One of the dopier films to emerge from the serial-killer genre.
Twisted (2004)
Tomatometer
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Reviews Counted:131
Fresh:2
Rotten:129
Average Rating:2.9/10
Consensus: An implausible, overheated potboiler that squanders a stellar cast, Twisted is a clichéd, risible whodunit.
Theatrical Release:09-07-2004
Synopsis: Against the moody, fog-laden backdrop of the San Francisco waterfront, police detective Jessica Shephard (Ashley Judd) becomes embroiled in a darkly personal hunt for a serial killer in this... Against the moody, fog-laden backdrop of the San Francisco waterfront, police detective Jessica Shephard (Ashley Judd) becomes embroiled in a darkly personal hunt for a serial killer in this psychological thriller directed by Philip Kaufman (THE UNBEARABLE LIGHTNESS OF BEING, QUILLS). Jessica, a San Francisco street cop, has been appointed detective by Police Commissioner John Mills (Samuel L. Jackson), her surrogate father and mentor. Together with her new partner Mike Delmarco (Andy Garcia), she goes after her first assignment, a murder, and is ready for anything until she realizes that the corpse is a man she once slept with. What seems like a bizarre coincidence becomes all too suspicious when the next murder victim is also an acquaintance of the police detective--who is also a blackout drinker with an appetite for anonymous, rough sex. Nightly she returns home, drinks a glass of red wine, and awakens to the news of another victim. Haunted by her own family tragedy (her father went on an insane killing spree and killed her own mother and himself), Jessica begins to doubt her own sanity and suspect herself to be the killer. [More]
Starring: Ashley Judd, Samuel L. Jackson, Andy Garcia, David Strathairn
Starring: Ashley Judd, Samuel L. Jackson, Andy Garcia, David Strathairn, Russell Wong, Mark Pellegrino, Camryn Manheim, D.W. Moffett
Director: Philip Kaufman
Director: Philip Kaufman
Screenwriter: Sarah Thorp
Producer: Arnold Kopelson, Anne Kopelson, Barry Baeres, Linne Radmin
Composer: Mark Isham
Studio: Paramount Pictures
Reviews for Twisted
With Ashley Judd above the title, no cookie-cutter contrivance is unaccounted for, no performance betraying the hint of any effort beyond showing up on the set.
Judd is let down by Twisted because tearful, confused victim doesn't come naturally to her; she's not fun to watch suffer if you can't see her calculating the payback.
There are so many diversions at work here that the film becomes a joke, one that culminates with a hokey punch line as the antagonist spills out an elaborate confession that partly patches up any holes in the outrageous plot.
As drama, [it's] ludicrous. But as a satire on absurd police procedures in the movies, it’s brilliant...
This movie plays like they were reading [Roger Ebert's] little movie glossary and they took every cliche in there.
...generic and hysterical hackwork...utterly tepid and inconsequential...an unoriginal and flavorless suspense piece that’s shunning more than shocking
'Twisted,' a psychological thriller with little psychology and fewer thrills, is almost worth watching because of its trio of charismatic stars.
The direction is so ham-fisted you almost expect Porky the Pig to have a cameo.
Judd kicks a man in the crotch within four minutes of the film's beginning. I believe the purpose of all Ashley Judd movies is to allow her to kick a man in the crotch.
The downright wackiest, most laughable thriller to come down the pike so far this millennium.
Kaufman's keen eye cannot override the simple fact that the story and the characters are generic and the ultimate twist really isn't much of one.
Philip Kaufman's Twisted amalgamates the basic post-feminist woman-cop premises of Silence Of The Lambs and the Prime Suspect TV series so torpidly it feels less like entertainment than a community service sentence.
Twisted, despite managing tiny, sad bursts of suspense, is barely worth the energy it will take to mock it.
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