Pleasantly trite script, predominately uninspired directing, barnburning central performance that turns the movie into one of the most transcendent character dramas of the year.
The Wrestler (2008)
Tomatometer
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Reviews Counted:204
Fresh:199
Rotten:5
Average Rating:8.3/10
Consensus: Mickey Rourke gives a performance for the ages in The Wrestler, a richly affecting, heart-wrenching yet ultimately rewarding drama.
Theatrical Release:16-01-2009
Synopsis: At first glance, Darren Aronofsky's THE WRESTLER may seem like a departure for the oftentimes frenetic filmmaker, and in some ways it is. When this story of a past-his-prime performer is compared... At first glance, Darren Aronofsky's THE WRESTLER may seem like a departure for the oftentimes frenetic filmmaker, and in some ways it is. When this story of a past-his-prime performer is compared to PI, REQUIEM FOR A DREAM, and THE FOUNTAIN, there is relatively little trace of psychoscientific addiction imagery, hip-hop editing, or grimly elegant peeks into dreams, nightmares, and otherworlds. Comic moments are plentiful. Aronofsky's signature close-ups of faces have been replaced with ones that force themselves into wounds inflicted for visceral spectacle. Much of the time the camera floats and bobs with an observant, almost documentary-like quietness, ethereally following the wrestler as if it were his past, and the viewer may perceive vague connections to a later, lonelier, less legitimate Rocky Balboa. But Mickey Rourke isn't the Italian Stallion--he's Randy "The Ram" Robinson, a man who has spent decades slicing himself open in choreographed fights while adoring crowds roar. Pro wrestling isn't as lucrative as it was for Randy in the 1980s, but he stays at it while working menial jobs because performing isn't just the only thing he craves--it's the only thing that, at 50, he knows how to crave. While courting his one true friend, a stripper named Cassidy (Marisa Tomei), Randy does his best to restart a relationship with the angry daughter (Evan Rachel Wood) he abandoned. But Rourke imbues the image of Randy, ready to pounce from the ropes, looking almost as unreal as the box art on action figure packaging, with an expression of pain, desperation, and joy. It's a close-up that makes two things clear. For one, Randy's charisma is inseparable from the crippling fixation that's kept him alive. For another, THE WRESTLER might be at once a simpler and more complex meditation on addiction and eternal struggle than any of Aronofsky's earlier work. [More]
Starring: Mickey Rourke, Marisa Tomei, Evan Rachel Wood, Ernest "The Cat" Miller
Starring: Mickey Rourke, Marisa Tomei, Evan Rachel Wood, Ernest "The Cat" Miller, Gregg Bello
Director: Darren Aronofsky
Director: Darren Aronofsky
Screenwriter: Darren Aronofsky, Robert Siegel
Producer: Scott Franklin
Composer: Clint Mansell
Studio: Fox Searchlight Pictures
Reviews for The Wrestler
Rapturously enthralling and deeply poignant, one of the year's best. Mickey Rourke gives the performance of a lifetime.
The absolute key to the movie's success is that it's mainly one actor playing one man in a way that we can join him inside his skin, and that's all the movie needs to be about, just pure pathos.
Don't believe the hype -- or, more importantly, look past it; The Wrestler offers viewers far more than just Rourke's performance -- which, it must be said, is excellent -- if they're willing to not flinch from what it has to say.
But Rourke's work in the film transcends mere stunt-casting; his performance is a howl of pain that seems to come from a very real place.
Present in every scene, if not each shot, Rourke gives a tremendously physical performance that The Wrestler essentially exists to document.
Rourke delivers a performance that seems to start and end in the cardiovascular system, making everything Rourke actually does seem effortless. As if he's just breathing it.
The Wrestler turns into a piece of wildly uneven inspiration ... It's as if a zero-degree work of realism -- like Lance Hammer's magnificent Ballast -- gets body-slammed by the classical three-act structure.
It succeeds as a character study, as a drama, as a comedy, and as a sports film. This is a remarkable achievement by any standard.
Darren Aronofsky's most personal film in years is a small character study, featuring a ferocious, career-capping performance by Mickey Rourke.
...a deliberately-paced yet consistently compelling character study that undoubtedly marks the high point of Darren Aronofsky's career.
Here, finally, is a film that, through its very intimacy, touches on love, money, dreams and death in a way that will pile-drive you through the mat.
The Wrestler is like Rocky made by the Scorsese of Mean Streets. It's the rare movie fairy tale that's also a bravura work of art.
Like Jack Palance in Requiem for a Heavyweight, the man you’re watching not only has the role of a lifetime; he seems to be living it, too. The result is the most brutally honest performance of the year.
Mickey Rourke delivers a tremendous performance in a film that explores how one man can wrestle for his conscience, his soul and his life at the same time.
What Rourke offers us, in short, is not just a comeback performance but something much rarer: a rounded, raddled portrait of a good man.
Latest News for The Wrestler
February 21, 2009:
Independent Spirit Award Winners Announced
The best independent films of 2008 were recognized with the announcement of the Independent Spirit Award nominees. The awards show was broadcast live on IFC on Saturday,... More...
January 26, 2009:
Mickey Rourke: From Wrestler to Wrestlemania ![]()
Playing Randy "The Ram" Robinson in "The Wrestler" hasn't just earned Mickey Rourke a career reboot and heaps of critical acclaim -- it's apparently also afforded him a slot on... More...
January 25, 2009:
Mickey Rourke resuscitates career as comeback kid in search of redemption. ![]()
More...
January 21, 2009:
Five Favourite Films with James Franco
Having established his name in the Spider-Man movies, these days James Franco is clearly making some more personal career choices. He was in three films in 2008, notable for... More...
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