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Topaz (1969)
Runtime: 2 hrs 23 mins
Synopsis: Alfred Hitchcock adapted this political thriller from Leon Uris's dense, complex spy novel, loosely based on actual events in the life of French spy Philippe de Vosjoli. The title, TOPAZ, refers not to the stone but to the Topaz Group, a nefarious band of French spies. Traveling through Cuba,... Alfred Hitchcock adapted this political thriller from Leon Uris's dense, complex spy novel, loosely based on actual events in the life of French spy Philippe de Vosjoli. The title, TOPAZ, refers not to the stone but to the Topaz Group, a nefarious band of French spies. Traveling through Cuba, Denmark, New York, and Virginia, among other locations, Hitchcock's tale tells of a Soviet scientist's defection that sparks an international furor extending way beyond the act itself. The story begins with American CIA agent Michael Nordstrom (John Forsythe), who is instrumental in uncovering Russian plans to place missiles in Cuba. For confirmation he turns to French agent Andre Devereaux (Frederick Stafford), who travels to Cuba to gather information. In the process, he discovers evidence of a shocking betrayal. The conclusion of the film is one of four endings Hitchcock filmed. This was one of two cold war-themed films directed by Hitchcock at the urging of his studio, the other being TORN CURTAIN. [More]
Genre: Action/Adventure
Starring: John Forsythe, Philippe Noiret, Michel Piccoli, Frederick Stafford, John Vernon
Producer: Alfred Hitchcock
Screenwriter: Samuel Taylor
Composer: Maurice Jarre
DVD Info
Release:
Aug 6, 2007
DVD Features:
- Region 1
- Snap Case
- Anamorphic Widescreen - 1.85
Audio:
- Dolby Digital 2.0 Mono - English
- Subtitles - English, French, Spanish
Additional Release Material:
- Alternate Endings - The Duel; The Airport; The Suicide
- Featurette - 1. Topaz: An Appreciation by Film Historian and Critic Leonard Maltin
- Trailer - Theatrical Trailer
Text/Photo Galleries:
- Storyboards: The Mendozas
- Production Notes
- Photos/Stills - Production Photographs
Reviews
The muddled Samuel Taylor screenplay smelled so bad I wouldn't wrap fish in it.
Hitchcock’s notorious reliance on stock footage and his affection for blue screening rather than adding veracity or contributing to the artifice of the filmmaking process, make it seem like his heart isn’t really in it.


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