You'll be shocked to discover how much of the novel's richness has been lost.
A Thousand Acres (1997)
Tomatometer
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Reviews Counted:46
Fresh:11
Rotten:35
Average Rating:4.4/10
Consensus: A Thousand Acres makes disappointingly sudsy stuff out of the source material, but benefits from solid performances by a strong cast.
Runtime: 1 hr 45 mins
Genre: Dramas
Synopsis: A THOUSAND ACRES, director Jocelyn Moorhouse's screen adaptation of Jane Smiley's Pulitzer Prize-winning novel, finds skeins of KING LEAR-like conflict running through the bedrock of a midwestern... A THOUSAND ACRES, director Jocelyn Moorhouse's screen adaptation of Jane Smiley's Pulitzer Prize-winning novel, finds skeins of KING LEAR-like conflict running through the bedrock of a midwestern family. Jason Robards stars as Larry Cook, a powerful, stoic Iowa farmer who decides to retire and split his 1000 acres of land among his three daughters. His two eldest daughters, Rose (Michelle Pfeiffer) and Ginny (Jessica Lange), live and work on the farm and happily accept the lucrative agreement, while the youngest, Larry's favorite, Caroline (Jennifer Jason Leigh), has abandoned farming life for a law career in Des Moines and refuses to take part in the deal. Initially, Larry is consumed with rage and shuts out Caroline while Rose and Ginny go about running the farm with their dutiful but greedy husbands. However, as Larry begins to lose touch with his farming life, he loses touch with reality, and his painful descent into madness leaves him bitterly opposed to his daughters' ways of running the farm. Paranoid and disillusioned, he decides to sue Rose and Ginny with Caroline's help in an effort to regain his patriarchal control. The lawsuit divides the family forever, leaving Rose and Ginny to suffer alone while realizing painful memories from their childhood. As Rose and Ginny discover their own individual strengths in the face of adversity, they learn how to survive on their own, without the protection of the farm and the suffocating presence of their father. Moorhouse's film is an epic tale of loss and redemption that highlights strong and earthy performances from Pfeiffer and Lange. [More]
Starring: Michelle Pfeiffer, Jessica Lange, Jennifer Jason Leigh, Jason Robards
Starring: Michelle Pfeiffer, Jessica Lange, Jennifer Jason Leigh, Jason Robards, Colin Firth, Keith Carradine, Kevin Anderson, Pat Hingle, John Carroll Lynch, Anne Pitoniak, Vyto Ruginis, Michelle Williams, Elizabeth Moss, Ray Toler, Ken Tigar, Steve Key, Dan Conway, Stan Cahill, Ray Baker, Beth Grant, Andrea Nittoli
Director: Jocelyn Moorhouse
Director: Jocelyn Moorhouse
Screenwriter: Laura Jones
Story: Jane Smiley
Composer: Richard Hartley
Reviews for A Thousand Acres
Pfeiffer excepted, the filmmakers reap little from the rich soil they have been handed.
It's worth overlooking the movie's weaknesses for the sake of those strong, memorable performances from the stars.
This intimate and riveting portrait of sibling hate, forgiveness, and love hits the mark.
I don't know anything to redeem the movie except for an understated performance from Leigh -- unless you're into masochism. Avoid.
Episodic and occasionally annoying and bland, the movie goes melodramatic long before the finale.
While many scenes are passionately acted and directed, the overall film is disjointed, and lacks a logical progression of time.
That Jane Smiley’s A Thousand Acres would become a movie was inevitable. Another virtual certainty was its bowdlerization.
A parcel of high calibre stars isn't enough to save the morbid and dragging A Thousand Acres.
Ploddingly literal, A Thousand Acres is basically a star vehicle that relies on superior acting to redeem it. It does have superior acting, but that's not nearly enough.
It deals with real people in a genuine setting with strong female roles.
I haven't read the book, but can only presume it's a heck of a lot better than this messy and morose film.
Although the plot is undeniably overwrought at times, the characters remain strong and reliable, and it's their believability that pulls us through.
at the heart of this sometimes strident movie are two magnificent performances, which redeem everything that surrounds them.
Think obsessive-compulsive Lady Macbeth or Ophelia with an eating disorder, and you have an idea of just how simplistic that seems.
If nothing else, the film deserves credit for bringing together actresses Jessica Lange and Michelle Pfeiffer.
When they're done like this, touchy-feely dramas are no improvement on Hollywood's usual testosterone-laced fare.
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