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Time to Leave (2006)
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Reviews Counted:50
Fresh:38
Rotten:12
Average Rating:6.6/10
Consensus: A reflective look at our own mortality through the experience of a middle-aged French man, Time To Leave manages to pull at our heart strings without resorting to cliches, and leaves a lasting impression.
Theatrical Release:12-05-2006
Synopsis: Melvil Poupaud gives an extraordinary, complex performance in TIME TO LEAVE (LE TEMPS QUI RESTE), written and directed by iconoclastic French auteur François Ozon (8 WOMEN, SWIMMING POOL). Poupaud... Melvil Poupaud gives an extraordinary, complex performance in TIME TO LEAVE (LE TEMPS QUI RESTE), written and directed by iconoclastic French auteur François Ozon (8 WOMEN, SWIMMING POOL). Poupaud stars as Romain, a selfish, self-absorbed fashion photographer who is suddenly diagnosed with terminal cancer. Not wanting anyone to know about his illness, he brutally breaks up with his boyfriend, Sasha (Christian Sengewald), belittles his sister, Sophie (Louise-Anne Hippeau), and goes against his doctor's (Henri de Lorme) suggestion to give chemotherapy a chance. The only person he chooses to confide in is his grandmother, Laura (the legendary Jeanne Moreau), who has been estranged from the family for many years for what they considered inappropriate behavior after the loss of her husband. Knowing his time is running out, Romain travels around with a small digital camera, capturing tender moments that are very different from the high-profile fashion shoots he is used to. He finds solace with his beloved grandmother, but to everyone else he is cold and distant, seemingly going out of his way to not take the easy way out by rediscovering life and love in his final days. All the while, nearly everywhere he goes, Romain sees himself as a child (Ugo Soussan Trabelsi), as the past invades his temporary present. Beautifully acted and intelligently written, TIME TO LEAVE, the second in a proposed trilogy about life and death by Ozon (following UNDER THE SAND), is a challenging, compelling work with a simply magnificent ending. [More]
Starring: Melvil Poupaud, Jeanne Moreau, Valeria Bruni-Tedeschi, Daniel Duval
Starring: Melvil Poupaud, Jeanne Moreau, Valeria Bruni-Tedeschi, Daniel Duval, Marie Rivière
Director: Francois Ozon
Director: Francois Ozon
Producer: Olivier Delbosc, Marc Missonnier
Studio: Strand Releasing
Reviews for Time to Leave
An emotionally moving story, which somehow never dips into cliched sentimentality.
The entire film is a balancing trick, with scenes of potential banality redeemed at the last by a subtle twist or subversion. In their conflicted expressions, the performers prove themselves experts at their own high-wire acts.
Whilst avoiding many of the sentimental clichés that bedevil terminal illness movies, the briskly edited Time To Leave nevertheless lacks the emotional impact of Ozon's most memorable films.
Time to Leave winds up a tiresome affirmation of man's biological duty to procreate; the position is simplistic verging on obnoxious, especially after 5x2's attack on the hetero family model.
François Ozon's latest follows in the footsteps of familiar made-for-TV-movie terrain but does so wearing Prada shoes.
Romain sees his inner child wherever he goes. The problem is, that childishness is all we really understand about the character. Nothing else punches through.
Pointless, crushingly dull "disease of the week" film [about] a shallow, selfish, gay fashion photographer.
It's about a gay man coming to terms with his mortality, and, in a plot twist that's as contrived as it is ironic, with the biblical injunction to procreate.
One gets the feeling while watching Time to Leave that the feisty director is, for the first time, bored by the story he's telling.
It's difficult to feel positive about Romain's acceptance of his mortality, because Ozon hasn't convinced us Romain was that alive to begin with.
Has its effective moments of restrained intimacy but lacks the depth to give the slow-going narrative much impact.
Modern audiences are more likely to find the character's behavior to be extremely frustrating, undercutting any sympathetic response one might have for his situation.
It does absolutely nothing that previous movies dealing with this subject haven't done.
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