Like Ghost, only British and better.
Truly, Madly, Deeply (1992)
Runtime: 2 hrs 7 mins
Synopsis: In Anthony Minghella's directorial debut, Nina (Juliet Stevenson) is trying to put her life back together following the untimely death of her boyfriend, Jamie (Alan Rickman). She still hears his voice in her head, telling her to lock the back door, or instructing her in the proper way to brush... In Anthony Minghella's directorial debut, Nina (Juliet Stevenson) is trying to put her life back together following the untimely death of her boyfriend, Jamie (Alan Rickman). She still hears his voice in her head, telling her to lock the back door, or instructing her in the proper way to brush her teeth. Nina gets the shock of her life when Jamie returns to her--still dead, but there in the flesh nevertheless. Just as the two settle back into their comfortable relationship, Nina meets Mark (Michael Maloney), a kind, quirky fellow who is obviously drawn to her. Nina is then caught between two worlds and two men--one dead and from and her past, the other alive and in the present. A supporting cast of mildly eccentric characters adds flavor to this romantic comedy about finding love where and when you least expect it. Stevenson is enchanting as Nina, instilling her with humor and grief simultaneously. Rickman's performance as Jamie, a dead cellist who brings other dead friends to hang out at Nina's flat, is wonderfully subtle and droll. [More]
Genre: Comedies
Starring: Alan Rickman, Juliet Stevenson, Michael Maloney
DVD Info
Release:
Feb 12, 2003
DVD Features:
- Region 1
- Keep Case
- Full Frame - 1.33
- Single Side - Dual Layer
Audio:
- Dolby Digital Stereo 2.0 - English
- Mono - French
- Mono - Spanish
Additional Release Material:
- Audio Commentary - 1. Anthony Minghella - Director
- Interview - 1. Anthonly Minghella - Director
- Intro
Reviews
As a metaphor for the experience of bereavement, the conceit is over-extended, though Stevenson almost makes it work.
In a brave directorial debut, Anthony Minghella appears to be trying to unfold the fact that rose-tinted memories of love are often more enthralling that the reality.
This sharply scripted study of a bereaved woman who literally wishes her partner back from the grave is an impressive directorial bow by British playwright Anthony Minghella.
Miss Stevenson, Mr. Rickman and Mr. Maloney, good actors all, work tirelessly on behalf of the insistently gooey and smug material.
Even though the ghosts can walk through walls the script can't get past its emotionally manipulative love story.
Deeply moving film that only underscores the tragedy of continually casting Rickman as a villain.
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