This fascinating documentary shows how far government will go to throttle opposition, but also how, sometimes, you can fight the establishment and win.
The U.S. vs. John Lennon (2006)
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Reviews Counted:93
Fresh:71
Rotten:22
Average Rating:6.6/10
Consensus: Though it glosses over anything negative about Lennon, this documentary offers a lot of fascinating archival footage, plus its political issues still have relevance for today.
Rated: 12A [See Full Rating] for some strong language, violent images and drug references
Runtime: 1 hr 36 mins
Genre: Musical & Performing Arts
Theatrical Release:08-12-2006
Synopsis: David Leaf and John Scheinfeld struggled for over 15 years to produce this documentary, and it's emergence in the year 2006 is a testament to the film's timeliness. THE U.S. VS. JOHN LENNON focuses... David Leaf and John Scheinfeld struggled for over 15 years to produce this documentary, and it's emergence in the year 2006 is a testament to the film's timeliness. THE U.S. VS. JOHN LENNON focuses on a part of the music icon's life that is often overlooked: his politicization both during and after the Vietnam War. Towards the end of the Beatles' career, Lennon began taking the band in a new direction, using their popularity to circulate a message of peace in songs such as "Revolution." He became even more involved after the band broke up, and the film traces his growing awareness and dissent through both archival footage--much of which had lain forgotten in vaults for decades--and interviews with those close to him. This leads to the titular case, in which the U.S. government, which had already been monitoring his actions for some time, attempted to deport the star for fear of the threat he posed to the nation. The film also portrays Lennon's close relationship with Yoko Ono and the effect she had on his art, including an interview with the Japanese performance artist and muse that sheds much light on the couple's intimate history. Other interviews feature such luminaries as Mario Cuomo, Gore Vidal, Walter Cronkite, Angela Davis, and even G. Gordon Liddy, the former chief operative under Richard Nixon. The film avoids falling into the trap of one-dimensional idolatry, showing Lennon's politicization as reflective of his own spiritual path, a very personal, at times fallible, journey towards using his fame to make the world a better place. The constraints and depletion of civil liberties Lennon experienced at the hands of the U.S. government, then in the throws of a neo-McCarthyism, invite comparisons to contemporary politics. The creative ways he fought for expression and peace, meanwhile, expand upon the known brilliance of a remarkable figure. [More]
Starring: Yoko Ono, Walter Cronkite, Mario Cuomo, George McGovern
Starring: Yoko Ono, Walter Cronkite, Mario Cuomo, George McGovern, Richard Nixon, G. Gordon Liddy, Geraldo Rivera, Ron Kovic
Director: David Leaf, John Scheinfeld
Director: David Leaf, John Scheinfeld
Studio: Lions Gate Films
Reviews for The U.S. vs. John Lennon
Readers tempted to write off that episode as yet another paranoid fantasy of The Left should take heed: The U.S. vs. John Lennon includes the firsthand testimony of the spies themselves, from apostate FBI agents to the unapologetic G. Gordon Liddy.
It's full-up with footage that shows the hero of the Yoko Ono-sanctioned film to be as witty, entertaining and dependably charismatic as ever, and rarely as simple-minded as his detractors would have it.
You wonder if the film might actually have been worthwhile without the random stuff it includes. I mean, for instance, imagine there's no Geraldo Rivera. It isn't hard to do.
What is ultimately so special about this film is its handling of the relationship between Lennon and wife, Yoko Ono.
Co-directors and writers David Leaf and John Scheinfeld aim to bring his spirit back to us and, in that, they succeed.
It's a movie that, at its best, makes you ache with the memory of an anguished era and its fallen pop culture hero.
if you love Lennon's music and if you'd like to be transported back to that tumultuous era, the film does this all quite well.
Those hoping for something hard-hitting won't find it here. This is strictly on the level of what one might uncover during a VH1 special.
It feels as if [Ono's] cooperation resulted in a softened perspective on the musician-turned- activist-turned-icon.
...the film feels like an unintentional parody of liberal documentaries that transform complex topics into elaborate cinematic peace signs.
In exploring a little-known story of political persecution, The U.S. vs. John Lennon also sheds some unexpected light on the uneven and still undigested career of one of the most paradoxical artists pop culture has yet produced.
Situates the violation of one U.S. resident's civil rights in the context of Nixon-era paranoia and warmongering, a mood the film suggests is once again upon us.
Although it paints a somewhat idealized portrait of the legendary rocker/political provocateur, The U.S. vs. John Lennon is nonetheless a fascinating, richly detailed documentary.
Imagine a naive, simplistic documentary about the most complex, cynical member of the Beatles.
Documents the Nixon administration's failed, almost comically inept attempt to deport the most political of The Beatles and his wife, Yoko Ono.
While there is nothing particularly new in the film, it is a stirring celebration of a man of enormous talent, humor and humanity, laid waste by an assassin in New York in 1980.
There's little sign of the honest ambivalence that made Lennon a great artist, if a questionable spokesman.
Rarely have we seen Lennon so unguarded, impassioned and thoughtful as we do again and again here.
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