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The Three Burials of Melquiades Estrada (2005)
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Reviews Counted:134
Fresh:113
Rotten:21
Average Rating:7.5/10
Consensus: Tommy Lee Jones’ directorial debut is both a potent western and a powerful morality tale.
Theatrical Release:31-03-2006
Synopsis: Tommy Lee Jones takes his second turn in the director's chair with THE THREE BURIALS OF MELQUIADES ESTRADA, the follow-up to his 1995 western THE GOOD OLD BOYS. The action takes place on the border... Tommy Lee Jones takes his second turn in the director's chair with THE THREE BURIALS OF MELQUIADES ESTRADA, the follow-up to his 1995 western THE GOOD OLD BOYS. The action takes place on the border between West Texas and Northern Chihuahua in Mexico, which is a hot spot for illegal crossings. But Jones's movie ingeniously flips this dangerous yet all-too-common practice on its head, with a tale of a man hell-bent on crossing the border in the opposite direction. The journey to Mexico begins when Pete Perkins (Jones) uncovers the identity of a Border Patrolman, Mike Norton (Barry Pepper), who has shot and killed his best friend, Melquiades Estrada (Julio Cedillo). Kidnapping Norton and forcing him to dig up Estrada's body, Perkins straps the corpse to a horse, and informs Norton that he will be traveling with them to Mexico. Once there, they will bury Estrada according to instructions he gave Perkins prior to his death. Jones paints Norton as a mean-spirited individual; caught up in a loveless relationship with his wife, Lou Ann (January Jones), Norton's day job frequently involves him him either exploding in a violent rage or idly masturbating over a well-thumbed copy of Hustler. The two men don't exactly bond on their journey, the wedge that's been forced between them being far too great for them to reconcile their differences. But Jones coerces a riveting tale from Guillermo Arriaga script, with a choppy chronology reminiscent of Arriaga's own 21 GRAMS. Comparisons to Sam Peckinpah's masterfully bleak 1974 movie BRING ME THE HEAD OF ALFREDO GARCIA are inevitable, although Jones's film has a tender edge that Peckinpah's nihilistic epic was never quite capable of reaching. A film that suggests Jones has a bright future ahead of him as a director, THE THREE BURIALS OF MELQUIADES ESTRADA is one of the most absorbing pieces of cinema to emerge in 2005. [More]
Starring: Barry Pepper, Julio Cedillo, Dwight Yoakam, January Jones
Starring: Barry Pepper, Julio Cedillo, Dwight Yoakam, January Jones, Levon Helm, Vanessa Bauche
Director: Tommy Lee Jones
Director: Tommy Lee Jones
Screenwriter: Guillermo Arriaga Jordan
Producer: Michael Fitzgerald, Tommy Lee Jones, Chris Menges
Composer: Marco Beltrami
Studio: Sony Pictures Classics
Reviews for The Three Burials of Melquiades Estrada
Jones holds it all together like old chaps glued by sweat, and if you want a modern offshoot of the Western even beyond the risks of Brokeback Mountain, here it is.
Gives us little information about Pete and Mequiades, but plenty about the loathsome border patrol guy.
While compelling in its own right, Three Burials is more an homage to a past master than an original work.
Without the wise and well-crafted words of screenwriter Guillermo Arriaga, it's just so much posturing.
For a movie about the policing of borders, couldn't this one have maintained a firmer one, between credulity and incredulity? Between seriousness and self-seriousness?
A loose, generous, funky little oater with a deliciously ghoulish sense of humor, it's probably the sweetest movie I've ever seen about taking a road trip with a rotting corpse.
New filmmakers are often told "don't mistake motion for action." This is why.
Three Burials still reaches the kind of pungency it seems to be seeking, and it touches on issues of alienation and distance very relevant to the reality of countless migrants.
All this edginess, combined with the grandeur and sweep of a classic western, demonstrates that Jones clearly knows how to tell a story -- and how to confound us at the same time.
Jones, directing his first feature, finds the right note in every scene, bringing Arriaga's elegant cipher to life.
As satire, The Three Burials of Melquiades Estrada isn't funny or illuminating, and as a drama it has only a few scattered moments.
Behind the hype lies a banal morality tale told in needlessly jumbled flashbacks and gorged with gruesome atrocities out of a Sam Peckinpah flick.
Jones, screenwriter Guillermo Arriaga and a crew blessed with pristine vision have delivered a tale of friendship and ethics worthy of Greek tragedy.
Tommy Lee Jones makes his feature directing debut here, and the film is as weathered, subtle, and sympathetic as the actor's own face.
Melquiades ... is meant to function as some sort of potent symbol, but `Three Burials' is too oblique to give his presence -- buried or otherwise -- much significance.
When it stays on track, The Three Burials of Melquiades Estrada turns into a thing of musty beauty.
Latest News for The Three Burials of Melquiades Estrada
July 13, 2007:
Charlize Theron to Visit "The Burning Plain"
The Oscar-winning blonde will anchor the directorial debut of one of the hottest screenwriters around: Guillermo Arriaga. More...
October 04, 2006:
"21 Grams," "Babel" Creators Innaritu and Arriaga on the Outs?
Rumor has it that the long-standing and successful partnership between Mexican director Alejandro Gonzalez Innaritu and writer Guillermo Arriaga may be coming to an ugly end,... More...
December 20, 2005:
Dallas-Fort Worth Film Critics 2005 Awards
December 19, 2005 -- DALLAS-FORT WORTH FILM CRITICS NAME “BROKEBACK MOUNTAIN” BEST OF 2005. The Dallas-Fort Worth Film Critics Association voted the frontier romance BROKEBACK... More...
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