Gilliam is as inventive as ever addressing this fascinating, important topic, but it's a very hard film to watch.
Tideland (2006)
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Reviews Counted:70
Fresh:19
Rotten:51
Average Rating:4/10
Consensus: Tideland is a disturbing, and mostly unwatchable effort from Terry Gilliam.
Rated: 15 [See Full Rating] for bizarre and disturbing content, including drug use, sexuality, and gruesome situations - all involving a child, and for some language.
Runtime: 2 hrs 2 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:11-08-2006
Synopsis: Terry Gilliam, the director of such fantasies as TIME BANDITS, BRAZIL, and THE ADVENTURES OF BARON MUNCHAUSEN, tells a very different kind of story in TIDELAND. Based on the novel by Mitch Cullin... Terry Gilliam, the director of such fantasies as TIME BANDITS, BRAZIL, and THE ADVENTURES OF BARON MUNCHAUSEN, tells a very different kind of story in TIDELAND. Based on the novel by Mitch Cullin and cowritten by Gilliam and Tony Grisoni, TIDELAND follows young Jeliza-Rose (Jodelle Ferland), the daughter of Noah (Jeff Bridges), an aging, drug-addicted rock-and-roller, and Queen Gunhilda (Jennifer Tilly), a mean-spirited, drug-addicted chocoholic. After her mother overdoses, Jeliza-Rose and Noah move to his mother's home in the middle of nowhere, an abandoned wreck of a house. As Noah gets lost in one of his "vacations"--his drug trips, for which his daughter prepares the speedball--Jeliza-Rose becomes friends with an emotionally and physically challenged epileptic named Dickens (Brendan Fletcher), the brother of Dell (Janet McTeer), a terrifying witchlike woman who is deathly afraid of bees and has a penchant for taxidermy. Jeliza-Rose also falls farther into her own fantastical world, particularly with her doll heads Mustique, Sateen Lips, Glitter Gal, and Baby Blonde--one of which falls down a dark and narrow rabbit hole--and a mysterious talking squirrel that is trying to tell her something important. Part PSYCHO, part ALICE'S ADVENTURES IN WONDERLAND, Gilliam's challenging film also includes an eclectic soundtrack featuring original songs such as "Wash Me in the Blood of Jesus" and "Van Gogh in Hollywood" (the latter performed by Bridges as the leader of a heavy metal band), as well as an eerie set that echoes Andrew Wyeth's famous painting "Christina's World." [More]
Starring: Jeff Bridges, Jodelle Ferland, Brendan Fletcher, Jennifer Tilly
Starring: Jeff Bridges, Jodelle Ferland, Brendan Fletcher, Jennifer Tilly, Janet McTeer, Dylan Taylor, Wendy Anderson
Director: Terry Gilliam
Director: Terry Gilliam
Screenwriter: Tony Grisoni
Producer: Jeremy Thomas, Gabriella Martinelli
Composer: Mychael Danna, Jeff Danna
Studio: ThinkFilm
Reviews for Tideland
Tideland contains more shining, jewel-like moments than most films. It will reward your patience.
The dismal subject matter is beautifully shot, but Tideland merrily dances on the line between the merely unpleasant and the completely unwatchable.
Lewis Carroll unnerves us today far more than Hitchcock, but plenty of viewers won't thank Gilliam for going there.
There are some impressive visual moments but ultimately this is like watching an annoying child running around and shrieking about her imaginary friends for two hours.
Gilliam’s brash disregard for conventional narrative rhythms and structures is one of the many thrills of his best work, but here his freewheeling navigations veer so far off-road that the passenger is left exhausted and bewildered.
Tideland is flawed but it's still a must-see for anyone who considers themselves a fan of Gilliam.
Tideland's unmodulated frenzy has the effect of a prolonged shriek, too high and shrill for individual words to make themselves heard.
Perhaps once we leave these squeamish times, Tideland will emerge like one of Welles' later films as a misunderstood classic.
However misguided and off-the-mark Tideland may be, you can't say that it lacks artistic merit.
What we get, sadly, is easily the worst production Gilliam has ever been involved in, either behind the camera or in front of it. Tideland is, by turns, a complete bore and a creepy experience. And I don't mean 'creepy' in a positive sense.
Terry Gilliam’s first collaboration with Jeff Bridges yielded The Fisher King. This time around, it amounts to something a whole lot fishier.
The movie itself feels like an overstuffed burrito: Nicola Pecorini's cinematography has verve but no visual sense, and the film's self-important pace turns deadening over the long haul.
When Jeliza-Rose announces in the first scene, 'Today, we're all going on a great trip!', know that it's to the center of an emotional black hole.
Not for the faint-hearted, to be sure, yet amid the swaying chaff there are moments of piercing grace and beauty when we're reminded of the lost, lonely child at the heart of this tale.
A diary of pain and a chronicle of the armour of mythology an imaginative mind expels to salve it away.
Tideland is Gilliam unrestrained to be sure, and the result is a picture that has no chance at commercial success whatsoever %u2014 but a great shot at upsetting many a right-wing politico at the very least.
The literal train wreck that caps the film is an apt metaphor for this hallucinatory fiasco.
Latest News for Tideland
February 27, 2008:
Total Recall: Fairy Tales for Grownups
On the festival circuit, Penelope, starring Christina Ricci as a pig-nosed recluse embarking upon the modern world for the first time, seemed to get about as much press... More...
November 18, 2005:
Time to face it. A lot of Gilliam's movies fail not because of some outside influence, but because of him. ![]()
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