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This So-Called Disaster (2004)
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Reviews Counted:29
Fresh:26
Rotten:3
Average Rating:7.3/10
Runtime: 89 mins
Genre: Education/General Interest
Synopsis: After appearing as the ghost of Hamlet's father in Michael Almereyda's 2000 film version of the Bard's classic story, which also starred Ethan Hawke, Julia Stiles, and Kyle MacLachlan, Sam Shepard... After appearing as the ghost of Hamlet's father in Michael Almereyda's 2000 film version of the Bard's classic story, which also starred Ethan Hawke, Julia Stiles, and Kyle MacLachlan, Sam Shepard invited the director to make a behind-the-scenes documentary on the rehearsals for Shepard's play THE LATE HENRY MOSS at the Magic Theatre in San Francisco. The stage work, based on Shepard's own father, who was a Fulbright scholar whose life and career fell apart in a haze of alcohol, featured a remarkable cast, including Nick Nolte, Sean Penn, Woody Harrelson, and Cheech Marin, with music by T-Bone Burnett. Almereyda followed the action onstage, in the dressing rooms, in bars, and at Shepard's ranch, where the usually private playwright spoke openly about his relationship with his father. Although Nolte and Penn--and even Shepard himself--are well known for not being forthcoming with their personal lives, they open up in remarkable ways for Almereyda, sharing fascinating stories about their experiences and their work. THIS SO-CALLED DISASTER is a thrilling look at the creation of art from a myriad of compelling angles. [More]
Starring: Sam Shepard, Sean Penn, Nick Nolte, Woody Harrelson
Starring: Sam Shepard, Sean Penn, Nick Nolte, Woody Harrelson, James Gammon, Cheech Marin, Sheila Tousey, T-Bone Burnett
Director: Michael Almereyda
Director: Michael Almereyda
Producer: Callum Greene, Anthony Katagas
Studio: IFC Films
Reviews for This So-Called Disaster
One imagines that Almereyda thought he could simply act as a fly on the wall ... and have a compelling document on the creation of live theater.
Given Almereyda's access and the level of talent before him, it conveys surprisingly little about the character-building techniques of Shepard's formidable cast.
Anyone interested in the challenges and techniques of acting -- which is really to say, anyone interested in human behavior -- should turn off E! and head down to Film Forum, where Mr. Almereyda's film opens today.
As a portrait of a collaborative artist at work, the film is an invaluable document, not to be missed by anyone with more than a passing interest in theater.
It's fun to see actors doing what they do and to see them through the eyes of a director.
Consistently engrossing, with nary a dull moment, and very enlightening on what is popularly called "the actor's process."
Almereyda's movie is riveting for several reasons: its inside look at Shepard in action, its vivid account of how a challenging play is brought from printed page to public stage, and its glimpses of Shepard's troubled youth.
'This So-Called Disaster' does well in terms of the theater's open-ended dialogue and development.
Perhaps the most shocking revelation is that an artist of Shepherd's stature can still feel unsure of himself, fumbling his way to a constantly refining vision of his world.
Among the many skills required by a documentary maker is the ability to make reticent people blossom. Michael Almereyda has done that in This So-Called Disaster.
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