The details of township life, in all their violence and quotidian drudgery and bursts of lost child playfulness, ring persuasively true.
Tsotsi (2006)
Tomatometer
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Reviews Counted:125
Fresh:101
Rotten:24
Average Rating:7.4/10
Consensus: Chweneyagae's powerful performance carries this simple yet searing tale of a shantytown teenager's redemption.
Rated: 15 [See Full Rating] for language and some strong violent content.
Runtime: 1 hr 34 mins
Genre: Dramas
Theatrical Release:17-03-2006
Synopsis: Based on South African playwright Athol Fugard's only novel, TSOTSI is a thrilling, provocative look at life in the ghettos outside present-day Johannesburg. Presley Chweneyagae stars as the title... Based on South African playwright Athol Fugard's only novel, TSOTSI is a thrilling, provocative look at life in the ghettos outside present-day Johannesburg. Presley Chweneyagae stars as the title character, a teenager with a killer stare who lives alone in a ramshackle room in a poor shantytown, where he pulls off petty crimes with the help of three compatriots--Boston (Mothusi Magano), Butcher (Zenzo Ngqobe), and Aap (Kenneth Nkosi). But after they stab a man to death on the subway and Tsotsi (which means "thug" or "gangster") beats up Boston for trying to find out about his past, Tsotsi runs off to a wealthy section of the city, shoots a woman, and steals her car. Only later does he discover that there is a baby in the back seat--and decides to keep it for himself. As Tsotsi finally does look back at his own childhood, he tries to take care of the infant, carrying it around in a paper bag and forcing a young mother, Miriam (Terry Pheto), to breastfeed it at gunpoint. At this point, writer-director Gavin Hood could have opted for trite sentimentality, but instead he delves deeper into Tsotsi's psyche, as the young man might have already gone too far to turn back now. TSOTSI is a pulsating, electrifying film propelled by Chweneyagae's powerful, mesmerizing performance. The pounding soundtrack features popular local Kwaito music by Zola, who also plays crimelord Fela in the film. Winner of the 2006 Oscar for Best Foreign Language Film, TSOTSI "will rank as one of the best films ever to come out of South Africa," as Fugard himself said. [More]
Starring: Presley Chweneyagae, Mothusi Magano, Kenneth Nkosi, Zenzo Ngqobe
Starring: Presley Chweneyagae, Mothusi Magano, Kenneth Nkosi, Zenzo Ngqobe, Terry Pheto, Zola, Jerry Mofokeng, Rapulana Seiphemo, Ian Roberts
Director: Gavin Hood
Director: Gavin Hood
Studio: Miramax Films
Reviews for Tsotsi
Hood avigates this mine field with sure instincts… He doesn't tell, but shows; his characters never become too lucid or articulate, avoiding the danger of didacticism or moralizing.
Tsotsi tells a life-affirming story, but Gavin Hood's punchy direction avoids sentimentality.
Like all expert adaptations, Hood has looked at his source material and seen a world beyond the words.
Consider the difference between a complex environment and a simpleminded movie set within that environment.
Our protagonist may want to give the appearance of being heartless, but the script is stacked against him.
Tsotsi can be abrasive stuff, but the fierce, internalized salvation of the title character is a true inspiration, and makes for a resoundingly compelling South African treat.
After ... the powerful 15-minute opening, it's a long road ahead to redemption.
Whatever its weaknesses, Tsotsi is redeemed by its excellent performances.
Tsotsi is a compelling and uplifting tale of humanity and dignity in the starkest of environments.
Tsotsi, an Oscar nominee for best foreign-language film, isn't much different from every studio cautionary tale with an unhappy past, a criminal present and an unhappier future.
A handsomely mounted thriller about an ugly world pinned under the long shadow of apartheid.
Wearing its shallow humanism on its sleeves, this calculated melodrama about the redemption of a thug is the kind of middlebrow fare that appeals to Academy voters, increasing its chance to win the Oscar for Best Foreign-Language Picture.
More calculated than a Starbucks sampler CD, the picture could win the up-from-hardship award.
A heartwarming story of redemption sure to win anyone over by the end.
That the story can be so easily transposed to the post-apartheid present day is one of the movie's saddest inferences.
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