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The U.S. vs. John Lennon (2006)
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Reviews Counted:93
Fresh:71
Rotten:22
Average Rating:6.6/10
Consensus: Though it glosses over anything negative about Lennon, this documentary offers a lot of fascinating archival footage, plus its political issues still have relevance for today.
Rated: 12A [See Full Rating] for some strong language, violent images and drug references
Runtime: 1 hr 36 mins
Genre: Musical & Performing Arts
Theatrical Release:08-12-2006
Synopsis: David Leaf and John Scheinfeld struggled for over 15 years to produce this documentary, and it's emergence in the year 2006 is a testament to the film's timeliness. THE U.S. VS. JOHN LENNON focuses... David Leaf and John Scheinfeld struggled for over 15 years to produce this documentary, and it's emergence in the year 2006 is a testament to the film's timeliness. THE U.S. VS. JOHN LENNON focuses on a part of the music icon's life that is often overlooked: his politicization both during and after the Vietnam War. Towards the end of the Beatles' career, Lennon began taking the band in a new direction, using their popularity to circulate a message of peace in songs such as "Revolution." He became even more involved after the band broke up, and the film traces his growing awareness and dissent through both archival footage--much of which had lain forgotten in vaults for decades--and interviews with those close to him. This leads to the titular case, in which the U.S. government, which had already been monitoring his actions for some time, attempted to deport the star for fear of the threat he posed to the nation. The film also portrays Lennon's close relationship with Yoko Ono and the effect she had on his art, including an interview with the Japanese performance artist and muse that sheds much light on the couple's intimate history. Other interviews feature such luminaries as Mario Cuomo, Gore Vidal, Walter Cronkite, Angela Davis, and even G. Gordon Liddy, the former chief operative under Richard Nixon. The film avoids falling into the trap of one-dimensional idolatry, showing Lennon's politicization as reflective of his own spiritual path, a very personal, at times fallible, journey towards using his fame to make the world a better place. The constraints and depletion of civil liberties Lennon experienced at the hands of the U.S. government, then in the throws of a neo-McCarthyism, invite comparisons to contemporary politics. The creative ways he fought for expression and peace, meanwhile, expand upon the known brilliance of a remarkable figure. [More]
Starring: Yoko Ono, Walter Cronkite, Mario Cuomo, George McGovern
Starring: Yoko Ono, Walter Cronkite, Mario Cuomo, George McGovern, Richard Nixon, G. Gordon Liddy, Geraldo Rivera, Ron Kovic
Director: David Leaf, John Scheinfeld
Director: David Leaf, John Scheinfeld
Studio: Lions Gate Films
Reviews for The U.S. vs. John Lennon
If anything this film proves that song can have more impact than a little toe tapping and tub-thumping.
What promises to be a provocative account of the late Beatle’s involvement with the American underground delivers precious little in this Yoko-approved documentary.
The film paints with swaggeringly broad strokes, the basic thesis being Lennon = good, government = bad.
A powerful statement about how in a country of "democracy," the peace keepers are deemed the most dangerous to civilization...
An excellent documentary in charting how celebrities can use their public status for good, especially if they have the guts to turn their backs on what made them famous for a greater good.
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It's as gripping as any thriller and as moving as any drama with the added fascination of the unfathomable relationship between John and Yoko.
Um belíssimo documentário que nos faz lembrar de que, por ter existido, John Lennon fez deste um mundo melhor.
An entertaining, lightweight (sometimes too much so) documentary about Lennon's deportation case
...though I was familiar with the songs, I never really understood the message. I do now.
By the time The U.S. vs. John Lennon is done, the filmmakers have reinforced the sense that pop music once produced prophets, as well as profits.
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