It's part western, part pornographic money shot.
This Is England (2007)
Tomatometer
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Reviews Counted:84
Fresh:78
Rotten:6
Average Rating:7.7/10
Consensus: A moving coming-of-age tale that captures the despair among England's working-class youth in the 1980s.
Theatrical Release:27-04-2007
Synopsis: Based on incidents from his own childhood, writer-director Shane Meadows's THIS IS ENGLAND is a stunning, brutal look at 1983 Britain, during the conservative Margaret Thatcher regime and the... Based on incidents from his own childhood, writer-director Shane Meadows's THIS IS ENGLAND is a stunning, brutal look at 1983 Britain, during the conservative Margaret Thatcher regime and the controversial Falklands War. Twelve-year-old Shaun (Thomas Turgoose) is a tough little kid who is street-smart beyond his years despite being short for his age. He falls in with a group of older boys, led by Woody (Joe Gilgun), who hang out at a local coffee shop, like to commit minor acts of anarchy, and adopt Shaun as one of their own--especially Smell (Rosamund Hanson), an overly made-up teenager who dresses like Boy George and develops a cute romantic interest in the complicated boy. But when skinhead Combo (SNATCH's Stephen Graham) gets out of jail, he returns to the gang, eager to take over the reins and lead them on a nationalistic battle to get rid of the immigrants who are stealing their jobs and to defend England to the death. Shaun, whose father died in the Falklands, must choose between staying with Woody and his friends or joining Combo on his violent quest to protect the homeland. Turgoose, in his acting debut, is an absolute revelation in the extremely demanding, challenging role of Shaun. Graham is excellent as Combo, keeping the audience on the edge of their seats, never knowing what he is going to do next, waiting for him to simply explode. Meadows (TWENTYFOURSEVEN, DEAD MAN'S SHOES) paces the film brilliantly, and uses a terrific soundtrack that ranges from Percy Sledge and Toots & the Maytals to UK Subs and Culture Club, from Dexy's Midnight Runners and Soft Cell to the Smiths and the Specials, capturing the uneasy times in Thatcherite England. Don't miss the beginning, which features a thrilling montage that sets the mood perfectly. [More]
Starring: Joe Gilgun, Stephen Graham, Frank Harper, Vicky McClure
Starring: Joe Gilgun, Stephen Graham, Frank Harper, Vicky McClure, Jack O'Connell, Kieran Hardcastle, Andrew Ellis, Andrew Shim, Thomas Turgoose
Director: Shane Meadows
Director: Shane Meadows
Screenwriter: Shane Meadows
Producer: Mark Herbert
Composer: Ludovico Einaudi
Studio: IFC Films
Reviews for This Is England
An affecting but uneven memoir of council-estate Britain in the summer of 1983.
Cross-cutting between Roland Rat and Maggie Thatcher, rioting and the royal wedding, it’s a nifty scene-setter for a deft, heartfelt local story.
Deeply impressive, as both a recreation of ’80s working-class England and an intimate tale of one childhood’s brutal end.
Few directors tap their damaged past as brilliantly as Meadows. This is England is by far his most personal and powerful testimony.
Superbly written and directed by Shane Meadows and featuring a terrific soundtrack, this is a compelling coming of age drama with a brilliant performance from young Thomas Turgoose.
An honest, emotional, funny and deeply moving portrait of growing up. Don't miss it.
Meadows brings together the various elements perfectly, balancing sharp social commentary with realistic wit and humour.
This is not the England that makes you want to hop on over for a visit, but the movie is worthy of a quick look.
It doesn't seem the slightest bit like real life, even though writer/director Shane Meadows reportedly based it on his own.
Starts out as well-acted and superbly designed mid-eighties time-capsule but degenerates to a formulaic conclusion that cheapens everything that went before.
Isolated excellence and larger lack of nerve—all dots, no connection—grows frustrating as England turns from the personal to the political, from character study to social studies.
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