Bier's skill in rising above melodramatic convention appears to have abandoned her on the trip to America.
Things We Lost in the Fire (2007)
Tomatometer
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Reviews Counted:120
Fresh:77
Rotten:43
Average Rating:6.5/10
Consensus: Things We Lost in the Fire is a well-acted, beautifully filmed reflection on love, loss, addiction and recovery from life's obstacles.
Rated: 15 [See Full Rating] Rated R for drug content and language.
Runtime: 1 hr 59 mins
Genre: Dramas
Theatrical Release:01-02-2008
Synopsis: Danish director Susanne Bier gained international acclaim when she was nominated for an Oscar for 2006's AFTER THE WEDDING, but before that she had strong ties to the hyper-realistic, documentary... Danish director Susanne Bier gained international acclaim when she was nominated for an Oscar for 2006's AFTER THE WEDDING, but before that she had strong ties to the hyper-realistic, documentary style of the Dogme 95 group. In her U.S. debut, THINGS WE LOST IN THE FIRE, Bier effectively brings together her tendency towards soapy subject matter and her signature vérité style, creating characters with a depth and a human fallibility that are rare in Hollywood. Halle Berry (X-MEN, THEIR EYES WERE WATCHING GOD) stars as Audrey Burke, the stay-at-home wife of well-to-do real estate broker Brian (David Duchovny, TRUST THE MAN). They enjoy what is to all appearances a perfect marriage and family life, with two adorable children (Alexis Llewelyn and Micah Berry) and a fabulous house. Audrey's life is shattered when Brian is killed attempting to intervene in a domestic dispute. In her grief, Audrey reaches out to an unlikely ally: her husband's childhood friend, Jerry (Benicio del Toro, TRAFFIC, 21 GRAMS), a 40-something heroin addict whose relationship with Brian Audrey has always resented. After Brian's death, Jerry goes straight, and Audrey invites him to move into her home, where he bonds with Audrey's kids and begins to heal. The uneasy, tense, and tender relationship that develops between Audrey and Jerry is the heart of the film, with del Toro's charismatic performance suggesting realms of human experience previously uncharted on film: his portrayal of withdrawal symptoms rivals Ewan McGregor's memorable TRAINSPOTTING scene. Berry takes more subtle risks with her role, testing the viewer's sympathy with a somewhat prickly character. Allison Lohman (FLICKA) is a strong supporting character as a Narcotics Anonymous attendee with a crush on Jerry. [More]
Starring: Halle Berry, Benicio Del Toro, David Duchovny, Omar Benson Miller
Starring: Halle Berry, Benicio Del Toro, David Duchovny, Omar Benson Miller, Alison Lohman, John Carroll Lynch
Director: Susanne Bier
Director: Susanne Bier
Screenwriter: Allan Loeb
Producer: Sam Mendes, Sam Mercer
Composer: Johan Soderqvist
Studio: Paramount Pictures
Reviews for Things We Lost in the Fire
If the film tends toward didacticism at times, it's a welcome advertisement for compassion.
Just watching Del Toro's eyes provides an emotional fire Allan Loeb's script can't hope to match.
Brave enough to show a cruel and angry side of grief, the film also comes with the first Oscar worthy performance this year, courtesy of Del Toro as a humble, sensitive and self-effacing man struggling to kick his habit.
A deeply emotional film that gives us a deeper respect for those trying to recover from the loss of a loved one or enslavement to an addiction.
A good grief movie is supposed to leave you feeling like crap but, Things We Lost in the Fire ended up making me laugh.
Light on plot, which wouldn't be a problem if the mildly rote characters held more depth than they do.
A rare tragic drama that doesn't let its characters off easy, but doesn't unreasonably punish them either.
Maudlin, mawkish, unintentionally hilarious, and utterly devoid of human emotion. The word I'm searching for, I guess, is "alien."
In Danish director Susanne Bier’s first American effort, the camera lingers so long and lusciously on its lead actress’s perfect little pores that it quickly starts to resemble a Neutrogena commercial.
[Director] Bier is graceful, observant of small details, but her efforts to mine a greater meaning through the camera than Loeb has put on the page is a fruitless endeavor.
Evolves as a story of sadness from the outside looking in, rather than a vivid depiction of hearts finding ways to become unbroken.
Bier is skilled at exploring the inner lives of her characters, but the editing by Pernille Bech Christensen and Bruce Cannon is more precious than revealing.
Is there another face in the movies as endlessly fascinating as Benicio Del Toro's?
Things We Lost in the Fire deals frankly and openly with the wounds -- some obvious, some not so obvious -- that are left by the tragic, untimely loss of a loved one. At times, the film is unsparing.
[Director] Bier's meditation on guilt, redemption, coping and addiction feels so much like old hat that it doesn't carry the weight to which it aspires.
Emotionally fraudulent was the phrase that kept rattling around in my head as I watched the latest chapter in the Interminable American Narrative of Forgiving, Redemption and Understanding.
Consistently well-acted and, for a studio picture, pretty sharp on the subject of addiction and recovery and relapse.
Highlighted by a performance by Benicio Del Toro at his most magnetically bedraggled, this is a welcome rarity: a full-on heartstring yanker that doesn't leave the viewer feeling ill-used afterward.
Bier, in her American debut, mostly keeps things simple and intimate, though, by using hand-held cameras, extreme close-ups and flooding the proceedings with spare, natural light.
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