Sam Peckinpah is no longer with us to stir up south-of-the-border madness, but Tommy Lee Jones has taken over the franchise.
The Three Burials of Melquiades Estrada (2005)
Tomatometer
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Reviews Counted:134
Fresh:113
Rotten:21
Average Rating:7.5/10
Consensus: Tommy Lee Jones’ directorial debut is both a potent western and a powerful morality tale.
Theatrical Release:31-03-2006
Synopsis: Tommy Lee Jones takes his second turn in the director's chair with THE THREE BURIALS OF MELQUIADES ESTRADA, the follow-up to his 1995 western THE GOOD OLD BOYS. The action takes place on the border... Tommy Lee Jones takes his second turn in the director's chair with THE THREE BURIALS OF MELQUIADES ESTRADA, the follow-up to his 1995 western THE GOOD OLD BOYS. The action takes place on the border between West Texas and Northern Chihuahua in Mexico, which is a hot spot for illegal crossings. But Jones's movie ingeniously flips this dangerous yet all-too-common practice on its head, with a tale of a man hell-bent on crossing the border in the opposite direction. The journey to Mexico begins when Pete Perkins (Jones) uncovers the identity of a Border Patrolman, Mike Norton (Barry Pepper), who has shot and killed his best friend, Melquiades Estrada (Julio Cedillo). Kidnapping Norton and forcing him to dig up Estrada's body, Perkins straps the corpse to a horse, and informs Norton that he will be traveling with them to Mexico. Once there, they will bury Estrada according to instructions he gave Perkins prior to his death. Jones paints Norton as a mean-spirited individual; caught up in a loveless relationship with his wife, Lou Ann (January Jones), Norton's day job frequently involves him him either exploding in a violent rage or idly masturbating over a well-thumbed copy of Hustler. The two men don't exactly bond on their journey, the wedge that's been forced between them being far too great for them to reconcile their differences. But Jones coerces a riveting tale from Guillermo Arriaga script, with a choppy chronology reminiscent of Arriaga's own 21 GRAMS. Comparisons to Sam Peckinpah's masterfully bleak 1974 movie BRING ME THE HEAD OF ALFREDO GARCIA are inevitable, although Jones's film has a tender edge that Peckinpah's nihilistic epic was never quite capable of reaching. A film that suggests Jones has a bright future ahead of him as a director, THE THREE BURIALS OF MELQUIADES ESTRADA is one of the most absorbing pieces of cinema to emerge in 2005. [More]
Starring: Barry Pepper, Julio Cedillo, Dwight Yoakam, January Jones
Starring: Barry Pepper, Julio Cedillo, Dwight Yoakam, January Jones, Levon Helm, Vanessa Bauche
Director: Tommy Lee Jones
Director: Tommy Lee Jones
Screenwriter: Guillermo Arriaga Jordan
Producer: Michael Fitzgerald, Tommy Lee Jones, Chris Menges
Composer: Marco Beltrami
Studio: Sony Pictures Classics
Reviews for The Three Burials of Melquiades Estrada
Tommy Lee Jones' directorial debut is an extraordinarily complex, robust tale. Deceptively, it looks like a violent modern western but the undercurrents and intelligence behind the story elevate this to art.
Funny, tough, filled with cut-to-the-bone moments and bleached in the heat of the Texas sun, The Three Burials of Melquiades Estrada is a movie that sears itself into the viewer with uncompromising vision and stark approach.
It boasts genuinely and uniformly fine performances -- a credit to Jones the director and the actor, as well as his costars -- some stunning cinematography by the great Chris Menges and a uncompromising script by [Guillermo] Arriaga.
The Three Burials of Melquiades Estrada features some solid, if not spectacular, performances, as well as a bizarre and dark sense of humor -- which come in handy when the film starts meandering and runs out of steam.
Burials barely has one plot: Grizzled Texas cowhand Pete Perkins (Tommy Lee Jones) wants to give his pal proper internment in Mexico and make his killer pay.
By turns brutal and sadistic, humorous and moralistic, Jones weaves a tale that has the moral heft of a fable and the gritty realism of 1970s cinema.
The strange odyssey that ... forms the heart of the movie covers emotional terrain as stark yet as varied as the borderlands themselves.
Jones gives himself the plum role, not out of vanity but to do justice to Arriaga's story. ... The only actor capable of playing a man like Perkins is Tommy Lee Jones.
As 'Brokeback Mountain' and now 'Burials' demonstrate, filmmakers continue to find usefulness and meaning in the mythology and iconography of that most American (and masculine) of self-critiques, the Western.
...a smart and beautiful movie that touches on the nature of borders, actual and mythic.
Three Burials is a film with a lot on its mind, but it succeeds best when it leaves ideas behind and focuses on simple beauty.
A brooding, narratively brusque tale of the modern West, as unvarnished and stripped of pretense as bones bleached by sun, wind and drifting sand.
Tommy Lee Jones' big-screen directorial debut might not be the easiest film to watch, but its payoff makes it one of the better trips to the movies of the past year.
Few films have ever captured the feel of the desert Southwest better than Tommy Lee Jones' The Three Burials of Melquiades Estrada.
A satisfying little morality play about prejudice and responsibility.
The Three Burials of Melquiades Estrada can at least rest on its laurels from Cannes.
Among the movie's many grim figures, Mel's decaying corpse (badly preserved with anti-freeze) serves as metaphor and reality, an occasion for respect and the limit of legend. %u2014 9 February 2006
[The film] echoes in its weary bones end-of-the-West films by the likes of Sam Peckinpah, John Ford and Clint Eastwood.
Latest News for The Three Burials of Melquiades Estrada
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December 20, 2005:
Dallas-Fort Worth Film Critics 2005 Awards
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