An emotional smackdown. Rourke’s never been better, and the change of pace and texture suits Aronofsky perfectly. The Raging Bull of wrestling movies? Oh, go on then.
The Wrestler (2008)
Tomatometer
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Reviews Counted:11
Fresh:10
Rotten:1
Average Rating:7.9/10
Consensus: Mickey Rourke gives a performance for the ages in The Wrestler, a richly affecting, heart-wrenching yet ultimately rewarding drama.
Theatrical Release:16-01-2009
Synopsis: At first glance, Darren Aronofsky's THE WRESTLER may seem like a departure for the oftentimes frenetic filmmaker, and in some ways it is. When this story of a past-his-prime performer is compared... At first glance, Darren Aronofsky's THE WRESTLER may seem like a departure for the oftentimes frenetic filmmaker, and in some ways it is. When this story of a past-his-prime performer is compared to PI, REQUIEM FOR A DREAM, and THE FOUNTAIN, there is relatively little trace of psychoscientific addiction imagery, hip-hop editing, or grimly elegant peeks into dreams, nightmares, and otherworlds. Comic moments are plentiful. Aronofsky's signature close-ups of faces have been replaced with ones that force themselves into wounds inflicted for visceral spectacle. Much of the time the camera floats and bobs with an observant, almost documentary-like quietness, ethereally following the wrestler as if it were his past, and the viewer may perceive vague connections to a later, lonelier, less legitimate Rocky Balboa. But Mickey Rourke isn't the Italian Stallion--he's Randy "The Ram" Robinson, a man who has spent decades slicing himself open in choreographed fights while adoring crowds roar. Pro wrestling isn't as lucrative as it was for Randy in the 1980s, but he stays at it while working menial jobs because performing isn't just the only thing he craves--it's the only thing that, at 50, he knows how to crave. While courting his one true friend, a stripper named Cassidy (Marisa Tomei), Randy does his best to restart a relationship with the angry daughter (Evan Rachel Wood) he abandoned. But Rourke imbues the image of Randy, ready to pounce from the ropes, looking almost as unreal as the box art on action figure packaging, with an expression of pain, desperation, and joy. It's a close-up that makes two things clear. For one, Randy's charisma is inseparable from the crippling fixation that's kept him alive. For another, THE WRESTLER might be at once a simpler and more complex meditation on addiction and eternal struggle than any of Aronofsky's earlier work. [More]
Starring: Mickey Rourke, Marisa Tomei, Evan Rachel Wood, Ernest "The Cat" Miller
Starring: Mickey Rourke, Marisa Tomei, Evan Rachel Wood, Ernest "The Cat" Miller, Gregg Bello
Director: Darren Aronofsky
Director: Darren Aronofsky
Screenwriter: Darren Aronofsky, Robert Siegel
Producer: Scott Franklin
Composer: Clint Mansell
Studio: Fox Searchlight Pictures
Reviews for The Wrestler
Aronofsky directs with unfussy candour, alternating between the intensity of the wrestling and the drabness of Randy’s ‘real’ life.
Aronofsky has pulled off that rare feat - he's made a great film about a niche subject that will delight wrestling fans and cineastes alike. And Rourke's performance is a knockout.
The weakness of Aronofsky’s film is that these various sentimental crises are framed with as much subtlety as Randy’s wildly overdue heart attack. The film lurches into a predictable panic about dying alone.
The Wrestler runs on what are admittedly pretty traditional lines for a sports film, yet runs on them with exhilarating speed and attack. I was waiting for a cop-out ending, but it never arrived.
Not only has he hauled Rourke from his self-pitying slump, but, working from a screenplay written by Robert D Siegel, he has created an often-brutal, always-compelling portrait of a decent man trying to peel himself off Skid Row.
Mickey Rourke plays the battered, broke, lonely hero, Randy ('The Ram') Robinson. This is the performance of his lifetime, will win him a nomination, may win him the Oscar.
While the director was essential in collaborating with Rourke to create that memorable performance, it remains real work in an essentially fake film, and there is nothing anyone can do about that.
The Wrestler shows that, in both movies and wrestling, the line between reality and play-acting may be less clear than we assume.
Rourke creates a galvanizing, humorous, deeply moving portrait that instantly takes its place among the great, iconic screen performances.
Although the film teeters on the brink of sentimentality, it never topples into the slush, and this is a tribute to the rigorous direction as well as the astringent performances.
Latest News for The Wrestler
February 21, 2009:
Independent Spirit Award Winners Announced
The best independent films of 2008 were recognized with the announcement of the Independent Spirit Award nominees. The awards show was broadcast live on IFC on Saturday,... More...
January 26, 2009:
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Playing Randy "The Ram" Robinson in "The Wrestler" hasn't just earned Mickey Rourke a career reboot and heaps of critical acclaim -- it's apparently also afforded him a slot on... More...
January 25, 2009:
Mickey Rourke resuscitates career as comeback kid in search of redemption. ![]()
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January 21, 2009:
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