Bill Paxton, Harry Dean Stanton, Chris Klein, Patrick Fugit, Drea de Matteo, Bruce McGill, Donal Logue, Deborah Rush
Studio: Warner Bros.
Reviews for The Good Life
Grounded in the rich cinematic tradition of Small-Town America, the film doesn't break much new thematic ground, but it's well-acted by the entire ensemble, which consists of both pros and young thespians.
As a director, Stephen Berra makes this all quite palatable, but as a writer, he frequently mistakes platitudes for profundity.
The film spends what seems like interminable hours driving home the brutal truth that the world is better off without Jason Prayer, and, despite the anemic flip-flop of the last twenty seconds, it's hard to disagree.
You just can't go from darkly morose to uplifting and hopeful in the last 30 seconds of the film without any kind of arc to take you there.
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