The movie creeps along at times with extraneous material, but it succeeds in doing something unique, by filtering a time of turmoil through the experience of one of the most fascinating artists of our time.
The U.S. vs. John Lennon (2006)
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Reviews Counted:93
Fresh:71
Rotten:22
Average Rating:6.6/10
Consensus: Though it glosses over anything negative about Lennon, this documentary offers a lot of fascinating archival footage, plus its political issues still have relevance for today.
Rated: 12A [See Full Rating] for some strong language, violent images and drug references
Runtime: 1 hr 36 mins
Genre: Musical & Performing Arts
Theatrical Release:08-12-2006
Synopsis: David Leaf and John Scheinfeld struggled for over 15 years to produce this documentary, and it's emergence in the year 2006 is a testament to the film's timeliness. THE U.S. VS. JOHN LENNON focuses... David Leaf and John Scheinfeld struggled for over 15 years to produce this documentary, and it's emergence in the year 2006 is a testament to the film's timeliness. THE U.S. VS. JOHN LENNON focuses on a part of the music icon's life that is often overlooked: his politicization both during and after the Vietnam War. Towards the end of the Beatles' career, Lennon began taking the band in a new direction, using their popularity to circulate a message of peace in songs such as "Revolution." He became even more involved after the band broke up, and the film traces his growing awareness and dissent through both archival footage--much of which had lain forgotten in vaults for decades--and interviews with those close to him. This leads to the titular case, in which the U.S. government, which had already been monitoring his actions for some time, attempted to deport the star for fear of the threat he posed to the nation. The film also portrays Lennon's close relationship with Yoko Ono and the effect she had on his art, including an interview with the Japanese performance artist and muse that sheds much light on the couple's intimate history. Other interviews feature such luminaries as Mario Cuomo, Gore Vidal, Walter Cronkite, Angela Davis, and even G. Gordon Liddy, the former chief operative under Richard Nixon. The film avoids falling into the trap of one-dimensional idolatry, showing Lennon's politicization as reflective of his own spiritual path, a very personal, at times fallible, journey towards using his fame to make the world a better place. The constraints and depletion of civil liberties Lennon experienced at the hands of the U.S. government, then in the throws of a neo-McCarthyism, invite comparisons to contemporary politics. The creative ways he fought for expression and peace, meanwhile, expand upon the known brilliance of a remarkable figure. [More]
Starring: Yoko Ono, Walter Cronkite, Mario Cuomo, George McGovern
Starring: Yoko Ono, Walter Cronkite, Mario Cuomo, George McGovern, Richard Nixon, G. Gordon Liddy, Geraldo Rivera, Ron Kovic
Director: David Leaf, John Scheinfeld
Director: David Leaf, John Scheinfeld
Studio: Lions Gate Films
Reviews for The U.S. vs. John Lennon
A controversial and engrossing look at a 20th century genius under fire.
Lennon's private battle with political giants is remarkable in many ways, and the world could still learn much from his legacy.
As a big John Lennon fan, I was looking forward to seeing this documentary, but was disappointed by its relative simplicity in scope and presentation.
The most attention-getting culmination of recent films focusing on the protest movements of the '60s
A gripping and moving homage that brings in some new-old faces to flank the usual suspects in telling the story of Lennon and his badgering by the FBI.
What gives the film its spine is the presence of Lennon himself as an articulate, earnest and magnetic social conscience.
Makes the case that, in just about every way that counted, Lennon was a better person than Richard M. Nixon.
The U.S. vs. John Lennon is the easy-listening version of a firebrand documentary; nothing in it is as incendiary as its title.
...the near canonization of Lennon as a secular saint without requiring any miracles,...a propagandistic diatribe made by ideologues...boring (and I'm a Beatlemaniac!).
[A] complete hagiography, a film that smoothes out every rough edge in Lennon's life to the point where he's made into someone who seems terribly uninteresting and naďve.
Explicitly, the film is pure fluff, a competently detailed catalog of Lennon's political ambitions told in the visual shorthand of the VH1 rock-doc.
This David Leaf–John Scheinfeld production is not only poignant but even topical.
Due to Yoko Ono's initiative, docu may be too celebratory and narrowly focused for those wanting to see a critical film of the celeb musician but its conspiracy thesis feels relevant for our times, and Lennon's music, though out of sequence, is great.
In this Che Guevara t-shirt of a film, the same cliche 'them and us' shadow play that MTV and VH1 stage in everything they produce about the American 1960s is extended so excruciatingly that the era seems to occur year by year in real time.
A few new insights into Nixon administration criminality amid old news and favorite John Lennon tunes.
The storyline follows the Ono-approved bio that posits Lennon as saint, excising his dark periods and their years apart, which could have enhanced the portrait.
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