All roads lead to dead ends, in dramatic and investigative terms.
The Night Listener (2006)
Tomatometer
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Reviews Counted:130
Fresh:52
Rotten:78
Average Rating:5.5/10
Consensus: This psychological thriller compels by blurring the line between truth and fiction; unfortunately, the film itself gets muddled in a hazy account of Maupin's original novel.
Rated: 15 [See Full Rating] for language and some disquieting sexual content
Runtime: 1 hr 31 mins
Genre: Dramas
Theatrical Release:15-09-2006
Synopsis: Inspired by a real-life experience of author Armistead Maupin (on whose book the film is based), THE NIGHT LISTENER is a dark drama that derives its strengths as much from the places it doesn't go... Inspired by a real-life experience of author Armistead Maupin (on whose book the film is based), THE NIGHT LISTENER is a dark drama that derives its strengths as much from the places it doesn't go as the places it does. Spare and tense, it tells the story of Gabriel Noone (Robin Williams), a storyteller with a national late-night radio show. Gay and recovering from a breakup with his much younger lover, Jess (Bobby Cannavale), Gabriel is experiencing writer's block. His life takes on a strange new wrinkle, though, when a literary agent (Joe Morton) passes on a manuscript he's received from a young fan of Gabriel's--an AIDS-stricken 14-year-old boy, Pete (Rory Culkin), who has written a detailed account of the prolonged sexual abuse he suffered at the hands of his parents and their friends. Gabriel develops a friendly phone relationship with the boy, but soon senses that something is unusual about Pete and his caretaker, Donna (Toni Collette), and ventures to Wisconsin to figure out exactly what's going on. With its pure and streamlined narrative, THE NIGHT LISTENER sidesteps the showy pitfalls that derail many modern thrillers. Fueled by subdued performances from Williams, whose manic energy is all but invisible, and Collette, whose chameleon-like brilliance has never been more in evidence, the film has obvious echoes of Hitchcock, as well as strange parallels to 2005's JT LeRoy literary scandal. Once Noone arrives in Wisconsin, an all-enveloping sense of unease starts in on a slow burn, and remote locations are used to great effect. Williams has a scene in a hospital that couldn't be further from PATCH ADAMS, and by the quiet conclusion, you will be wondering if maybe you should be a little less trustful of strangers, especially if they're big fans of your work. [More]
Starring: Robin Williams, Toni Collette, Bobby Cannavale, Joe Morton
Starring: Robin Williams, Toni Collette, Bobby Cannavale, Joe Morton, Rory Culkin, Sandra Oh, John Cullum
Director: Patrick Stettner
Director: Patrick Stettner
Screenwriter: Armistead Maupin, Terry Anderson, Patrick Stettner
Producer: Robert Kessel, Jeff Sharp, John N. Hart, Jill Footlick
Composer: Peter Nashel
Studio: Miramax Films
Reviews for The Night Listener
The Night Listener is intriguing, thought-provoking and harrowing by turns, with fine central and supporting performances and a richly satisfying feel.
Robin Williams's face is permanently on its smiling-through-emotional-pain setting.
You should find this watchable and moderately clever; it's just a shame that it tries to sound weighty about truth and love, instead of getting on with being scary.
The story is fascinating and often disturbing, but the film never really gets beneath the surface.
The plot dawdles along, intrigue gives way to risible melodrama, and [director] Patrick Stettner fails to get to grips with the issues.
However, the film brushes over certain elements of the book (most notably Gabriel's relationship with his partner) and shies away from its more important themes (AIDS, child abuse etc), leaving the equivalent of a sanitised TV version of the book.
It's worth seeing for the performances, but it's something to go in with low expectations on the plot itself.
At only eighty-two minutes long, the film zips along--and keeps you guessing.
80 percent a superb thriller, backloaded with 20 percent gotcha and goodbye. That's a scandalous way to treat a viewer.
The movie might make for a good book, but it's too awkward and lacks the necessary action for a film. And Williams' rather sluggish approach doesn't help much. Eventually, we just aren't interested in tagging along with him.
...glides over the surface of some intriguing questions, not the least of which is what an author owes the real people who inspire his stories.
Ultimately, The Night Listener is more admirable for what it tries to be than for what it actually achieves.
Ultimately, the film veers off-course into pure melodrama and a trickled-out ending that apparently was also a problem in Maupin's book.
It’s unlike anything else out now, and Williams, to his credit and our immense relief, has for the moment foresworn his usual giddiness in favor of a muted, hunched acting style that befits both the character of Noone and the overall tone of the film.
Williams delivers a solid, twinkle-free (though closed-off) performance, but the film as a whole can't decide what it wants to be.
Adapted from Armistead Maupin's highly anticipated, woefully executed 2000 novel, this is surely among the best bad movies of the year.
If you watch and listen closely, it will dawn on you that this thriller has everything going for it -- except a clincher ending.
The thriller is relatively consistent at maintaining the suspense and dramatic tension that made the original work of fiction so compelling to the celebrated writer's loyal group of fans.
One of those films where it's easy to recognize something's going on and there's interesting intentions but it just never comes together.
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