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Tokyo Olympiad (1965)
Runtime: 2 hrs 50 mins
Synopsis: Commissioned to create a record of the 1964 Tokyo Olympics, Kon Ichikawa's film is executed with the same attention to detail and sense of formal beauty characteristic of his fictional masterworks. Assisted by the great cameraman Kazuo Miyagawa (cinematographer on classic films such as... Commissioned to create a record of the 1964 Tokyo Olympics, Kon Ichikawa's film is executed with the same attention to detail and sense of formal beauty characteristic of his fictional masterworks. Assisted by the great cameraman Kazuo Miyagawa (cinematographer on classic films such as Akira Kurosawa's RASHOMON, Yasujiro Ozu's UKIGUSA, and Kenji Mizoguchi's UGETSU), who supervised the 164 camera operators the project required, the director thrusts the viewer into the games in medias res rather than dwelling on the familiar narrative rhythms of victory and defeat. Ichikawa does spend some time on the heroes of the Games, such as famed Ethiopian marathoner Abebe Bikila in his attempt to repeat his gold medal performance of four years earlier, and sprinter Bob Hayes, who demonstrates why he was once known as the fastest man alive. But Ichikawa is equally drawn to the intensity, dedication, and self-discipline of the nonmedalists, for whom their sport is a way of life--a Soviet woman hammer thrower caught in freeze-frame, yacht-race crewmen hanging far over the side of a boat, and an exhausted marathon runner rushed to the hospital. Employing frequent cuts to spectator reactions, he also makes them participants in the drama of competition. While almost diametrically opposed in form and function to OLYMPIA, Leni Riefenstahl's 1938 masterpiece, this gorgeous, lynx-eyed film deserves a place alongside it in film history. [More]
Genre: Foreign Films
DVD Info
Release:
Jun 7, 2004
DVD Features:
- Region 1
- Keep Case
- Anamorphic Widescreen - 2.35
- Single Side - Dual Layer
Audio:
- Mono - Japanese
Additional Release Material:
- Audio Commentary - 1. Peter Cowie - Film Historian
Text/Galleries:
- Liner Notes - 1. George Plimpton - Author
- Additional Text - 1. List of All 1964 Olympic Medalists
- 2. Excerpt from KON ICHIKAWA (Cinematheque Ontario Book)
Reviews
It is as welcome -- even if mainly to track and movie buffs -- as the finish line is to a marathon runner.
Ichikawa's 1965 documentary of the 1964 Tokyo Olympics is a document not just of an event but also of a time and place and a culture.
Tokyo Olympiad is a stunning testament – both to the Olympic athletes it focuses on, and the craft of artistic documentary filmmaking.
'Despite the unnecessary preaching of peace and brotherhood, Ichikawa truly captures a far more intimate portion of Olympic spirit than recorded anywhere else'
The torch-bearer running across the screen, as Mount Fuji fills the background, stands as one of the most profoundly moving shots in cinematic history.
a visual marvel of cinematic techniques, many of which were groundbreaking at the time in terms of what was acceptable for a sports documentary
Though it's visually choppy, with some disruptive zooms, the 'Scope format matches the subject's scale, and Ichikawa's emphasis on shared human experience is compelling.
An epic study of athletes struggling, against their own bodies and each other, to excel. But it reaches even further, as a stirring portrait of fleeting human hopes.
By plunging us into the action, Ichikawa creates a unique intimacy between athlete and audience. Even after countless hours of watching televised sports, the effect is revelatory.


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