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The Wrestler (2008)
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Reviews Counted:204
Fresh:199
Rotten:5
Average Rating:8.3/10
Consensus: Mickey Rourke gives a performance for the ages in The Wrestler, a richly affecting, heart-wrenching yet ultimately rewarding drama.
Theatrical Release:16-01-2009
Synopsis: At first glance, Darren Aronofsky's THE WRESTLER may seem like a departure for the oftentimes frenetic filmmaker, and in some ways it is. When this story of a past-his-prime performer is compared... At first glance, Darren Aronofsky's THE WRESTLER may seem like a departure for the oftentimes frenetic filmmaker, and in some ways it is. When this story of a past-his-prime performer is compared to PI, REQUIEM FOR A DREAM, and THE FOUNTAIN, there is relatively little trace of psychoscientific addiction imagery, hip-hop editing, or grimly elegant peeks into dreams, nightmares, and otherworlds. Comic moments are plentiful. Aronofsky's signature close-ups of faces have been replaced with ones that force themselves into wounds inflicted for visceral spectacle. Much of the time the camera floats and bobs with an observant, almost documentary-like quietness, ethereally following the wrestler as if it were his past, and the viewer may perceive vague connections to a later, lonelier, less legitimate Rocky Balboa. But Mickey Rourke isn't the Italian Stallion--he's Randy "The Ram" Robinson, a man who has spent decades slicing himself open in choreographed fights while adoring crowds roar. Pro wrestling isn't as lucrative as it was for Randy in the 1980s, but he stays at it while working menial jobs because performing isn't just the only thing he craves--it's the only thing that, at 50, he knows how to crave. While courting his one true friend, a stripper named Cassidy (Marisa Tomei), Randy does his best to restart a relationship with the angry daughter (Evan Rachel Wood) he abandoned. But Rourke imbues the image of Randy, ready to pounce from the ropes, looking almost as unreal as the box art on action figure packaging, with an expression of pain, desperation, and joy. It's a close-up that makes two things clear. For one, Randy's charisma is inseparable from the crippling fixation that's kept him alive. For another, THE WRESTLER might be at once a simpler and more complex meditation on addiction and eternal struggle than any of Aronofsky's earlier work. [More]
Starring: Mickey Rourke, Marisa Tomei, Evan Rachel Wood, Ernest "The Cat" Miller
Starring: Mickey Rourke, Marisa Tomei, Evan Rachel Wood, Ernest "The Cat" Miller, Gregg Bello
Director: Darren Aronofsky
Director: Darren Aronofsky
Screenwriter: Darren Aronofsky, Robert Siegel
Producer: Scott Franklin
Composer: Clint Mansell
Studio: Fox Searchlight Pictures
Reviews for The Wrestler
Manages not to make this washed up wrestler a joke, just an "old broken down piece of meat" for whom we feel tremendous empathy.
The slow-burning engine at the heart of the film is Rourke, whose tender, subtle turn is a revelation.
Aronofsky has devised one of the most gritty and intensely authentic sports flicks in recent memory. Rourke is absorbingly raw and reflective...deeply affecting in its razor-like observations
Mickey Rourke gives a spectacular performance, heart-rending and true, which should induce showers of awards on this comeback kid.
Rourke shows a charismatic sensitivity formerly hidden. He's got nothing to lose by holding back and it shows.
Overly sentimental but a must-see for Mickey Rourke's astonishing performance as a pro wrestler seeking a comeback.
As painfully truthful as Siegel's closely observed character construction is, the film is not without flaws--but they take nothing away from what touches us.
This tragicomic portrait of 'God's Lonely Man' is the dark horse contender for best film of the year, although I'm sure its star wouldn't have it any other way.
Aronofsky invokes a fierce blue-collar integrity that supports the idiosyncrasies of the story's pro wrestling milieu... "The Wrestler" is an independent gem.
Rourke brings a staggering amount of emotional weight to the role of Randy.
Aronofsky pulls all the usual strings in The Wrestler. But in the end the movie works, maybe because the best things about it are things that Aronfsky isn’t even conscious of.
A compelling and poignant anatomy of an over-the-hill wrestler's encounter with the excruciating pain and isolation of loneliness.
'The Wrestler' meshes the spectacle entertainment of cinema and sports with the tale of a man who without apology does what he does best.
The movie is simply, stellar, an American parable and moving drama found in an unlikely place.
Annihilation and resurrection are the twin axes upon which The Wrestler turns.
To say this is a great comeback for an actor whose talent was exceeded only by his self-destructiveness is obvious.
Mark your Oscar ballot: In a major comeback, Mickey Rourke gives the year's most dramatically impressive, not to mention iconic and self-reflexive performance in Aronofsky's haunting sports film, full of allusions to the star's career and life offscreen
A quiet, intimate portrait of a troubled soul--someone at odds with himself and with life in general whose every ounce of pain and virtue is measured onscreen.
Latest News for The Wrestler
February 21, 2009:
Independent Spirit Award Winners Announced
The best independent films of 2008 were recognized with the announcement of the Independent Spirit Award nominees. The awards show was broadcast live on IFC on Saturday,... More...
January 26, 2009:
Mickey Rourke: From Wrestler to Wrestlemania ![]()
Playing Randy "The Ram" Robinson in "The Wrestler" hasn't just earned Mickey Rourke a career reboot and heaps of critical acclaim -- it's apparently also afforded him a slot on... More...
January 25, 2009:
Mickey Rourke resuscitates career as comeback kid in search of redemption. ![]()
More...
January 21, 2009:
Five Favourite Films with James Franco
Having established his name in the Spider-Man movies, these days James Franco is clearly making some more personal career choices. He was in three films in 2008, notable for... More...
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