The blam-blam histrionics devalue the verity.
The Kingdom (2007)
Tomatometer
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Reviews Counted:181
Fresh:92
Rotten:89
Average Rating:5.8/10
Consensus: While providing several top-notch action scenes, The Kingdom ultimately collapses under the weight of formula and muddled politics.
Rated: 15 [See Full Rating] for intense sequences of graphic brutal violence, and for language.
Runtime: 1 hr 51 mins
Genre: Action/Adventure
Theatrical Release:05-10-2007
Synopsis: Actor, writer, and director Peter Berg (FRIDAY NIGHT LIGHTS) delivers a fearless, action-packed political thriller with THE KINGDOM. Shot in the Middle East with unsettling immediacy, the hand-held... Actor, writer, and director Peter Berg (FRIDAY NIGHT LIGHTS) delivers a fearless, action-packed political thriller with THE KINGDOM. Shot in the Middle East with unsettling immediacy, the hand-held cameras put viewers right inside the action, while the tension between American FBI agents and their Saudi counterparts maintains an interesting uncertainty about who's "right" and who's "wrong." The bad guys, however, are unmistakable: the film opens with a brutal terrorist attack on an oil company compound in Saudi Arabia, where a visiting FBI agent is killed. Back home in Washington, fellow agents Ronald Fleury (Jamie Foxx, RAY) and Janet Mayes (Jennifer Garner, ALIAS), want revenge, and will do whatever it takes to gain access to the investigation. Fleury all but blackmails a Saudi prince to get clearance against the wishes of a timorous attorney general, and flies overnight to the scene of the crime. Accompanying him are the no-nonsense forensics expert Mayes, Southern-fried bomb authority Grant Sykes (Chris Cooper, ADAPTATION), and Jewish smart aleck Adam Leavitt (Jason Bateman, ARRESTED DEVELOPMENT). Once there, they encounter the resistance of a Saudi government more interested in getting the Americans safely out of the country and avoiding conflict, rather than in solving the crime. They are assigned a smarmy handler with a weak stomach (Jeremy Piven, ENTOURAGE) to make sure they stay out of trouble. The team must navigate a maze of bureaucracy to begin collecting evidence, but they have an unlikely ally in their Saudi escort, Colonel Faris Al Ghazi (Ashraf Barhom, PARADISE NOW), a scrupulous and intelligent officer whom Fleury befriends. Soon enough, procedure and protocol give way to car chases and explosive fire fights, and the current bleak political climate of extremism and violence is portrayed in a stark light with no easy answers. [More]
Starring: Jamie Foxx, Jennifer Garner, Chris Cooper, Jason Bateman
Starring: Jamie Foxx, Jennifer Garner, Chris Cooper, Jason Bateman, Jeremy Piven, Danny Huston
Director: Peter Berg
Director: Peter Berg
Screenwriter: Matthew Michael Carnahan
Producer: Michael Mann, Scott Stuber
Composer: Danny Elfman
Studio: Universal Pictures
Reviews for The Kingdom
One electrifying performance becomes the only saving grace of The Kingdom, a goofy action movie that tries to marry the blitzkrieg entertainment of Rambo to the cultural consciousness of Syriana.
A message movie without a soul or a solid cinematic framework to make the impact it intends.
This is not an issue film nearly as much as it is a thriller. As it turns out, that's a good thing.
This is loose history but gripping drama, an action thrill ride ready-made for C.S.I. Nation, braced with stunning shoot-outs and chases.
Screenwriter Matthew Michael Carnahan wants us to know that there are good Arabs and bad Arabs, but he panders to our basest 9/11 anxieties.
[A] stripped-down, no-nonsense reality alarm about cycles of hate and violence that we must be fully cognizant of if we're ever to break them.
Quickly degenerates from a serious topical tale about twenty-first century terrorism into a jingoistic gung-ho shoot-'em-up.
...the movie's ending shoves any rah-rahs right back into your throat.
The Kingdom doesn’t think much of its audience; it’s one of those movies that shows flashbacks of things that happened 30 minutes earlier, in case we forgot. It retains its patronizing tone for the drama as well as the comedy.
Basically a Rambo retread outfitted with a thin veneer of topical import.
one of those films that tries to be a little bit of everything, and for the most part succeeds, even if audiences may not be able to survive the cinematic whiplash.
Both discordant and disingenuous, this faux-profound final note suggests that Berg and screenwriter Matthew Michael Carnahan don't know what kind of movie they've actually made -- or would like to pretend they've made another kind.
If the jingoism that permeates the latter half of The Kingdom does not sufficiently sour the experience of watching it, then the film's closing sentiments about the eternality of vengeance will surely do the trick.
The film is smart and engaging, and if it plays a little on our fears of the next big terrorist attack, it does so without feeling exploitative.
Shot in the 115-degree heat of Arizona and on location in Abu Dhabi, it has a visual intensity and intimacy reminiscent of Michael Mann.
A Big, Important movie that feels much more successful when it downshifts into a simple genre picture -- in this case, a rock 'em, sock 'em action flick. Given the relevance of its subject matter, this is a bit of a problem.
So shameless is The Kingdom, ignoring consequence and treating its audience like cash-dispensing machines with buttons to be pushed rather than thinking individuals willing to consider the reality of America's entanglement with the Middle East.
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