Robards' senile paterfamilias is, regrettably, a grave embarrassment.
A Thousand Acres (1997)
Tomatometer
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Reviews Counted:46
Fresh:11
Rotten:35
Average Rating:4.4/10
Consensus: A Thousand Acres makes disappointingly sudsy stuff out of the source material, but benefits from solid performances by a strong cast.
Runtime: 1 hr 45 mins
Genre: Dramas
Synopsis: A THOUSAND ACRES, director Jocelyn Moorhouse's screen adaptation of Jane Smiley's Pulitzer Prize-winning novel, finds skeins of KING LEAR-like conflict running through the bedrock of a midwestern... A THOUSAND ACRES, director Jocelyn Moorhouse's screen adaptation of Jane Smiley's Pulitzer Prize-winning novel, finds skeins of KING LEAR-like conflict running through the bedrock of a midwestern family. Jason Robards stars as Larry Cook, a powerful, stoic Iowa farmer who decides to retire and split his 1000 acres of land among his three daughters. His two eldest daughters, Rose (Michelle Pfeiffer) and Ginny (Jessica Lange), live and work on the farm and happily accept the lucrative agreement, while the youngest, Larry's favorite, Caroline (Jennifer Jason Leigh), has abandoned farming life for a law career in Des Moines and refuses to take part in the deal. Initially, Larry is consumed with rage and shuts out Caroline while Rose and Ginny go about running the farm with their dutiful but greedy husbands. However, as Larry begins to lose touch with his farming life, he loses touch with reality, and his painful descent into madness leaves him bitterly opposed to his daughters' ways of running the farm. Paranoid and disillusioned, he decides to sue Rose and Ginny with Caroline's help in an effort to regain his patriarchal control. The lawsuit divides the family forever, leaving Rose and Ginny to suffer alone while realizing painful memories from their childhood. As Rose and Ginny discover their own individual strengths in the face of adversity, they learn how to survive on their own, without the protection of the farm and the suffocating presence of their father. Moorhouse's film is an epic tale of loss and redemption that highlights strong and earthy performances from Pfeiffer and Lange. [More]
Starring: Michelle Pfeiffer, Jessica Lange, Jennifer Jason Leigh, Jason Robards
Starring: Michelle Pfeiffer, Jessica Lange, Jennifer Jason Leigh, Jason Robards, Colin Firth, Keith Carradine, Kevin Anderson, Pat Hingle, John Carroll Lynch, Anne Pitoniak, Vyto Ruginis, Michelle Williams, Elizabeth Moss, Ray Toler, Ken Tigar, Steve Key, Dan Conway, Stan Cahill, Ray Baker, Beth Grant, Andrea Nittoli
Director: Jocelyn Moorhouse
Director: Jocelyn Moorhouse
Screenwriter: Laura Jones
Story: Jane Smiley
Composer: Richard Hartley
Reviews for A Thousand Acres
All the characters are sharply defined, with Lange and Pfeiffer in fine form, and Robards suitably sour as the grumpy old curmudgeon, but the plot has been watered down until it is little more than a Waltons-styled soap.
Sadly for all involved, A Thousand Acres is doomed to the label "interesting."
I don't know anything to redeem the movie except for an understated performance from Leigh -- unless you're into masochism. Avoid.
Episodic and occasionally annoying and bland, the movie goes melodramatic long before the finale.
While many scenes are passionately acted and directed, the overall film is disjointed, and lacks a logical progression of time.
From the first frame, a silhouetted barn and windmill at dawn, the images feel prefab, and the all-purpose wistful tinkly piano and sighing strings pin them even more boringly down.
That Jane Smiley’s A Thousand Acres would become a movie was inevitable. Another virtual certainty was its bowdlerization.
A parcel of high calibre stars isn't enough to save the morbid and dragging A Thousand Acres.
This intimate and riveting portrait of sibling hate, forgiveness, and love hits the mark.
Ploddingly literal, A Thousand Acres is basically a star vehicle that relies on superior acting to redeem it. It does have superior acting, but that's not nearly enough.
Owing more to the spirit of Oprah than to the Bard, pic serves up an earnest but unconvincing stew of received notions about family dysfunction, awkwardly put across by a script wheezing with melodramatic contrivances.
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