A more intriguing plot twist would have had Noone in a prolonged, nightmarish situation where he couldn't convince the authorities of his innocence. But, alas, I wasn't asked to be a consultant on the script.
The Night Listener (2006)
Tomatometer
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Reviews Counted:130
Fresh:52
Rotten:78
Average Rating:5.5/10
Consensus: This psychological thriller compels by blurring the line between truth and fiction; unfortunately, the film itself gets muddled in a hazy account of Maupin's original novel.
Rated: 15 [See Full Rating] for language and some disquieting sexual content
Runtime: 1 hr 31 mins
Genre: Dramas
Theatrical Release:15-09-2006
Synopsis: Inspired by a real-life experience of author Armistead Maupin (on whose book the film is based), THE NIGHT LISTENER is a dark drama that derives its strengths as much from the places it doesn't go... Inspired by a real-life experience of author Armistead Maupin (on whose book the film is based), THE NIGHT LISTENER is a dark drama that derives its strengths as much from the places it doesn't go as the places it does. Spare and tense, it tells the story of Gabriel Noone (Robin Williams), a storyteller with a national late-night radio show. Gay and recovering from a breakup with his much younger lover, Jess (Bobby Cannavale), Gabriel is experiencing writer's block. His life takes on a strange new wrinkle, though, when a literary agent (Joe Morton) passes on a manuscript he's received from a young fan of Gabriel's--an AIDS-stricken 14-year-old boy, Pete (Rory Culkin), who has written a detailed account of the prolonged sexual abuse he suffered at the hands of his parents and their friends. Gabriel develops a friendly phone relationship with the boy, but soon senses that something is unusual about Pete and his caretaker, Donna (Toni Collette), and ventures to Wisconsin to figure out exactly what's going on. With its pure and streamlined narrative, THE NIGHT LISTENER sidesteps the showy pitfalls that derail many modern thrillers. Fueled by subdued performances from Williams, whose manic energy is all but invisible, and Collette, whose chameleon-like brilliance has never been more in evidence, the film has obvious echoes of Hitchcock, as well as strange parallels to 2005's JT LeRoy literary scandal. Once Noone arrives in Wisconsin, an all-enveloping sense of unease starts in on a slow burn, and remote locations are used to great effect. Williams has a scene in a hospital that couldn't be further from PATCH ADAMS, and by the quiet conclusion, you will be wondering if maybe you should be a little less trustful of strangers, especially if they're big fans of your work. [More]
Starring: Robin Williams, Toni Collette, Bobby Cannavale, Joe Morton
Starring: Robin Williams, Toni Collette, Bobby Cannavale, Joe Morton, Rory Culkin, Sandra Oh, John Cullum
Director: Patrick Stettner
Director: Patrick Stettner
Screenwriter: Armistead Maupin, Terry Anderson, Patrick Stettner
Producer: Robert Kessel, Jeff Sharp, John N. Hart, Jill Footlick
Composer: Peter Nashel
Studio: Miramax Films
Reviews for The Night Listener
Leaves us in the dark, with no real answers -- you know, just like life!
If you watch and listen closely, it will dawn on you that this thriller has everything going for it -- except a clincher ending.
In Stettner's The Night Listener, Williams applies for his license to creep out the masses in a mopey and mediocre character study of atmospheric tension and chaos.
It's worth seeing for the performances, but it's something to go in with low expectations on the plot itself.
Very little pay off. Worse, the film cheats. It belies its own integrity by including shots meant only to mislead the audiences, ultimately to contradict its own storyline.
The scenario encounters routine hollow patches, substituting dead air for the necessary tension required to drive the psychological points home.
...a small, grown-up movie for people who want a breather from all the current blockbusters, cartoons, and dumb comedies.
It's fitting that kaleidoscopic images introduce this psychological thriller in which reality and fantasy collide and splinter into cinematic fragments.
It’s unlike anything else out now, and Williams, to his credit and our immense relief, has for the moment foresworn his usual giddiness in favor of a muted, hunched acting style that befits both the character of Noone and the overall tone of the film.
In Patrick Stettner's confident direction, with Lisa Rinzler's ominous-to-spooky cinematography, Williams and Collette carry off a fine visual realization of what is essentially a theater-of-the-mind piece.
It's surprising that a story with such a great hook could be turned into a flat, uninvolving film.
(Stettner) sets up a rule that the movie is about the psychological conditions of its characters, and what they can teach us about ourselves. He then switches games and asks us to believe the spook is its own excuse.
A quiet, measured and resolutely unnerving mystery, The Night Listener is one of the year's most assuredly intelligent releases.
Early reviews compare this to Hitchcock, but Hitch was never this obvious. Even at less than 90 minutes, this is a drawn-out, butt numbing sit.
A moving mystery of the heart based on a novel by Armistead Maupin about the lengths some people will go to find acceptance and love.
Rather than building to a slam-bang payoff, it lulls us in, almost without care.
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