[Lucas' 1970 debut] not only gives obvious indications of his glittering future career but also works in its own right as a terrific bit of sci-fi entertainment, creating a palpable sense of tension in its view of s futuristic dystopia.
THX 1138 (1971)
Tomatometer
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Reviews Counted:44
Fresh:39
Rotten:5
Average Rating:7/10
Consensus: George Lucas' feature debut presents a spare, bleak, dystopian future, and features evocatively minimal set design and creepy sound effects.
Runtime: 90 mins
Genre: Science-Fiction/Fantasy
Synopsis: In George Lucas's fascinating debut feature (based on his short student film), the filmmaking wunderkind creates a futuristic, underground world in which bald, drone-like workers are forced to take... In George Lucas's fascinating debut feature (based on his short student film), the filmmaking wunderkind creates a futuristic, underground world in which bald, drone-like workers are forced to take drugs to regulate their moods and stifle their libidos. THX 1138 (Robert Duvall) and his mate LUH 3417 (Maggie McOmie) are factory workers, building the robotic police that keep order in their stark world. The soundtrack to their lives is a news service that continually lists information about factory accidents, as well as sex and drug crimes, à la George Orwell's 1984. There are electronic confessionals where workers admit to mistakes they've made, outlets THX uses to express his unhappiness with his life. When LUH decides she and THX should stop taking their medication, their sense of humanity--and their desire and love for each other as a couple--is unleashed. It's not long, however, before they are imprisoned for this crime, and LUH learns that she is pregnant. Separated from LUH, THX embarks on a journey to find her, with the help of rebel SEN (Donald Pleasence) and hologram SRT (Don Pedro Colley), eventually attempting escape to the outside world. Combining complex editing and sound techniques with brilliantly subtle performances, THX 1138 is Lucas's less widely regarded vision of life in outer space, though it stands firmly as an awe-inspiring sci-fi spectacle. The film is also eerily prophetic, depicting a world in which television screens are bombarded with sensationalistic news, sexually explicit films, and vapid comedy shows. [More]
Starring: Robert Duvall, Donald Pleasence, Don Pedro Colley, Maggie McOmie
Starring: Robert Duvall, Donald Pleasence, Don Pedro Colley, Maggie McOmie, Ian Wolfe, Marshall Efron, Sid Haig, Irene Forrest
Director: George Lucas
Director: George Lucas
Screenwriter: George Lucas, Walter Murch
Producer: Lawrence Sturhahn
Composer: Lalo Schifrin
Reviews for THX 1138
Neglected on its initial release, this now stands as a classic science fiction movie and one of the most remarkable debuts of the 70s.
Visually it is often extraordinary, with Lucas playing on perspectives and dislocations throughout, nowhere more brilliantly than in the 'prison' represented by a limbo of whiteness that seems to stretch as far as the eye can see.
Lucas described THX as 'an artifact from the future,' and we're supposed to struggle for understanding. That's part of its hypnotic undertow.
Muddled and hopelessly artsy, but at least Lucas got it out of his system early on.
The movie's strength is not in its story but in its unsettling and weirdly effective visual and sound style.
The most remarkable thing about THX 1138 is its unsettling sound design, pieced together by Lucas and Walter Murch.
It's an impressively unified vision, with sterile set design, a wonderfully crisp and creepy sound design by Walter Murch.
The problem with Lucas's story, though, is that after the first thirty minutes or so he rather runs out of story.
A scrupulously crafted vision of benevolent oppressiveness, THX 1138 exudes a creamy hypnotism and resonates strongly.
The thought put into the world of THX 1138 clearly shows a respect for the audience who crave to know more than just basic plot and character development.
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