1 - 5 (sorted by date; UK critics are listed first)

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The jumpy, freewheeling Cassavetes style -- for which Darin's jazz, I suppose, is a metaphor -- seems well worth fighting for.

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One of the more impressive Hollywood movies to be set in the hip, flip jazz world.

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It's pretentious, lugubrious, mawkish, and full of both naivete and macho bluster. It also has moments that are indelible and heartbreaking.

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John Cassavetes' first Hollywood-made project shows a tendency to force casebook psychology on the characters at a loss of spontaneity.

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2.5/4
Interesting mainly for its jazz atmosphere and Darin's nonsinging performance.

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1 - 5 (sorted by date; UK critics are listed first)