The third Astaire-Rogers movie and one of the best.
Top Hat (1935)
Tomatometer
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Reviews Counted:36
Fresh:36
Rotten:0
Average Rating:8.7/10
Consensus: A glamorous and enthralling Depression-era diversion, Top Hat is nearly flawless, with acrobatics by Fred Astaire and Ginger Rogers that make the hardest physical stunts seem light as air.
Runtime: 1 hr 43 mins
Genre: Musical & Performing Arts
Synopsis: A musical comedy full of high style, romance, mistaken identity... and Fred Astaire and Ginger Rogers dancing and singing 11 of Irving Berlin's best songs. When Jerry Travers meets lovely Dale... A musical comedy full of high style, romance, mistaken identity... and Fred Astaire and Ginger Rogers dancing and singing 11 of Irving Berlin's best songs. When Jerry Travers meets lovely Dale Tremont, it's love at first sight for him. Unfortunately, Dale's affections chill when she mistakenly believes he's her best friend's new husband. Now she's engaged to someone else... Will she find out Jerry's real identity before she goes ahead and makes a big mistake? [More]
Starring: Fred Astaire, Ginger Rogers, Edward Everett Horton, Helen Broderick
Starring: Fred Astaire, Ginger Rogers, Edward Everett Horton, Helen Broderick, Eric Blore, Erik Rhodes, Lucille Ball, Leonard Mudie
Director: Mark Sandrich
Director: Mark Sandrich
Producer: Pandro S. Berman
Screenwriter: Dwight Taylor, Allan Scott
Composer: Max Steiner
Reviews for Top Hat
Arguably the classiest and funniest of the RKO Astaire-Rogers musicals.
Every musical number works, and the mistaken identity plot is pleasant enough, even if there's too much emphatic dithering from the supporting players towards the end.
Top Hat (1935) is one of the great 30s dance musicals, and possibly the best and most profitable Astaire and Rogers musical ever, with wonderful, magical dance
This 1935 musical finds Fred Astaire and Ginger Rogers at the top of their form.
Because we are bound by gravity and the limitations of our bodies, because we live in a world where the news is often bad and the prospects disturbing, there is a need for another world somewhere, a world where Fred Astaire and Ginger Rogers live.
Even if you can't quite appreciate the music, sit back and get clued in to why Fred Astaire is one of the movies' all-time great physical performers.
The quintessential Fred-and-Ginger vehicle typically escapist Depression-era fare [but] whenever Fred and Ginger are in motion, the magic is timeless.
The fourth pairing of Astaire-Rogers is one of their best and RKO top grosser of the year.
I don't want to get political here. I just want to talk about singing and dancing.
The plot is involving, especially as it builds to its seemingly impossible-to-solve finale.
...even after seventy years, the same elements delight us all over again. Good songs, good dancing, and good stars never go out of style.
All the minor players are such skilled comedians that they are able to extract merriment from this none too original comedy of errors.
Top Hat does not glorify wealth or upper class status - if anything it continually pokes fun at it.
This one can't miss and the reasons are three -- Fred Astaire, Irving Berlin's 11 songs and sufficient comedy between numbers to hold the film together.
Finally, thanks more to Fred Astaire than any other single influence, the character of musicomedy in the cinema has now completely changed.
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