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Vanaja (2007)
Runtime: 1 hr 51 mins
Synopsis: Set in rural South India, a place where social barriers are built stronger than fort walls, VANAJA explores the chasm that divides classes as a young girl struggles to come of age. Vanaja (Mamatha Bukhya) is the 14 year-old daughter of a poor fisherman from the lowest class. When a... Set in rural South India, a place where social barriers are built stronger than fort walls, VANAJA explores the chasm that divides classes as a young girl struggles to come of age. Vanaja (Mamatha Bukhya) is the 14 year-old daughter of a poor fisherman from the lowest class. When a sooth-sayer predicts that she will be a great dancer one day, she goes to work in the house of local landlady Rama Devi (Real name), in hopes of learning Kuchipudi dance from her new employer. She is hired as a farmhand, but her vivacious ways and spunk soon catch the landlady’s eye: when she is entrusted with tending the chicken, she’s caught, instead, chasing them into a general pandemonium, and lying unabashedly to conceal her pranks. To keep her out of trouble, Rama Devi promotes her to a kitchen underhand, where she comes up against the old, crusty and extremely loyal Radhamma (Real name) – Rama Devi’s cook. It isn’t long before Vanaja gets herself invited to play a game of pacheesi against Rama Devi. Seeing that losing isn’t the mistress’s forte, Vanaja deliberately gives up her game – a fact that doesn’t go unnoticed - and which eventually secures her the landlady’s mentorship – first in music, and then in dance. Vanaja excels at the art, and seems to be on a steadily ascending path when Shekhar (Real Name), Rama Devi’s 23 year old son – handsome, muscular and rather insecure, returns from the US to run for local political elections. Sexual chemistry is ignited between Shekhar and Vanaja (still a minor at 15), and a mostly innocent flirtation develops between them. Then, matters suddenly turn ugly when Vanaja’s superior intellect pits her against Shekhar in a public incident which ultimately humiliates him in front of his mother. Matters escalate, eventually leading to Shekhar raping Vanaja. Vanaja’s father (Real Name), straddled with debt and struggling with alcoholism, persuades his daughter to deliberately forego an abortion and try to use her child for gain; a tangible symbol that will inevitably link them to the upper class and wealth. Subverting the class structure however, is not that easy. For the landlady, acknowledging the child would admit to her son’s rape of a minor; but not acknowledging it would forsake her own bloodline, however polluted by Vanaja’s low caste. For Vanaja, the choice is harsher: living a life of servitude in close proximity to her child, or forsaking her son and starting afresh some place else. -- © Emerging Pictures [More]
Genre: Dramas
Starring: Mamatha Bhukya, Urmila Dammannagari, Ramachandriah Marikanti, Krishnamma Gundimalla
Screenwriter: Rajnesh Domalpalli
Producer: Latha R. Domalapalli
Composer: Indira Amperiani, Bhaskara S. Narayanan
Reviews
There's loads of atmosphere and charm to this tale, but little that seems compelling or heartfelt to the drama, which in contrast feels sketchy and contrived, without a clear sense of character beyond conceptualized stick figures.
Stunning portrait of caste oppression in South India, as well as the struggle of a young woman from the lower caste's to elevate herself through dance.
[The film] shows, through Bhukya's heartbreaking performance, the difficulties faced by those trying to bust through the layers of class oppression.
Bhukya delivers an entrancing and natural performance, deftly balancing both the wide-eyed childishness of a young girl with the dawning awareness of life's darker possibilities.
A large chunk of the film's success rests on the shoulders of its young star, Mamatha Bhukya.
Vanaja is a timeless story of dignity maintained against all odds.
This is heart-wrenching Indian drama in the vein of Deepa Mehta's recent Water, again dealing with a young girl trying to find her self-worth in the midst of a repressive caste system and physical abuse.
Written and directed by Rajnesh Domalpalli as his graduate thesis at Columbia University, Vanaja is an engaging and shocking look at class, gender roles and sexuality in rural India.
It's not easy to make a very sad movie that doesn't make you want to jump out a window when it's over. Vanaja pulls this off.
I wish that I could also highlight the film as the best thesis film I saw in 2007, but with Charles Burnett's Killer of Sheep re-released earlier this year, Vanaja unfortunately has to settle for second place.
Vanaja, a beautiful and heart-touching film from India, represents a miracle of casting. Every role, including the challenging central role of a low-caste 14-year-old girl, is cast perfectly and played flawlessly.
Rajnesh Domalpalli made this poignant 2006 drama as his thesis film for a master's degree at Columbia University, yet its technique and development of character and theme are far more accomplished than those of most student films.
Vanaja, a film exploring the tensions of the caste system in contemporary rural India, boasts a compelling story on-screen and off.
Vanaja’s narrative meanders, but the film evokes village life with stark authenticity.
[Domalpalli] adds to the glory of contemporary Indian cinema, indeed all cinema, with the humanity of his vision, healthily unbridled sensuality and fluid technique.
By the time Vanaja and her girlfriend ride off into the sunset on the back of an elephant, viewers will be bored stiff by this long, tedious film.
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by: ReelReviewer.com 11/27/07


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