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Topsy-Turvy (1999)
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Reviews Counted:83
Fresh:74
Rotten:9
Average Rating:7.7/10
Consensus: A thoroughly entertaining character study and a great success for Mike Leigh.
Runtime: 2 hrs 40 mins
Genre: Dramas
Synopsis:
Topsy-Turvy is the new film from award-winning writer/director Mike Leigh. The British filmmaker has, in his works, brought filmgoers into intimate contact with ordinary Londoners navigating...
Topsy-Turvy is the new film from award-winning writer/director Mike Leigh. The British filmmaker has, in his works, brought filmgoers into intimate contact with ordinary Londoners navigating extraordinary emotional territory. With Topsy-Turvy, Leigh leaps back in time to grant filmgoers an audience with two Londoners whose lives were marked by extraordinary creativity: Gilbert and Sullivan.
William Schwenck Gilbert (Jim Broadbent) is the librettist, writing the words. Arthur Sullivan (Allan Corduner) is the composer, writing the music. Gilbert is the very model of a 19th Century British gentleman, an overly proper married man certain that he knows best–which he often does. Sullivan lives a freer life, almost libertine by comparison, but there is a seriousness of purpose in him.
For nearly a decade, Gilbert and Sullivan’s collaborations have delighted the English people. Their popular comic operas have recouped handsomely for the successful Savoy Theatre; impresario Richard D’Oyly Carte (Ron Cook) himself is a stabilizing influence, gently but firmly overseeing the two men.
But, in 1884, as a London heat wave cuts into the theatre trade, their latest work "Princess Ida" receives lukewarm press. Sullivan wants to quit and compose more serious music, but the two are contractually obligated to create a new work for Carte. Sullivan rejects Gilbert’s next idea as "topsy-turvy" and unbelievable, and although Gilbert tries to accommodate him, they cannot agree. Mired at a creative impasse, Gilbert and Sullivan can barely converse.
Then, Gilbert’s wife Lucy "Kitty" Gilbert (Lesley Manville) drags him along to a Japanese exhibition. Exposure to the very different culture sparks inspiration in Gilbert. He rebounds, conceiving "The Mikado." The concept encourages Sullivan, and the production comes together…which is when the truly hard work begins: the actors (including the dedicated Richard Temple [Timothy Spall] in the lead role) must be rehearsed, coddled and rehearsed again. While striving to cohere as a company, the players’ private lives color their work–but no more than Gilbert and Sullivan’s own, as "The Mikado" makes the difficult, but ultimately rewarding, transition from page to stage.
Starring: Jim Broadbent, Allan Corduner, Lesley Manville, Eleanor David
Starring: Jim Broadbent, Allan Corduner, Lesley Manville, Eleanor David, Ron Cook, Timothy Spall, Kevin McKidd, Alison Steadman, Katrin Cartlidge, Dexter Fletcher
Director: Mike Leigh
Director: Mike Leigh
Screenwriter: Mike Leigh
Producer: Simon Channing Williams
Composer: Carl Davis
Reviews for Topsy-Turvy
Leigh's cast are beyond compare, and the whole bighearted, splendidly droll celebration of the entertainer's lot surely stands among British cinema's one-of-a-kind treasures.
It's this attention to the anxious underbelly of Victorian culture that does most to save Topsy-Turvy from descending into pictorialism.
It's a confusing mishmash of irrelevance, not least because Mike Leigh, the writer and director, feels the need to jump in and out of hundreds of different locations without ever exploring them.
It’s the booming-voiced Broadbent who anchors a potentially diffuse film.
The sense of a work of art coming to life has rarely been more beautifully or excitingly portrayed. This is a film not to be missed.
A great study on the struggle to create live theater, containing beautiful musical sequences and fantastic portrayals of the musical’s creators.
[A] beautifully crafted and lively romp around the 1880s stage world.
There is not an unrealized or extraneous character in the film, and I can't remember a movie that so completely studies the intricacies of bringing a production to the stage.
The real magic of this film is in the way most of the characters skillfully navigate their way around each other's sizable but fragile egos.
If you are a Gilbert and Sullivan buff, you will be in heaven. If you are not, the first thing you will need to know is that the film is nearly three hours long.
Leigh has handcrafted a big production and succeeds, mostly, in entertaining the viewer to the end -- especially for fans of Gilbert and Sullivan.
... an enlightening exploration of how artists must sometimes journey into unknown territory before they find inspiration enough to keep from repeating themselves.
Criado, em boa parte, através de improvisação (tradição de Leigh), o filme tem várias subtramas que jamais se resolvem - mas é interessante, especialmente ao mostrar os bastidores de um espetáculo em produção.
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