A small-scale, lovingly crafted, low-budget picture.
The Walker (2007)
Tomatometer
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Reviews Counted:59
Fresh:31
Rotten:28
Average Rating:5.3/10
Consensus: Despite a strong performance from Woody Harrelson, The Walker can be slow and dull at times, detracting from the talented cast.
Rated: 15 [See Full Rating] for language, some violent material and nude images.
Runtime: 1 hr 48 mins
Genre: Dramas
Theatrical Release:10-08-2007
Synopsis: Director Paul Schrader (AMERICAN GIGOLO, AFFLICTION) has often described himself as making films with two characters: a man and his room. In THE WALKER, his lonely man is Carter Page III (Woody... Director Paul Schrader (AMERICAN GIGOLO, AFFLICTION) has often described himself as making films with two characters: a man and his room. In THE WALKER, his lonely man is Carter Page III (Woody Harrelson), a charming social accessory in the Capote vein, escorting the wives of high-powered politicians to society gatherings and offering witty rejoinders at the appropriate moment. Dressed in a peacock's assortment of tailored suits, Carter attends an exclusive, trash-talking canasta game with the wilting wives of D.C. power brokers: queen bee Natalie Van Miter (Lauren Bacall), old vet Abigail Delorean (Lily Tomlin), and newcomer Lynn Lockner (Kristin Scott Thomas). It is not unimportant that Carter, the prodigal son of a famed Southern politician, is gay and living in a city controlled by a right-wing administration. Indeed, it is Washington D.C. that provides Schrader's stifling "room," a landscape where everyone has an angle, sympathies change in a heartbeat, and lives are ruined with a whisper. The film's plot is set into motion when Carter chauffeurs Lynn to a sexual rendezvous with a Washington lobbyist; she discovers him dead, perforated by stab wounds. Fearing scandal, Carter covers up for her and soon finds himself under the spotlight of an investigation. Hounded by a self-righteous, ambitious D.A., Carter begins probing the matter himself with the help of his photographer boyfriend, a decision that puts both their lives in peril. A compelling character study disguised as a thriller, THE WALKER is anchored by Harrelson's brilliant and nuanced performance of the superficial (but exactly how superficial?) Carter Page III, and the perfect casting of Bacall and Tomlin as career wives. Though eminently watchable for its twists and turns, the film's more lasting impression is its intriguing tapestry of insular, double lives. [More]
Starring: Woody Harrelson, Kristin Scott Thomas, Lauren Bacall, Ned Beatty
Starring: Woody Harrelson, Kristin Scott Thomas, Lauren Bacall, Ned Beatty, Moritz Bleibtreu, Mary Beth Hurt, Lily Tomlin, Willem Dafoe
Director: Paul Schrader
Director: Paul Schrader
Screenwriter: Paul Schrader
Producer: Deepak Nayar
Composer: Anne Dudley
Studio: ThinkFilm
Reviews for The Walker
Certainly well made, a reminder that Schrader is a writer and director of some note.
A charismatic and charming film with lots of delightful turns of phrase but it also ends up feeling as frivolous and fleeting as its main protagonist.
The Walker might have meant something, but it tails off into vagueness.
The Walker seems the work of a straight movie artist trying to “do” gay. There is no reality humanising the caricatural extremes.
It looks tired, slightly soft in the middle, and yet there is a raw, hard-won honesty here that puts most contemporary US movies to shame.
Harrelson deserves a pat on the back for filling out his character. Never allowed to forget the greatness of his politician father, he's a deeply self-loathing man whose acerbic front prevents him forming real relationships.
A return to form and another entry in Schrader's 'God's Lonely Man' saga, this murder mystery is hard not to be intrigued by. Harrelson's brilliant performance is enough to sell it alone.
The thriller plot is over-dependent on coincidence and virtually impossible to follow, still less care about. Schrader's sniping at the Bush-Cheney administration seems obtuse rather than sharp, and badtempered instead of scintillating.
An overwrought plot bogs down Paul Schrader’s DC-based social drama. Still, the dialogue is sharp, and the clotted story can’t eclipse a fine cast headed by a tour de force performance from Harrelson.
Harrelson is an entertaining mix of Old South camp and quiet pathos but neither he nor the script's desultory attempts at post-9/11 commentary are enough to elevate it above the level of a pretentious John Grisham adaptation.
Attempting to encompass too many genres dulls the overall effect but this still commands a certain fascination.
Slow-moving, badly acted and painfully pretentious drama that fails to engage on any level.
It's a carefully measured performance by Harrelson, that draws you into Paige's dilemma: effete rather than flamboyant, polite and reserved.
Moody and rather pretentious, this drama at least has a handful of intriguing characters to keep our interest.
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