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Things We Lost in the Fire (2007)
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Reviews Counted:120
Fresh:77
Rotten:43
Average Rating:6.5/10
Consensus: Things We Lost in the Fire is a well-acted, beautifully filmed reflection on love, loss, addiction and recovery from life's obstacles.
Rated: 15 [See Full Rating] Rated R for drug content and language.
Runtime: 1 hr 59 mins
Genre: Dramas
Theatrical Release:01-02-2008
Synopsis: Danish director Susanne Bier gained international acclaim when she was nominated for an Oscar for 2006's AFTER THE WEDDING, but before that she had strong ties to the hyper-realistic, documentary... Danish director Susanne Bier gained international acclaim when she was nominated for an Oscar for 2006's AFTER THE WEDDING, but before that she had strong ties to the hyper-realistic, documentary style of the Dogme 95 group. In her U.S. debut, THINGS WE LOST IN THE FIRE, Bier effectively brings together her tendency towards soapy subject matter and her signature vérité style, creating characters with a depth and a human fallibility that are rare in Hollywood. Halle Berry (X-MEN, THEIR EYES WERE WATCHING GOD) stars as Audrey Burke, the stay-at-home wife of well-to-do real estate broker Brian (David Duchovny, TRUST THE MAN). They enjoy what is to all appearances a perfect marriage and family life, with two adorable children (Alexis Llewelyn and Micah Berry) and a fabulous house. Audrey's life is shattered when Brian is killed attempting to intervene in a domestic dispute. In her grief, Audrey reaches out to an unlikely ally: her husband's childhood friend, Jerry (Benicio del Toro, TRAFFIC, 21 GRAMS), a 40-something heroin addict whose relationship with Brian Audrey has always resented. After Brian's death, Jerry goes straight, and Audrey invites him to move into her home, where he bonds with Audrey's kids and begins to heal. The uneasy, tense, and tender relationship that develops between Audrey and Jerry is the heart of the film, with del Toro's charismatic performance suggesting realms of human experience previously uncharted on film: his portrayal of withdrawal symptoms rivals Ewan McGregor's memorable TRAINSPOTTING scene. Berry takes more subtle risks with her role, testing the viewer's sympathy with a somewhat prickly character. Allison Lohman (FLICKA) is a strong supporting character as a Narcotics Anonymous attendee with a crush on Jerry. [More]
Starring: Halle Berry, Benicio Del Toro, David Duchovny, Omar Benson Miller
Starring: Halle Berry, Benicio Del Toro, David Duchovny, Omar Benson Miller, Alison Lohman, John Carroll Lynch
Director: Susanne Bier
Director: Susanne Bier
Screenwriter: Allan Loeb
Producer: Sam Mendes, Sam Mercer
Composer: Johan Soderqvist
Studio: Paramount Pictures
Reviews for Things We Lost in the Fire
Susanne Bier's first English-language film is a superbly written, powerfully emotional drama with terrific, Oscar-worthy performances from Halle Berry and Benicio Del Toro.
Danish director Bier focuses on themes and relationships in what's otherwise a rather contrived melodrama.
Serves as strong reminder of what a powerfully charismatic and completely natural actor Benicio Del Toro is.
Where the film's ambitions crumble is in its avowed refusal to make its audience too uncomfortable.
Scheduled blowups and symbolic dreams and interminable tears until we all feel like we've learned a little something about loss: We want our two hours back.
Things We Lost in the Fire is certainly not a comedy, but it is definitely mordant with its two Big Themes: Loss and Addiction, both treated in a singularly heavy-handed manner, for which I blame primarily Mr. Loeb’s screenplay.
As yet another example of a gifted foreign filmmaker...fudging up their reputation by traveling over to Tinsel Town for some Western promise, Things We Lost in the Fire is Lifetime lite cinema masquerading as actual A-list excellence.
This story never quite transcends the melodrama because the characters don't grow or change... they just stay mired in the muck of their soap opera existence.
Del Toro pulls off a tight-wire dramatic performance that keeps the film afloat, but can't obscure the constant hiss of pop psychology that pierces nearly every scene.
Jerry and Audrey are locked into reductive storylines, so their shadowed eyes and perspiring brows are only telling you what you already know.
...a muddled story that features an outstanding performance by Del Toro ...wrapped up in pretentious storytelling.
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