Though it falters as a narrative, Tony Takitani sticks in the mind with its poetic contemplativeness.
Tony Takitani (2005)
Tomatometer
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Reviews Counted:51
Fresh:46
Rotten:5
Average Rating:7.4/10
Consensus: Despite its deceptive wispiness, this delicately lovely and melancholy film about loneliness has a haunting power.
Theatrical Release:21-04-2006
Synopsis: TONY TAKITANI is an eloquent, deftly told tale based on a short story published in The New Yorker, written by Japanese bestselling author Haruki Murakami (NORWEGIAN WOOD, KAFKA ON THE SHORE). Issey... TONY TAKITANI is an eloquent, deftly told tale based on a short story published in The New Yorker, written by Japanese bestselling author Haruki Murakami (NORWEGIAN WOOD, KAFKA ON THE SHORE). Issey Ogata stars as the title character, a simple, undemanding mechanical draftsman who lives a lonely existence. His mother died shortly after he was born, and his father (also played by Ogata) is a jazz musician who is rarely around. But when Tony meets the young and beautiful Eiko (Miyazawa Rie), he falls for her instantly, despite their 15-year age difference. Their friendship slowly develops into love, and Tony soon discovers that Eiko is a shopaholic who cannot stop buying clothing. When tragedy strikes, Tony is forced to look at his life in a whole different way. Written and directed by Jun Ichikawa (RYOMA'S WIFE, HER HUSBAND AND HER LOVER), TONY TAKITANI is told in long scenes with little or no dialogue; sometimes the characters themselves finish parts of the narration, which is delivered by Hidetoshi Nishijima at a soft, deliberate pace. The intelligent script, which is extremely faithful to Murakami's original story, is accompanied by Ryuichi Sakamoto's gorgeous, spare score and Hirokawa Taishi's stark, captivating cinematography. [More]
Starring: Issey Ogata, Miyazawa Rie, Hidetoshi Nishijima, Shinohara Takahumi
Starring: Issey Ogata, Miyazawa Rie, Hidetoshi Nishijima, Shinohara Takahumi, Shihodo Wataru, Kino Hana, Kusano Toru, Oyamada Sayuri, Tanigawa Saho
Director: Jun Ichikawa
Director: Jun Ichikawa
Screenwriter: Jun Ichikawa
Producer: Ishida Motoki
Studio: Strand Releasing
Reviews for Tony Takitani
The pacing is reserved to the point of being funereal, and the Ryuishi Sakamoto score is likely to lull you to sleep.
It creates a mood that sweeps over you, that kind of movie works better on the big screen. On the small screen, it doesn't have the oomph to demand your attention.
Heedlessly drawn to Eiko ... Tony takes a step onto spiritually hollow ground and falls through.... That's what this kind of ironic protagonist does, from Adam on down....
Like a cultivated orchid, the delicate product of careful attention and an appreciation for fleeting beauty.
... like an impressionistic documentary of a man resigned to his loneliness.
This is the sort of film you're pretty sure you won't like, but see anyway out of vague curiosity and emerge from its spell somehow changed.
Impressively reduces Murakami's hard-boiled word world to a floating-picture world. But like Lish's edits of Ray Carver, it mutes a story that was nearly mute to begin with.
The film gestures toward our understanding of deep matters -- grief, solitude, and the process by which people build and express their very selves -- and it does so with a commendably steady, gentle hand.
It's a marvelously moody meditation, beautiful to look at and beautiful to ponder as the camera slowly pans from one scene to the next, framing life as still life.
It's a film for specialized tastes, quiet, delicate. But it suits those tastes beautifully.
It's a graceful, odd experiment... I'm still not sure if it works, but I'm glad it exists.
Tony Takitani, fablelike and beautiful, requires a certain amount of patience, but its small, peculiar charms work their way into your soul.
Whether you view it as a metaphor for a country or a singular study of the human condition, Tony Takitani explores the borders between solitude and loneliness, hunger and consumption, memory and loss.
The characters and narrative are so lightly sketched, the film's gravity sneaks up on the viewer through the gradual force of its form and rhythm.
Tony Takitani is an exquisite film, as elegant and precise as an impeccably cut diamond.
A gentle breeze of absurdism floats through this lyrically understated story. Its sadness is little short of magical.
This gossamer work is one of the loveliest examples of minimalist cinema I’ve seen in a long time.
Latest News for Tony Takitani
December 13, 2005:
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