It's absolutely riveting.
Two-Lane Blacktop (1971)
Tomatometer
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Reviews Counted:24
Fresh:22
Rotten:2
Average Rating:7.5/10
Runtime: 1 hr 43 mins
Genre: Dramas
Synopsis: Cult film director Monte Hellman follows up his legendary westerns THE SHOOTING and RIDE IN THE WHIRLWIND with another bona fide classic, this time set on the paved highways of early 1970s America.... Cult film director Monte Hellman follows up his legendary westerns THE SHOOTING and RIDE IN THE WHIRLWIND with another bona fide classic, this time set on the paved highways of early 1970s America. Making their acting debuts, musicians Dennis Wilson and James Taylor play a pair of drag-racing drifters who battle against willing competitors all along the back roads of America, encountering a wild cast of characters. After stopping for lunch one afternoon, Taylor (The Driver) and Wilson (The Mechanic) discover a young woman in their back seat (Laurie Bird, credited as (The Girl). The newly formed trio continues to head east, and places a risky bet with Warren Oates after bumping into each other at a gas station. The first automobile to arrive in Washington D.C. is the winner. The prize: the loser's car (Taylor and Wilson drive a 1955 Chevy, while Oates pilots a 1970 Pontiac GTO). Strangely enough, rather than turning into a relentless fight to the finish, none of the participants seem too worried about picking up the pace. In fact, they act as if they're afraid of reaching their destinations, spurning an endless series of sidetracks that turns Hellman's film into a broad existential metaphor and cementing its place as one of 1970s Hollywood's bravest motion pictures. [More]
Starring: James Taylor, Dennis Wilson, Warren Oates, Laurie Bird
Starring: James Taylor, Dennis Wilson, Warren Oates, Laurie Bird, Harry Dean Stanton
Director: Monte Hellman
Director: Monte Hellman
Screenwriter: Rudy Wurlitzer, Will Corry
Producer: Michael Laughlin
Composer: Billy James
Reviews for Two-Lane Blacktop
Two-Lane Blacktop is a movie of achingly eloquent landscapes and absurdly inert characters.
The strange and sometimes pathetic world of barnstorming, hustling street-racing is explored with feeling by director-editor Monte Hellman.
This exciting existentialist road movie by Monte Hellman, with a swell script by Rudolph Wurlitzer and Will Corry and my favorite Warren Oates performance, looks even better now than it did in 1971.
A remarkably engaging movie, mostly in spite of, rather than because of, its metaphorical aspirations.
Some of the racing and road scenes, and the visual texture of the movie, make it worth seeing.
The ending is an infamous classic 'what the!?' moment in film history.
This minimalist masterpiece is one of the greatest American films to come out of the 1970's.
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March 20, 2006:
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