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Ulzana's Raid (1972)
Tomatometer
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Reviews Counted:7
Fresh:6
Rotten:1
Average Rating:6.5/10
Runtime: 1 hr 43 mins
Genre: Westerns
Synopsis: Angered at their mistreatment by whites, a group of renegade Apaches escape from their reservation and embark on a rampage of murder, rape and destruction. A veteran army scout, McIntosh (Bruce... Angered at their mistreatment by whites, a group of renegade Apaches escape from their reservation and embark on a rampage of murder, rape and destruction. A veteran army scout, McIntosh (Bruce Lancaster), and an unseasoned young cavalry officer, DeBuin (Bruce Davison), are assigned to track down the malcontented natives. As Debuin, McIntosh, and their party venture into the unfriendly landscape, issues start to surface about to the morality of their extermination mission. Soon the party of supposedly civil white men are fighting amongst themselves, divided about the task at hand. As much as the moralists struggle, their efforts to stop Ulzana's Raid seem fruitless. On the heels of DIRTY DOZEN and WHATEVER HAPPENED TO BABY JANE, director Robert Aldrich delivers another smash film. Intelligent and edgy, ULZANA'S RAID features all of the standard Aldrich storytelling techniques: characters full of suppressed madness and prejudices, a moral dilemma, and a loaded gun with a slippery trigger waiting to be squeezed. Add the scorching heat of the desert as a backdrop and Aldrich conjures forth another masterpiece: ULZANA'S RAID. [More]
Starring: Burt Lancaster, Bruce Davison, Richard Jaeckel, Jorge Luke
Starring: Burt Lancaster, Bruce Davison, Richard Jaeckel, Jorge Luke, Joaquin Martinez, Lloyd Bochner, Karl Swenson, Douglas Watson
Director: Robert Aldrich
Director: Robert Aldrich
Screenwriter: Alan Sharp
Producer: Carter DeHaven
Composer: Frank DeVol
Reviews for Ulzana's Raid
A superior western though somewhat ponderous and its action sequences are formulaic.
One of Aldrich's finest films, this underestimated Western presents a bleak yet intelligent portrait of the racial warfare of the white men vs. Native Americans and also serves as effective and damning allegory of the American involvement in Vietnam.
The kind of storyline that suits a cop-vs-serial-killer formula better than a western
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