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Things We Lost in the Fire (2007)
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Reviews Counted:120
Fresh:77
Rotten:43
Average Rating:6.5/10
Consensus: Things We Lost in the Fire is a well-acted, beautifully filmed reflection on love, loss, addiction and recovery from life's obstacles.
Rated: 15 [See Full Rating] Rated R for drug content and language.
Runtime: 1 hr 59 mins
Genre: Dramas
Theatrical Release:01-02-2008
Synopsis: Danish director Susanne Bier gained international acclaim when she was nominated for an Oscar for 2006's AFTER THE WEDDING, but before that she had strong ties to the hyper-realistic, documentary... Danish director Susanne Bier gained international acclaim when she was nominated for an Oscar for 2006's AFTER THE WEDDING, but before that she had strong ties to the hyper-realistic, documentary style of the Dogme 95 group. In her U.S. debut, THINGS WE LOST IN THE FIRE, Bier effectively brings together her tendency towards soapy subject matter and her signature vérité style, creating characters with a depth and a human fallibility that are rare in Hollywood. Halle Berry (X-MEN, THEIR EYES WERE WATCHING GOD) stars as Audrey Burke, the stay-at-home wife of well-to-do real estate broker Brian (David Duchovny, TRUST THE MAN). They enjoy what is to all appearances a perfect marriage and family life, with two adorable children (Alexis Llewelyn and Micah Berry) and a fabulous house. Audrey's life is shattered when Brian is killed attempting to intervene in a domestic dispute. In her grief, Audrey reaches out to an unlikely ally: her husband's childhood friend, Jerry (Benicio del Toro, TRAFFIC, 21 GRAMS), a 40-something heroin addict whose relationship with Brian Audrey has always resented. After Brian's death, Jerry goes straight, and Audrey invites him to move into her home, where he bonds with Audrey's kids and begins to heal. The uneasy, tense, and tender relationship that develops between Audrey and Jerry is the heart of the film, with del Toro's charismatic performance suggesting realms of human experience previously uncharted on film: his portrayal of withdrawal symptoms rivals Ewan McGregor's memorable TRAINSPOTTING scene. Berry takes more subtle risks with her role, testing the viewer's sympathy with a somewhat prickly character. Allison Lohman (FLICKA) is a strong supporting character as a Narcotics Anonymous attendee with a crush on Jerry. [More]
Starring: Halle Berry, Benicio Del Toro, David Duchovny, Omar Benson Miller
Starring: Halle Berry, Benicio Del Toro, David Duchovny, Omar Benson Miller, Alison Lohman, John Carroll Lynch
Director: Susanne Bier
Director: Susanne Bier
Screenwriter: Allan Loeb
Producer: Sam Mendes, Sam Mercer
Composer: Johan Soderqvist
Studio: Paramount Pictures
Reviews for Things We Lost in the Fire
Danish director Bier focuses on themes and relationships in what's otherwise a rather contrived melodrama.
Susanne Bier's first English-language film is a superbly written, powerfully emotional drama with terrific, Oscar-worthy performances from Halle Berry and Benicio Del Toro.
Less than profound, but consistently honest, Things We Lost in the Fire is neither triumphant nor great, but it is meaningful.
A shimmering example of just how good Benicio Del Toro has become, as well as how bad Halle Berry has pretty much always been.
...plays like Iñárritu Lite, which means it's not terrible, but it does pretend to a substance it doesn't in fact deliver.
Bier, in her American debut, mostly keeps things simple and intimate, though, by using hand-held cameras, extreme close-ups and flooding the proceedings with spare, natural light.
[Benicio Del Toro's] managed to top even himself; this most recent performance is right up there with the best screen turns, not just of his generation but of all time.
Less an emotional whirligig than a long, slow monorail ride, it grows more conventional and single-minded as it goes along.
[Benicio Del Toro's] is the only character with human flaws, and in a movie perfect people tend to be boring.
Bier is one of the cinema's most acute observers of intimate relations, her Scandinavian reserve muting the inherent melodrama of her material, and she draws piercing, modestly scaled performances.
The movie is an engrossing melodrama, and it has its heart in the right place.
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