Pollack's adaptation of Horace McCoy's depression era novel has not dated well.
They Shoot Horses, Don't They? (1969)
Tomatometer
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Reviews Counted:4
Fresh:2
Rotten:2
Average Rating:5.1/10
Runtime: 2 hrs 7 mins
Genre: Dramas
Synopsis: Sydney Pollack's dark and impassioned adaptation of Horace McCoy's novel examines the limits of devotion and endurance. The intricately interwoven plot centers on a marathon dance contest that... Sydney Pollack's dark and impassioned adaptation of Horace McCoy's novel examines the limits of devotion and endurance. The intricately interwoven plot centers on a marathon dance contest that takes place in the 1930s during the Great Depression. The poverty-stricken participants struggle to keep their footing in order to survive the hard times, with hope for the cash prize the sole reason for continuing to dance. The tragic competitors are an effective mirror for the American ideals of the time and the overwhelming feeling of disenchantment. Filled with dramatic tension and moving performances, THEY SHOOT HORSES, DON'T THEY? is harrowing and unforgettable. Jane Fonda gives a particularly moving performance as Gloria Beatty, a girl bent on self-destruction, and Gig Young gives an Oscar-winning performance as Rocky, the sleazy master of ceremonies who has gathered the contestants together under the pretense of providing an ample cash reward of more than a thousand dollars. [More]
Starring: Jane Fonda, Michael Sarrazin, Gig Young, Susannah York
Starring: Jane Fonda, Michael Sarrazin, Gig Young, Susannah York, Red Buttons, Bonnie Bedelia, Bruce Dern, Allyn Ann McLerie
Director: Sydney Pollack
Director: Sydney Pollack
Producer: Irwin Winkler
Composer: Johnny Green
Reviews for They Shoot Horses, Don't They?
The acting is strident and overblown, the narrative technique gimmicky and obvious, and the implication that the competitors' situation is a microcosm of a wider-reaching American malaise rather pretentious.
A sordid spectacle of hard times, a kind of existentialist allegory of life.
The movie is by far the best thing that Pollack has ever directed (with the possible exception of The Scalphunters).
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