Pollack's adaptation of Horace McCoy's depression era novel has not dated well.
They Shoot Horses, Don't They? (1969)
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Reviews Counted:23
Fresh:19
Rotten:4
Average Rating:7.3/10
Runtime: 2 hrs 7 mins
Genre: Dramas
Synopsis: Sydney Pollack's dark and impassioned adaptation of Horace McCoy's novel examines the limits of devotion and endurance. The intricately interwoven plot centers on a marathon dance contest that... Sydney Pollack's dark and impassioned adaptation of Horace McCoy's novel examines the limits of devotion and endurance. The intricately interwoven plot centers on a marathon dance contest that takes place in the 1930s during the Great Depression. The poverty-stricken participants struggle to keep their footing in order to survive the hard times, with hope for the cash prize the sole reason for continuing to dance. The tragic competitors are an effective mirror for the American ideals of the time and the overwhelming feeling of disenchantment. Filled with dramatic tension and moving performances, THEY SHOOT HORSES, DON'T THEY? is harrowing and unforgettable. Jane Fonda gives a particularly moving performance as Gloria Beatty, a girl bent on self-destruction, and Gig Young gives an Oscar-winning performance as Rocky, the sleazy master of ceremonies who has gathered the contestants together under the pretense of providing an ample cash reward of more than a thousand dollars. [More]
Starring: Jane Fonda, Michael Sarrazin, Gig Young, Susannah York
Starring: Jane Fonda, Michael Sarrazin, Gig Young, Susannah York, Red Buttons, Bonnie Bedelia, Bruce Dern, Allyn Ann McLerie
Director: Sydney Pollack
Director: Sydney Pollack
Producer: Irwin Winkler
Composer: Johnny Green
Reviews for They Shoot Horses, Don't They?
The acting is strident and overblown, the narrative technique gimmicky and obvious, and the implication that the competitors' situation is a microcosm of a wider-reaching American malaise rather pretentious.
They Shoot Horses, Don’t They? epitomizes the human condition of its own era, only this time the faces aren’t romantic heroes on the front line but vulgar, desperate washouts.
The material is simple and irresistible, and Sydney Pollack stages it well (though without transcending the essential superficiality of his talent).
Sydney Pollack's screen version of the powerful Depression-era dance marathon is extremely well acted, particularly by Jane Fonda as the suicidal actress, her first great performance.
The performances are uniformly excellent, the actors -- desperate, hungry, fraught, close to breakdown -- live their roles.
Any fan of dark, dark comedy will need to seek this film out (and it's kind of hard to find), as its influence is still palpable 30 years later.
Jane Fonda and Michael Sarrazin portray one of the more sordid depression stories about survival on a dance floor to bring home the bacon.
Endlessly negative, the movie goes out of its way to deny the audience any moments of joy, opting instead to retreat further and further into the phantasmagoric fever dreams of the exhausted group.
The movie is by far the best thing that Pollack has ever directed (with the possible exception of The Scalphunters).
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