The Night Listener is intriguing, thought-provoking and harrowing by turns, with fine central and supporting performances and a richly satisfying feel.
The Night Listener (2006)
Tomatometer
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Reviews Counted:130
Fresh:52
Rotten:78
Average Rating:5.5/10
Consensus: This psychological thriller compels by blurring the line between truth and fiction; unfortunately, the film itself gets muddled in a hazy account of Maupin's original novel.
Rated: 15 [See Full Rating] for language and some disquieting sexual content
Runtime: 1 hr 31 mins
Genre: Dramas
Theatrical Release:15-09-2006
Synopsis: Inspired by a real-life experience of author Armistead Maupin (on whose book the film is based), THE NIGHT LISTENER is a dark drama that derives its strengths as much from the places it doesn't go... Inspired by a real-life experience of author Armistead Maupin (on whose book the film is based), THE NIGHT LISTENER is a dark drama that derives its strengths as much from the places it doesn't go as the places it does. Spare and tense, it tells the story of Gabriel Noone (Robin Williams), a storyteller with a national late-night radio show. Gay and recovering from a breakup with his much younger lover, Jess (Bobby Cannavale), Gabriel is experiencing writer's block. His life takes on a strange new wrinkle, though, when a literary agent (Joe Morton) passes on a manuscript he's received from a young fan of Gabriel's--an AIDS-stricken 14-year-old boy, Pete (Rory Culkin), who has written a detailed account of the prolonged sexual abuse he suffered at the hands of his parents and their friends. Gabriel develops a friendly phone relationship with the boy, but soon senses that something is unusual about Pete and his caretaker, Donna (Toni Collette), and ventures to Wisconsin to figure out exactly what's going on. With its pure and streamlined narrative, THE NIGHT LISTENER sidesteps the showy pitfalls that derail many modern thrillers. Fueled by subdued performances from Williams, whose manic energy is all but invisible, and Collette, whose chameleon-like brilliance has never been more in evidence, the film has obvious echoes of Hitchcock, as well as strange parallels to 2005's JT LeRoy literary scandal. Once Noone arrives in Wisconsin, an all-enveloping sense of unease starts in on a slow burn, and remote locations are used to great effect. Williams has a scene in a hospital that couldn't be further from PATCH ADAMS, and by the quiet conclusion, you will be wondering if maybe you should be a little less trustful of strangers, especially if they're big fans of your work. [More]
Starring: Robin Williams, Toni Collette, Bobby Cannavale, Joe Morton
Starring: Robin Williams, Toni Collette, Bobby Cannavale, Joe Morton, Rory Culkin, Sandra Oh, John Cullum
Director: Patrick Stettner
Director: Patrick Stettner
Screenwriter: Armistead Maupin, Terry Anderson, Patrick Stettner
Producer: Robert Kessel, Jeff Sharp, John N. Hart, Jill Footlick
Composer: Peter Nashel
Studio: Miramax Films
Reviews for The Night Listener
However, the film brushes over certain elements of the book (most notably Gabriel's relationship with his partner) and shies away from its more important themes (AIDS, child abuse etc), leaving the equivalent of a sanitised TV version of the book.
The plot dawdles along, intrigue gives way to risible melodrama, and [director] Patrick Stettner fails to get to grips with the issues.
Robin Williams's face is permanently on its smiling-through-emotional-pain setting.
The story is fascinating and often disturbing, but the film never really gets beneath the surface.
You should find this watchable and moderately clever; it's just a shame that it tries to sound weighty about truth and love, instead of getting on with being scary.
Based on a novel by Armistead Maupin, which was based in turn on an episode in Mr. Maupins life, The Night Listener explores a shadowy region between truth and fiction.
Maupin has, in the past, penned many yarns in which suspense and sentiment have had a quirky and efficacious symbiosis. Here, there is virtually no suspense -- only sentiment.
an engrossing thriller that probes the human psyche and is coy about giving up its secrets too easily
Director Patrick Stettner plays his cards close to his vest for much of the film ... going for suspenseful ambiguity, partly through including misleading scenes that might be considered cheating.
The movie might make for a good book, but it's too awkward and lacks the necessary action for a film. And Williams' rather sluggish approach doesn't help much. Eventually, we just aren't interested in tagging along with him.
Although it may not satisfactorily work all of its many ideas out, The Night Listener does thoughtfully explore the myriad games people play -- on themselves as well as others -- in the universal search for gratifying affection.
Presents one of the most fascinating characters of the year... a cool, calculated remedy to the late-summer doldrums.
Listener is an intimate story, and Stettner directs accordingly, appreciating Maupin's delicate framework and doesn't push his weight around trying to shape the material into standard thriller mode.
More intriguing than enthralling, more creepy than disturbing, The Night Listener runs a tidy 80 minutes yet still feels stretched.
A movie that inspires us to question what we truly know -- about others and, even more importantly, about ourselves.
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