Modern audiences are more likely to find the character's behavior to be extremely frustrating, undercutting any sympathetic response one might have for his situation.
Time to Leave (2006)
Tomatometer
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Reviews Counted:50
Fresh:38
Rotten:12
Average Rating:6.6/10
Consensus: A reflective look at our own mortality through the experience of a middle-aged French man, Time To Leave manages to pull at our heart strings without resorting to cliches, and leaves a lasting impression.
Theatrical Release:12-05-2006
Synopsis: Melvil Poupaud gives an extraordinary, complex performance in TIME TO LEAVE (LE TEMPS QUI RESTE), written and directed by iconoclastic French auteur François Ozon (8 WOMEN, SWIMMING POOL). Poupaud... Melvil Poupaud gives an extraordinary, complex performance in TIME TO LEAVE (LE TEMPS QUI RESTE), written and directed by iconoclastic French auteur François Ozon (8 WOMEN, SWIMMING POOL). Poupaud stars as Romain, a selfish, self-absorbed fashion photographer who is suddenly diagnosed with terminal cancer. Not wanting anyone to know about his illness, he brutally breaks up with his boyfriend, Sasha (Christian Sengewald), belittles his sister, Sophie (Louise-Anne Hippeau), and goes against his doctor's (Henri de Lorme) suggestion to give chemotherapy a chance. The only person he chooses to confide in is his grandmother, Laura (the legendary Jeanne Moreau), who has been estranged from the family for many years for what they considered inappropriate behavior after the loss of her husband. Knowing his time is running out, Romain travels around with a small digital camera, capturing tender moments that are very different from the high-profile fashion shoots he is used to. He finds solace with his beloved grandmother, but to everyone else he is cold and distant, seemingly going out of his way to not take the easy way out by rediscovering life and love in his final days. All the while, nearly everywhere he goes, Romain sees himself as a child (Ugo Soussan Trabelsi), as the past invades his temporary present. Beautifully acted and intelligently written, TIME TO LEAVE, the second in a proposed trilogy about life and death by Ozon (following UNDER THE SAND), is a challenging, compelling work with a simply magnificent ending. [More]
Starring: Melvil Poupaud, Jeanne Moreau, Valeria Bruni-Tedeschi, Daniel Duval
Starring: Melvil Poupaud, Jeanne Moreau, Valeria Bruni-Tedeschi, Daniel Duval, Marie Rivière
Director: Francois Ozon
Director: Francois Ozon
Producer: Olivier Delbosc, Marc Missonnier
Studio: Strand Releasing
Reviews for Time to Leave
Simply treats death as life's final curveball, with Romain solemnly and bravely letting the hourglass trickle down as it will.
We watch Romain change as he struggles with his mortality and, as he does, we come to care about him.
Has its effective moments of restrained intimacy but lacks the depth to give the slow-going narrative much impact.
Pointless, crushingly dull "disease of the week" film [about] a shallow, selfish, gay fashion photographer.
Romain sees his inner child wherever he goes. The problem is, that childishness is all we really understand about the character. Nothing else punches through.
It's about a gay man coming to terms with his mortality, and, in a plot twist that's as contrived as it is ironic, with the biblical injunction to procreate.
Time to Leave blows a fresh, skeptical wind through fairly corny melodramatic territory while keeping faith with the operatic emotions of the genre.
Ozon's drama offers no rousing speeches about living to the fullest, or heartfelt soliloquies on the nature of existence, only a bitterly honest admission that death happens to everyone and there is no use trying to stop it.
Romain is ruthlessly true to himself, and the film's final scene, which begins on a crowded beach and ends as everyone who can goes home, is stunningly haunting.
As in any Ozon film, there are indelible performances from strong women here.
Time to Leave just might be Ozon's best work yet. He tackles a sensitive, off-putting subject with a dignity that will put viewers at ease.
Ozon transplants the melodrama genre to the here and now, taking a sentimental form and adding frank sexuality (is that a prosthetic Mr. Poupard or are you in the moment?) and a steely attitude.
A cinematic tone poem, wafting on wistful tableaus and sad faces....mostly elaborates on how death must ultimately be a personal experience.
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