The ragbag of visual tricks turns a great novel into an entertaining but simple-minded romp.
Tom Jones (1963)
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Reviews Counted:26
Fresh:21
Rotten:5
Average Rating:7.8/10
Consensus: A frantic, irreverent adaptation of the novel, bolstered by Albert Finney's courageous performance and arresting visuals.
Runtime: 2 hrs 9 mins
Genre: Comedies
Synopsis: Tony Richardson's rousing adaptation of Henry Fielding's classic comic novel stars Albert Finney as the eponymous swordsman. TOM JONES achieved enormous critical and commercial success, benefiting... Tony Richardson's rousing adaptation of Henry Fielding's classic comic novel stars Albert Finney as the eponymous swordsman. TOM JONES achieved enormous critical and commercial success, benefiting from an excellent cast, lively score, and unusually realistic art direction. While the film surely deserves this praise, Richardson initially considered it a failure, and it's likely that he saved the film in the editing room, emphasizing the farcical elements of the story with rapid intercutting, and adding amusingly ironic voice-over narration. The end product is one of the most entertaining costume dramas ever put on celluloid. Tom Jones is raised by Squire Allworthy (George Devine), his mother's (Joyce Redman) aptly named employer. He grows up to be a lively young man, loved by all except Allworthy's legitimate heir--the dour, envious Blifil (David Warner)--to whom Tom's true love Sophie Western (Susannah York) is promised in marriage. Allworthy feels obliged to send Tom away for Blifil's sake, which only briefly dampens Tom's mood. Soon, he's engaging in a famously libidinous eating scene with a woman met en route, carrying on with his ever-entertaining high spirits. An inspired piece of cinematic comedy, TOM JONES is most memorable for Finney's performance, which keeps viewers laughing long after the film's end. [More]
Starring: Albert Finney, Susannah York, Hugh Griffith, Edith Evans
Starring: Albert Finney, Susannah York, Hugh Griffith, Edith Evans, Joan Greenwood, David Warner, Joyce Redman, Diane Cilento, David Tomlinson, Micheal MacLiammoir
Director: Tony Richardson
Director: Tony Richardson
Screenwriter: John Osborne
Producer: Tony Richardson, Michael Balcon
Composer: John Addison
Reviews for Tom Jones
If Tom Jones now feels something of a product of its times, it still deserves credit for attempting something new.
Osborne's courageous hatchet job on Fielding's 1,000 page classic novel and Finney's gutsy performance add up to produce an enjoyable piece of irreverent entertainment.
Despite the fitful energy and the beauty of the settings, the ugliness of the mise en scene and the crudity of the editing tend to triumph.
It certainly is different from every Best Picture that's come before. I'm just not sure if that's a good thing.
Albert Finney's performance can't stop Tom Jones from being a grainy mess.
The film is a way-out, walleyed, wonderful exercise in cinema. It is also a social satire written in blood with a broadaxe. It is bawdy as the British were bawdy when a wench had to wear five petticoats to barricade her virtue.
A brilliant melding of naturalistic 18th-Century backgrounds with frantic, Keystone Kops-style slapstick and silent film devices like undercranking, titles, wipes, stop-motion photography, etc.
Prepare yourself for what is surely one of the wildest, bawdiest and funniest comedies that a refreshingly agile filmmaker has ever brought to the screen.
A wonderful adaptation (by playwright John Osborn) of Henry Fielding's famous novel, about the adventures of the amorous illegit son of a servant, splendidly played by the young Albert Finney, who became a household name in America after the picture.
One of the more unusual best picture winners in all the ones that have won, it's shocking and bawdy, even by today's standards, and for that reason it remains a classic.
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