Mills can compose and hold an image, has a gift for sly pacing and mood seepage, and seems a hipster aware of how melancholy and absurdity correspond.
Thumbsucker (2005)
Tomatometer
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Reviews Counted:105
Fresh:74
Rotten:31
Average Rating:6.7/10
Consensus: Though quirky coming-of-age themes are common in indie films, this one boasts a smart script and a great cast.
Rated: 15 [See Full Rating] for drug/alcohol use and sexuality involving teens, language and a disturbing image
Runtime: 1 hr 37 mins
Genre: Dramas
Theatrical Release:28-10-2005
Synopsis: It's not easy growing up, no matter what age you are... Justin Cobb (LOU PUCCI) still sucks his thumb at 17. He wants to stop and knows that his thumbsucking is disrupting his family, his love... It's not easy growing up, no matter what age you are... Justin Cobb (LOU PUCCI) still sucks his thumb at 17. He wants to stop and knows that his thumbsucking is disrupting his family, his love life and his identity. The only thing that changes his behavior is hypnosis therapy administered by his "guru" orthodontist. But while Justin felt this would solve all his problems and he would finally be "normal," his troubles were really just beginning. Thumbsucking was only a symptom of a deep-seated fear: that he and his father aren't good enough for his mother, and that she would leave them. Thumbsucking was the only way to soothe this fear. Once that is gone Justin spirals into manic behavior, is diagnosed with ADHD and put on Ritalin, which becomes a substitute for his thumb. When the high of the prescription drugs and a newfound success at school crash, Justin turns to pot and sex to replace his thumb. His father Mike (VINCENT D'ONOFRIO) is himself shadowed by the sad twists of youth: a broken college football career apparently sidelined by a knee injury. In many ways Mike feels like a teenager, yet he finds himself in his early 40s with his eldest son still sucking his thumb as he's heading to college and his wife seeming to drift away. Mike hides his fears and disappointments with tough behavior - but that trick is running dry. He is growing out of the lies and denials that got him from college to the present. Did he ever really want to be a jock? Is that a false self that he has hidden in for all these years and doesn’t know how to evolve out of? His wife Audrey (TILDA SWINTON) wonders how she could possibly be "grown up" with a son going to college. She seems to be asking "How did I get here?" and "Is this all there is?" In her early 40s, she is, like Justin, struggling to find out who she is and to accept her shortcomings. As a mother she knows that she doesn't have all the answers to Justin's troubles, and that she is sometimes too busy dealing with her own doubts to help him. Audrey hides from these realities through an obsession with a TV heartthrob, Matt Schraam (BENJAMIN BRATT), whose TV character seems to have all the neat answers, but his real drug addicted self reveals messier truths to both her and Justin. Little brother Joel (CHASE OFFERLE) is mostly oblivious to the family's dynamics, and thinks his troubled older brother is embarrassing. Joel provides comic relief with his lack of doubt in a family full of questions, yet his strong-mindedness may be misunderstood. Justin turns to others outside his family to help. His New Age orthodontist, Perry Lyman (KEANU REEVES), seems to mirror Justin's ups and downs. They both try on different personas that hide their doubts and fears. Perry transforms into an EST/FORUM-style high achiever before winding up a washed-up mess who stops looking for disguises and easy answers, finding a strange kind of happiness in the process. At school, Mr. Geary (VINCE VAUGHN), Justin's debate coach, initially tries to help. His alternately dominating and cripplingly insecure behavior is revealed as he attempts to live his life through his students. Striving to act as a peer to Justin, Mr. Geary eventually finds that he can no longer control him when Justin reaps great success, and their relationship crumbles. Justin’s heart belongs to another pretender, Rebecca (KELLI GARNER) who masks her insecurities about sex and relationships behind a cool demeanor. She seems adult beyond her years, but Justin learns the hard way that she is not able to face her fears. "Thumbsucker" is an honest and funny look at the struggles of people who feel deeply flawed, both those in youth and middle age. They yearn to be anything but their real selves with their real fears and doubts. Instead, they want to be "normal." They look for magic answers to fix themselves – only to realize that they can't be someone else, that "normal" does not exist, and that their flaws are what make them human and loveable. The directorial debut of Mike Mills, adapted by Mills from the novel by Walter Kirn, THUMBSUCKER is a This is that, Cinema-go-go and Bull’s Eye Entertainment production. -- © Sony Pictures Classics [More]
Starring: Lou Taylor Pucci, Tilda Swinton, Vincent D'Onofrio, Kelli Garner
Starring: Lou Taylor Pucci, Tilda Swinton, Vincent D'Onofrio, Kelli Garner, Keanu Reeves, Vince Vaughn, Benjamin Bratt
Director: Mike Mills, Bob Yari
Director: Mike Mills
Screenwriter: Mike Mills
Producer: Anthony Bregman, Anne Carey, Ted Hope
Director: Bob Yari
Producer: Cathy Schulman
Studio: Sony Pictures Classics
Reviews for Thumbsucker
Mills, working from a novel by Walter Kirn, brings some unusual touches to a film that could easily have become a standard indie coming-of-age tale.
...never fully crosses over into a teen drama from the adults' point of view, but its few variations are rewarding enough.
As Thumbsucker settles down into a parable about drug use and finally a standard-issue coming-of-age tale, this same contemplative tempo turns into a dreary trudge.
Pucci communicates both the physical and intellectual awkwardness of a perceptive teenager who has difficulty communicating his ideas and feelings to others.
I have focused on Justin, but really the movie is equally about the adult characters, who all seem to have lacked adequate parenting themselves. We talk about the tragedy of children giving birth to children; maybe that can happen at any age.
The film itself could stand an extra dose or two of something special; what it achieves falls far short of what it aims for.
There simply isn't much heart left in this pursuit, this punching of holes into the fa?e of planned communities and their plastic citizenry.
The captivating matter of the opposable digit is lost among a plethora of intriguing plot points without resolution.
The movie never reaches much of a dramatic climax, but there are many surprises on the way to nowhere, and Mills’s refusal to rush brings out the humor and the hidden tensions in material.
[Vaughn is] playing a different role here and I thought it was a really strong performance.
Suggests...maybe there is something terribly wrong in our nation where everyone ends up needing to be addicted to something.
It makes you feel better about any peculiar habits you might be hanging onto from childhood, and it entertains you at the same time.
Mike Mills' completely absorbing and unique film Thumbsucker is one of the best films I saw at Sundance this year.
Mike Mills shows an inventive vision and a talent for creating an eclectic mix of comedy and drama.
Thumbsucker works, in part due to the strength of Lou Pucci's superb lead performance.
The film's underlying notion, that imperfection is the essence of humanity and the pursuit of bland flawlessness a kind of soul-killing drug, is far more compelling than its story of clichéd teen angst.
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