If Hood's direction were anything more than blatantly cruel and crushingly obvious -- or if Chweneyagae were capable of more than one expression -- the film might have a reason for existing.
Tsotsi (2006)
Tomatometer
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Reviews Counted:125
Fresh:101
Rotten:24
Average Rating:7.4/10
Consensus: Chweneyagae's powerful performance carries this simple yet searing tale of a shantytown teenager's redemption.
Rated: 15 [See Full Rating] for language and some strong violent content.
Runtime: 1 hr 34 mins
Genre: Dramas
Theatrical Release:17-03-2006
Synopsis: Based on South African playwright Athol Fugard's only novel, TSOTSI is a thrilling, provocative look at life in the ghettos outside present-day Johannesburg. Presley Chweneyagae stars as the title... Based on South African playwright Athol Fugard's only novel, TSOTSI is a thrilling, provocative look at life in the ghettos outside present-day Johannesburg. Presley Chweneyagae stars as the title character, a teenager with a killer stare who lives alone in a ramshackle room in a poor shantytown, where he pulls off petty crimes with the help of three compatriots--Boston (Mothusi Magano), Butcher (Zenzo Ngqobe), and Aap (Kenneth Nkosi). But after they stab a man to death on the subway and Tsotsi (which means "thug" or "gangster") beats up Boston for trying to find out about his past, Tsotsi runs off to a wealthy section of the city, shoots a woman, and steals her car. Only later does he discover that there is a baby in the back seat--and decides to keep it for himself. As Tsotsi finally does look back at his own childhood, he tries to take care of the infant, carrying it around in a paper bag and forcing a young mother, Miriam (Terry Pheto), to breastfeed it at gunpoint. At this point, writer-director Gavin Hood could have opted for trite sentimentality, but instead he delves deeper into Tsotsi's psyche, as the young man might have already gone too far to turn back now. TSOTSI is a pulsating, electrifying film propelled by Chweneyagae's powerful, mesmerizing performance. The pounding soundtrack features popular local Kwaito music by Zola, who also plays crimelord Fela in the film. Winner of the 2006 Oscar for Best Foreign Language Film, TSOTSI "will rank as one of the best films ever to come out of South Africa," as Fugard himself said. [More]
Starring: Presley Chweneyagae, Mothusi Magano, Kenneth Nkosi, Zenzo Ngqobe
Starring: Presley Chweneyagae, Mothusi Magano, Kenneth Nkosi, Zenzo Ngqobe, Terry Pheto, Zola, Jerry Mofokeng, Rapulana Seiphemo, Ian Roberts
Director: Gavin Hood
Director: Gavin Hood
Studio: Miramax Films
Reviews for Tsotsi
Based in Johannesburg, the film centres on Tsotsi and is group of aimless, destructive and ignorant buddies.
This is an uncommonly moving film, with almost no fireworks to highlight the parts that are supposed to be moving.
The violence makes Tsotsi's character a little more challenging to embrace and makes the transformation tougher to achieve, but it's more rewarding in the long run.
An evolving tale of redemption, sometimes highly implausible, yet always deeply affecting.
At the heart is a breathtaking performance by South African actor Presley Chweneyagae.
Tsotsi presents a world of terrible beauty, where humanity struggles to breathe despite all attempts to snuff it out.
Its plot, updated from Fugard's 1950s settings, reduces moral issues to pointlessly simplistic levels. Using a baby to redeem a criminal is neither realistic nor honest, especially as it's enacted here.
[A] devastating vision of harsh life in the townships of Johannesburg...
Director Gavin Hood, along with cinematographer Lance Gower, bring us another exquisite and meaningful film.
It's worth remembering the kids in the pipes, who show up only for this instant and then vanish again, seeming slivers of narrative background, tossed like dice into a distressing nowhere.
...[a] reflective and raw South African gangland melodrama. Deeply poignant, frightening and absorbing...a wonderment of emotions and redemptive solitude.
Originally set in the 1950s, Tsotsi's story was updated to the postapartheid present to prove a sharp point: For many black South Africans, little has changed.
Yes, it's beautifully photographed, and at times we truly feel the struggle presented before us, but Tsotsi is also problematic and frustrating.
The protagonist's epiphany seems less the organic product of converging circumstances than the dictate of movie convention.
Tsotsi gets its message across without pandering to the audience. It has a keen sense of subtlety that's often lacking in social awareness cinema.
A cascade of sentimentality straight out of Hollywood. Not even Chweneyagae's excellent acting or Lance Gewer's dark photography can save the film.
This Oscar-nominated film convincingly celebrates the embers of decency that can be found in fires that are all but banked.
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