There are moments that stir, and it's always lovely, but it's generally too remote to gain hold of you truly.
The Wind That Shakes the Barley (2007)
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Reviews Counted:108
Fresh:95
Rotten:13
Average Rating:7.6/10
Consensus: Bleak and uncompromising, but director Ken Loach brightens his film with gorgeous cinematography and tight pacing, and features a fine performance from Cillian Murphy.
Rated: 15 [See Full Rating] for crude and sexual humor, language, a comic violent image and some drug references
Runtime: 2 hrs 7 mins
Genre: Dramas
Theatrical Release:23-06-2006
Synopsis: Set in 1916 in Ireland, THE WIND THAT SHAKES THE BARLEY is the story of Damien (Cillain Murphy), a young Irishman about to fulfill his lifelong dream of becoming a doctor. When his friend is... Set in 1916 in Ireland, THE WIND THAT SHAKES THE BARLEY is the story of Damien (Cillain Murphy), a young Irishman about to fulfill his lifelong dream of becoming a doctor. When his friend is brutally murdered for standing up to a band of British soldiers, Damien abandons his medical career and joins his brother Teddy (Padraic Delany) in the fight for freedom. Small guerrilla groups of Irish farmers begin to wage bloody attacks, forcing the government to negotiate a ceasefire. The Anglo-Irish Peace Treaty is offered, but it puts Teddy and Damien at odds. Teddy believes they should accept the treaty and try to work within the system to avoid further bloodshed, while Damien thinks they should continue to fight until they are completely free of British rule. Whereas the two brothers used to fight side by side, they now find themselves divided, and forced to choose between their familial bond and their ardent beliefs. Murphy and Delany both give standout performances as the battling brothers. Murphy flashes his otherworldly blue eyes and conveys his character's fierce intellect, as well as the deep sadness of his struggle. Delany, for his part, tries to come off as all brawn and bravery, but cannot conceal his sensitive heart--his face glows with rage one minute, then crumples into sorrow the next. Director Ken Loach, who won the Palme d'Or for the film, has created a deeply personal war story, with an attention to detail that is heartbreaking in its realism. The sight of the young men training for battle with hurley bats instead of rifles will make the viewer gasp at the disparity between the warring sides. While some might flinch at the graphic violence depicted, the film stands strong as a raw, human portrait of a deeply troubled moment in history. [More]
Starring: Cillian Murphy, Liam Cunningham, William Ruane, Gerard Kearney
Starring: Cillian Murphy, Liam Cunningham, William Ruane, Gerard Kearney, Padraic Delaney, Roger Allam, Orla Fitzgerald
Director: Ken Loach
Director: Ken Loach
Screenwriter: Paul Laverty
Producer: Rebecca O'Brien
Composer: George Fenton
Studio: Paramount Pictures
Reviews for The Wind That Shakes the Barley
While the film has its share of exciting battle scenes, Loach captures them with an almost detached, documentary-like feeling, as if not wanting the thrills to overwhelm the essential tragedy he sees in the story.
Loach remains focused on the personal, which serves best to highlight the seriousness of the political with which it intersects.
Director Ken Loach borrows the title of his 1920s Irish insurrection drama "The Wind That Shakes the Barley" from a Robert Dwyer Joyce poem, and, in turn, his film is visual poetry.
A social drama so well built that it can pump out thrills while fueling Damian's motivation.
A scenic bit of agitprop that can be as easy on the eyes as it is soft on the ear, even when it's being harshly argued and violently portrayed.
The Wind That Shakes the Barley has a sober, authentic, down-to-earth feel to it.
The Wind that Shakes the Barley is a multi-layered story, and the more you see those different aspects, the more you'll enjoy the film.
The Wind That Shakes the Barley may want to view the world in black and white, but it’s honest enough to admit that most of the time the truth is gray.
While this may be a historical piece, it's history told in the vivid present tense.
Honest enough to acknowledge that war has the ability to turn everyone -- despite their convictions -- into thugs and murderers.
Loach and his cinematographer, Barry Ackroyd, paint a grim realist portrait in muted tones that captures the solemnity of an Ireland turning on itself and the tragedy of two brothers spiraling away from each other.
Raises hard questions about Ireland's uncanny ability to kneecap itself.
[Loach] has made an often handsome, always sobering movie that does what the best movies do: leave us a whole lot less sure about what we ought to think.
[Loach is] the master of the docu-drama or the realist social film, and Wind is one of his masterpieces.
As frequently happens in both Loach films and history, the betrayal of ideals, socialist and otherwise, leaves a harsh aftertaste, which made me feel sadder but not much wiser.
Alternately winsome and sadistic but always with an eye on the prize: freedom.
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