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News / Columns / RT on DVD
RT on DVD: There Will Be Blood Drinks Lions for Lambs, Dewey Cox's Milkshakes
Check out Walk Hard, Lions for Lambs, P2 and more this week.
by Jen Yamato | April 07, 2008
Discuss Article
P. T. Anderson's Oscar-winning oil opus There Will Be Blood hits shelves this week, so if you missed Daniel Day-Lewis' astounding turn as the prospector with a heart as black as crude in theaters, now's the time to play catch up. Also new to DVD are the musical spoof Walk Hard: The Dewey Cox Story, Leonardo di Caprio's environmental doc The 11th Hour, the parking lot thriller P2, and more.




There Will Be Blood

Tomatometer: 92%

Paul Thomas Anderson is one of the most consistent young auteurs around (his films in order: Hard Eight, Boogie Nights, Magnolia, Punch-Drunk Love) so it was no surprise when his latest, There Will Be Blood, proved predictably exceptional. The epic character study of oilman Daniel Plainview (Daniel Day-Lewis in an Oscar-winning role) striking it rich in turn-of-the-century California captivated the hearts of critics with Robert Elswit's handsome Oscar-winning photography; Plainview's greed-fueled descent into bitter loneliness -- and his rivalry with evangelist Eli Sunday (Paul Dano) -- mesmerized their minds. All of which makes There Will Be Blood, released this week in both single- and double-disc versions, a must-own for any true cinephile. We recommend the 2-disc release, of course, which includes deleted scenes and a government-produced vintage silent film about the oil industry scored anew by Radiohead guitarist (and TWBB composer) Jonny Greenwood.


Walk Hard: The Dewey Cox Story

Tomatometer: 74%

While Walk Hard suffered the ignominious label of "box office bomb" following a dismal and surprising theatrical run last December, the Judd Apatow-produced musical comedy deserved a better fate, according to critics. Perhaps the time for glory is now. Co-writer and director Jake Kasdan, whose sharp industry satire The TV Set also opened quietly earlier in 2007, skewers the musical biopic genre (Walk the Line, Ray) with the rollercoaster rock 'n roll life of Dewey Cox (John C. Reilly, who does his own rocking and rolling), a doughy musical prodigy with a tragic past who goes from rockabilly to psychedelia to Dylanism and everything in between as fame, fortune, groupies, and drugs facilitate his rise and fall. The best part of this DVD release -- besides the inclusion of American Cox: The Unbearably Long, Self-Indulgent Director's Cut -- is the better-than-average bonus menu stuffed full of backstage and specially-produced extras.




Lions for Lambs

Tomatometer: 27%

Hollywood's attempts to address the Iraq war have thus far fallen flat with ticket buyers, a trend that Lions for Lambs didn't help reverse. Robert Redford directs and co-stars in this talky anti-war drama, penned by Matthew Michael Carnahan (brother to Joe and writer of The Kingdom) and also starring Meryl Streep and Tom Cruise. In three intertwined stories, a professor, his student, two soldiers, a journalist, and a politician hash out ideas about war, democracy, the media, and terrorism; the question is, do you care? While it's a noble attempt at provoking discourse, critics say Lambs is not the stuff of great cinema. A director commentary on the DVD might be the film's most useful feature.





P2

Tomatometer: 35%

Unless cleavage and gore rank higher than plot and realism on your movie checklist, P2 is likely to disappoint. In any case, it can't be a good thing to be unfavorably compared to Saw and Hostel ("[P2] at least does its predecessors the service of making them look masterful by comparison," wrote the Toronto Star's Geoff Pevere). The yuletide tale of a career woman (Alias' Rachel Nichols, whose eleventh hour addition to that cast couldn't save the series) trapped by an obsessive parking garage attendant (Wes Bentley, who really deserves better roles than this) on Christmas Eve garnered the scorn of most critics, though powerhouses like Roger Ebert gave it their thumbs up. Watch P2 to scope out first time director Franck Khalfoun, who appeared in producers Alexandre Aja and Gregory Levasseur's High Tension, and will next co-script a remake of the 1984 slasher Silent Night, Deadly Night.




Reservation Road

Tomatometer: 36%

Two families are ripped asunder when one fatal hit-and-run drives two fathers toward a final conflict in Terry George's adaptation of the novel of the same name. George (In the Name of the Father) previously directed the South African drama Hotel Rwanda to multiple Academy Awards nominations; his follow-up here, starring Rwanda actor Joaquin Phoenix and Mark Ruffalo (and Jennifer Connelly and Mira Sorvino as their respective wives) might have been going for awards season gold but fell far short of the mark. Critics called this dramatic thriller insufferably dark and dull, and worse -- predictable.





The 11th Hour

Tomatometer: 66%

Leonardo di Caprio hosts a gaggle of experts in this alarming documentary about the Earth's depleting resources. Unfortunately for producer di Caprio, who doubtless took on the project to lend his celebrity power to the cause, the film is a bit of a bore. That said, wearied scribes appreciated the thought behind the effort, if not so much the final product; for actionable reasons to go green, you might be better off watching a PowerPoint presentation by Al Gore. Over an hour of additional featurettes on how to do your part to help Mother Earth accompany the disc.






Manda Bala (Send a Bullet)

Tomatometer: 80%

New York filmmaker Jason Kohn crafts a lurid, sobering peek into wealth and corruption in Brazil in this festival favorite, which nabbed the Grand Jury Prize at Sundance last year. Stylized camera work exposes the country's surreal reality by focusing on, among other subjects, a politician-owned frog farm that serves as a money-laundering front; a plastic surgeon who specializes in reconstructing the cut-off ears of kidnap victims; and a businessman who opts to bullet-proof his car. A filmmaker commentary accompanies the release; find out why Kohn calls Brazil's cycle of street violence and political corruption akin to "a non-fiction RoboCop."




'Til next week, Qvod cibvs est aliis, aliis est wenenum.

Related Items
Movie: Reservation Road
Lions for Lambs
The 11th Hour
Manda Bala
Walk Hard: The Dewey Cox Story
P2
Celeb: Paul Thomas Anderson
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Comments (1-20 of 24 posts) | Reply
Some guy you dont know
Some guy you dont know writes:
on Apr 07 2008 04:55 PM

Is The 11th Hour the lowest rated certified fresh movie ever?

(Reply to this)
tomwaitsjr
tomwaitsjr writes:
on Apr 07 2008 05:12 PM

co-script a remake of the 1984 slasher Silent Night, Deadly Night.

Dear Lord NO!

TWBB was my 2nd favorite film of 2007, 1st was Into the Wild. Good stuff.

ALSO, "The Ballad of Jack and Rose" had Daniel Day-Lewis, and Paul Dano (Who plays the Jesus freak) In that film, Day Lewis' character also came to hate the Dano character.

(The Film is a bleh kind of film. One of those 2 out of 4 stars, 5 out of 10 things. . .and Jena Malone's worst acting turn)


(Reply to this)
jokerboy1991
jokerboy1991 writes:
on Apr 07 2008 05:18 PM

Ill definately get THERE WILL BE BLOOD, Ill get the 2 disc set even though the features suck. Ill also get WALK HARD (2 disc Unrated) that was such funny movie.

(Reply to this)
Shadow16nh
Shadow16nh writes:
on Apr 07 2008 05:24 PM

The failure of Walk Hard just blows my mind. There was no reason for this movie to not succeed, its head and shoulders above any of those mindless "______ Movie" abortions. The previews were funny, it was firmly supported by critics, it was a Judd Apatow project; what in the hell went wrong?

(Reply to this)
tomwaitsjr
tomwaitsjr writes:
on Apr 07 2008 05:57 PM

About Walk Hard: I think what it was satiring made it more difficult to do well. The Johnny Cash film, while quite good, wasn't runaway popular. People saw the previews and had a hard time identifying what was being satirized.

I might be wrong, tho. I haven't seen the film, and am looking forward to getting it if I timed it right on Netflix. . .


(Reply to this)
gortheartsme
gortheartsme writes:
on Apr 07 2008 06:09 PM

Walk hard really was a funny movie. I saw it opening day and was not disappointed. I think people just were not ready for the amazing John C. Reilly to be at the helm, which is a shame, because he is a talent.

(Reply to this)
The Great One
The Great One writes:
on Apr 07 2008 08:55 PM

damn Reservation Road was terrible..Im suprised its tomatometer was higher than Lions for Lambs which was pretty damn meh but not as bad as Road, which had surpisingly bad acting from a cast who you thought would deliver

(Reply to this)
PennsylvaniaJames
PennsylvaniaJames writes:
on Apr 07 2008 09:09 PM

I also was very disappointed with the failure of Walk Hard. I saw it opening night as well and thought it was hilarious (although not as good as Superbad and Knocked Up). Perhaps it'll fair better in DVD format (which I think it will actually). I'll get it eventually, but not the first day that it comes out.

(Reply to this)
Jen Yamato
Jen Yamato writes:
on Apr 07 2008 09:48 PM

I caught a live show of John C. Reilly in character as Dewey Cox before Walk Hard opened and MAN! What a performer. By the end of the night he was sweaty and shirtless with the audience in the palm of his hand.

(Reply to this)
Gimy
Gimy writes:
on Apr 08 2008 05:56 AM

There Will Be Blood better be decent...thats all you cats on here were talkin' about, that...Juno and the overrated No Country. if its as well done as Country's first 3/4's...it should be sweet. if it had that absolutely horrible ending...then i'll forever assume "great movie, oscar worthy" means overrated horsesh3t.

Walk Hard sounds decent now(based on credibility) but seriously...Reilly needs to give Will Ferrell his DNA back. thats what turned me off about that movie's trailer...cuz Ferrell hasn't been funny in years and they appeared to be the same sort of character. and Ferrell only has one character...


(Reply to this)
Shadow16nh
Shadow16nh writes:
on Apr 08 2008 07:48 AM

Of course "Blood" it's decent, it actually fantastic, my personal fav of the year anyways. Anyone who knows film should look forward to a PT Anderson/Daniel Day Lewis affair. It seems that every time a great film gets hyped by the critics there's always a percentage of people who decide to set themselves against it because they don't want to feel like sheep or something.

(Reply to this)
jokerboy1991
jokerboy1991 writes:
on Apr 08 2008 08:50 AM

In reply to this comment (#1676162)
Hey GIMMY why do you always come on the DVD page to bash NO COUNTRY, I think ive seen you post that a bunch of times. WHy do you do it? You know you're just gonna get guff for bad talking one of the best flicks and intelectual endings in years.

(Reply to this)
dedalus7
dedalus7 writes:
on Apr 08 2008 08:54 AM

See, here's the problem when you don't follow Syd Fields three act script structure to a tee: the cavemen start to furrow their horrifically heavy brow, beat their furry chests, and go kill something out of pure frustration. "Me don't get it! Arrrgggh! No decisive conclusion! Me need closure!" How dare filmakers challenge audiences with ambigous endings and actually have them think, actually have the audience participate in some fashion. Shame on the Coens. Shame on Anderson. But now it's too late, for surely the Oscar win for No Country will only encourage the Coen brothers to make more of these kinds of movies. Furrow brows now.

(Reply to this)
sliknik27
sliknik27 writes:
on Apr 08 2008 09:12 AM

I missed out on Walk Hard in the theaters, so I'm very excited to check that one out. John C. Reilly and the the always-beautiful Jenna Fischer make a winning combo.

(Reply to this)
TombstoneLawDog
TombstoneLawDog writes:
on Apr 08 2008 09:56 AM

I think *I'm* the reason Walk Hard didn't do well; commercials looked funny, I tend to LIKE John C. Reilly, and I think Judd Apatow has some reasonable skills (though I HATED "Knocked Up" and only marginally enjoyed "Superbad"), but when it came time to plunking down cash to see this, I just went "Meh; there's bigger stuff out there and besides, I'll probably rent it..."

I blame myself and consider it a travesty that unforgivable, misbegotten SH#T like the "_____movie" movies get success when films like this get trashed..

I'm so ashamed...


(Reply to this)
arendr
arendr writes:
on Apr 08 2008 11:28 AM

If you don't like "different" endings, I'm not sure you'll like There Will Be Blood, Gimy.

But I shall be drinking that DVD up.


(Reply to this)
unbreakable_samurai
unbreakable_samurai writes:
on Apr 08 2008 02:39 PM

P2 was better than I expected, still not a great film but I enjoyed it more than Hostel or Saw. Walk Hard wasn't really that funny in my opinion(C ), it had it's moments but nothing to great. There Will be Blood was an interesting movie(B), and definitely worth seeing, but it really wasn't as awesome as it was made up to be. I have to rent Reservation Road, I'm still kinda looking forward to it, even though I keep hearing how it should have been better.

(Reply to this)
Some guy you dont know
Some guy you dont know writes:
on Apr 08 2008 04:00 PM

There Will Be Blood is the best movie of 2007 by far.

(Reply to this)
GLADIATOR MONKEY
GLADIATOR MONKEY writes:
on Apr 08 2008 06:52 PM

In reply to this comment (#1676162)


Gimy,
What was so horrible about the ending to "No Country For Old Men"?


(Reply to this)
AFuneralMaker
AFuneralMaker writes:
on Apr 08 2008 09:58 PM

Many people fail to understand that No Country ended the way it did based on the novel. I've read the novel, if it hadn't ended that way then people would have bitched that it wasn't loyal. It sounds to me like those who bash No Country are the very people that think films like Bourne Ultimatum actually deserved the stupid Oscars it recieved because it was "So badass."

There Will Be Blood is the second best film of 2007 behind No Country...and while I'm on it I'd put Fincher's Zodiac at 3rd.


(Reply to this)
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