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The Underneath (1994)
Tomatometer
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Reviews Counted:17
Fresh:8
Rotten:9
Average Rating:5.4/10
Runtime: 1 hr 40 mins
Genre: Dramas
Synopsis: With this cerebral remake of the 1949 film noir gem CRISS CROSS, director Steven Soderbergh has renounced melodrama and suspense to instead create an art film with the emotional weight of Greek... With this cerebral remake of the 1949 film noir gem CRISS CROSS, director Steven Soderbergh has renounced melodrama and suspense to instead create an art film with the emotional weight of Greek tragedy. The film weaves three time frames together to tell its story. In the present, Michael Chambers (Peter Gallagher) returns to Austin, Texas, for his mother's wedding. In the past, he flees town to escape an outrageous gambling debt, ditching his girlfriend, Rachel (Alison Elliott), in the process. And in the future, when Rachel's new boyfriend, Tommy (William Fichtner), a dangerous club owner, catches them having an affair, Michael comes up with a plan for Tommy to rob the armored car he drives. Soderbergh handles his material so deftly that the viewer is left to question whether it is fate or personal responsibility that drove the characters to their ends. Cinematographer Elliot Davis shoots each section with a distinct look in order to further distinguish the film's three chapters, giving the film a visual aesthetic that is overtly stylish and moody. As the flighty Michael, Gallagher is an attractive--and surprisingly comical--presence. His interactions with the rest of the cast (most notably, Elliott) are at turns hysterical, dramatic, and suspenseful. [More]
Starring: Peter Gallagher, Alison Elliott, Elisabeth Shue, Joe Don Baker
Starring: Peter Gallagher, Alison Elliott, Elisabeth Shue, Joe Don Baker, Shelley Duvall, William Fichtner, Adam Trese, Paul Dooley
Director: Steven Soderbergh
Director: Steven Soderbergh
Screenwriter: Sam Lowry
Story: Don Tracy
Producer: John Hardy
Reviews for The Underneath
One of Soderbbergh's weakest (and unnecessary) films, this exercise in film noir, a remake of the 1949 classic Criss Cross, is marred by weak dialogue and formulaic plot, again stressing the need of a gifted helmer like Soderbergh for stronger narrative
Enquanto investe no desenvolvimento de seus personagens, o filme impressiona. Pena que acabe se perdendo ao insistir em várias reviravoltas pouco convincentes.
Really enjoyable, especially if you like intricate flashbacks and multiple storylines.
What The Underneath lacks is the kind of emotional connection that the best film noirs have. Instead of involving, this film is distancing, too given to admiring its own shiny surface.
Soderbergh is a talent, but he still hasn't found his groove. He seems to be searching for the project that will be a match for his talents. He needs to keep looking.
he movie's strong points (including some nice work by Gallagher) manage to outweigh the negatives.
Downbeat, laconically funny, arty (maybe a touch too arty), it's simmering, smoldering lowlife fun, like a good episode of Twin Peaks without the self-conscious weirdness.
As tales of sex and sinfulness go, Soderbergh's fourth film doesn't deliver.
Why did Soderbergh want to remake an old film noir, anyway? Take out the crime elements and flesh out the human elements here, and you have a more interesting movie, I think.
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