Even though its emotional state is sentimental and its narrative arc predictable, Tsotsi is buoyed by fundamental decency that makes such things forgivable.
Tsotsi (2006)
Tomatometer
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Reviews Counted:125
Fresh:101
Rotten:24
Average Rating:7.4/10
Consensus: Chweneyagae's powerful performance carries this simple yet searing tale of a shantytown teenager's redemption.
Rated: 15 [See Full Rating] for language and some strong violent content.
Runtime: 1 hr 34 mins
Genre: Dramas
Theatrical Release:17-03-2006
Synopsis: Based on South African playwright Athol Fugard's only novel, TSOTSI is a thrilling, provocative look at life in the ghettos outside present-day Johannesburg. Presley Chweneyagae stars as the title... Based on South African playwright Athol Fugard's only novel, TSOTSI is a thrilling, provocative look at life in the ghettos outside present-day Johannesburg. Presley Chweneyagae stars as the title character, a teenager with a killer stare who lives alone in a ramshackle room in a poor shantytown, where he pulls off petty crimes with the help of three compatriots--Boston (Mothusi Magano), Butcher (Zenzo Ngqobe), and Aap (Kenneth Nkosi). But after they stab a man to death on the subway and Tsotsi (which means "thug" or "gangster") beats up Boston for trying to find out about his past, Tsotsi runs off to a wealthy section of the city, shoots a woman, and steals her car. Only later does he discover that there is a baby in the back seat--and decides to keep it for himself. As Tsotsi finally does look back at his own childhood, he tries to take care of the infant, carrying it around in a paper bag and forcing a young mother, Miriam (Terry Pheto), to breastfeed it at gunpoint. At this point, writer-director Gavin Hood could have opted for trite sentimentality, but instead he delves deeper into Tsotsi's psyche, as the young man might have already gone too far to turn back now. TSOTSI is a pulsating, electrifying film propelled by Chweneyagae's powerful, mesmerizing performance. The pounding soundtrack features popular local Kwaito music by Zola, who also plays crimelord Fela in the film. Winner of the 2006 Oscar for Best Foreign Language Film, TSOTSI "will rank as one of the best films ever to come out of South Africa," as Fugard himself said. [More]
Starring: Presley Chweneyagae, Mothusi Magano, Kenneth Nkosi, Zenzo Ngqobe
Starring: Presley Chweneyagae, Mothusi Magano, Kenneth Nkosi, Zenzo Ngqobe, Terry Pheto, Zola, Jerry Mofokeng, Rapulana Seiphemo, Ian Roberts
Director: Gavin Hood
Director: Gavin Hood
Studio: Miramax Films
Reviews for Tsotsi
Presley Chweneyagae excels in this hard-hitting urban drama, South Africa's answer to City of God (not that anyone asked the question).
Unabashedly poignant, it's a moody, gritty gangster saga with a stark sense of reality.
A profound film that grabs you by the throat and holds you hostage until the end credits roll.
As the movie doesn't shy away from much real feeling, its shortcuts can be forgiven.
An extraordinary and gritty contemporary portrait of ghetto life set amidst the sprawling Johannesburg townships.
Hood lets his story tell itself. Tsotsi creeps up on us and is all the more devastating because we don’t see it coming.
Unfolds in such clear-eyed, powerful fashion that its characters become unforgettable, and the movie lands a big-time emotional punch.
To feel the full power of the movie's wrenching story, you must not rush to judge or embrace young Tsotsi. He is an enigma whose journey is the story.
A deeply moving portrait of a human being, suffering in life and not having any handle on how to deal with it. It's tragedy, not melodrama.
Tsotsi, which hits obvious marks, is not a great film. But it is a firmly memorable one, with or without an Oscar.
With a predictable and borderline manipulative plot, Tsotsi depends on strong performances for its impact, and its cast delivers.
The picture can be squishy and obvious. Yet it works, thanks to Gavin Hood's straightforward, sensitive direction and his star's emotionally charged performance.
The movie's selling point is the subtlety with which it spreads around its empathy.
The film succeeds at creating an unforgettable character study of one soul at the brink.
While Tsotsi may not break new narrative ground, it infuses a familiar story with rare intensity and feeling, as well as a palpable sense of place.
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