Even though the central stories are compelling, dividing the film between them means we never have anyone to grab hold of.
Vanity Fair (2004)
Tomatometer
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Reviews Counted:160
Fresh:79
Rotten:81
Average Rating:5.8/10
Consensus: A more likable Becky Sharp makes for a less interesting movie.
Rated: PG [See Full Rating] for some sensuality/partial nudity and a brief violent image
Runtime: 2 hrs 21 mins
Genre: Dramas
Theatrical Release:14-01-2005
Synopsis: One of America's most popular stars, Reese Witherspoon, unites with one of the world's most acclaimed directors, Mira Nair, to bring to the screen one of the greatest female characters ever... One of America's most popular stars, Reese Witherspoon, unites with one of the world's most acclaimed directors, Mira Nair, to bring to the screen one of the greatest female characters ever created, Rebecca (Becky) Sharp. The new film version of the classic novel by William Makepeace Thackeray introduces a new audience to the beautiful, funny, passionate, and calculating Becky. The daughter of a starving English artist and a French chorus girl, Becky is orphaned at a young age. Even as a child, she yearns for a more glamorous life than her birthright promises. As she leaves Miss Pinkerton's Academy at Chiswick, Becky resolves to conquer English society by any means possible. She deploys all of her wit, guile, and sexuality as she makes her way up into high society during the first quarter of the 19th century. Becky's ascension to the heights of society commences when she gains employment as governess to the daughters of eccentric Sir Pitt Crawley (Bob Hoskins). Becky wins over the children, and the Crawley family's rich spinster aunt Matilda (Eileen Atkins) as well. The rural Hampshire household comes to find her indispensable, and Matilda comes to confide in the bright young woman. But Becky knows that she cannot be a true part of English society until she moves to the city. When Matilda invites her to come live in London, Becky eagerly accepts. There, Becky is reunited with her best friend Amelia Sedley (Romola Garai), who - having grown up comfortably - does not share Becky's more brazen ambitions. Hewing close to the family she already knows so well, Becky secretly marries dashing heir Rawdon Crawley (James Purefoy) - but when Matilda discovers their union, she casts the newlyweds out. When Napoleon invades Europe, Rawdon bravely reports to the front lines. Pregnant Becky stands by distraught newlywed Amelia, whose own husband George Osborne (Jonathan Rhys Meyers) is also called to fight. When George does not survive the Battle of Waterloo, Becky's friendship with Amelia is strained beyond repair. Becky is reunited with Rawdon and gives birth to a boy, but, post-war, money and comforts are sparse for the trio. More intent than ever on gaining acceptance into London society and living well, Becky finds a patron in the powerful Marquess of Steyne (Gabriel Byrne). Steyne's whims enable Becky to realize her dreams, but the ultimate cost may be too high for her. [More]
Starring: Reese Witherspoon, James Purefoy, Jonathan Rhys-Myers, Romola Garai
Starring: Reese Witherspoon, James Purefoy, Jonathan Rhys-Myers, Romola Garai, Gabriel Byrne, Eileen Atkins, Jim Broadbent, Bob Hoskins, Rhys Ifans, Geraldine McEwan, Douglas Hodge
Director: Mira Nair
Director: Mira Nair
Screenwriter: Mark Skeet, Julian Fellowes, Matthew Faulk
Producer: Janette Day, Lydia Dean Pilcher, Donna Gigliotti
Composer: Mychael Danna
Studio: Focus Features
Reviews for Vanity Fair
Well-paced, colorful and with a superb supporting cast, the pluses outweight the minuses in this "Fair."
Perhaps Oscar voters will find something to love here (perhaps some intriguing costume designs), but for the rest of us, Vanity Fair is a snooze.
As a film, Vanity Fair has a lot going for it -- including acting and energy.
Mira Nair’s keen eye and artistic flair are abundantly evident in this lush screen adaptation.
Es una sólida adaptación de la novela de Thackeray por la que bien vale la pena pagar el boleto.
Few other young actresses can jut out their jaw in ambitious determination as charmingly as Witherspoon -- and remain sympathetic.
What it needs is more emphasis on the 'vanity' and less on the 'fair.'
Nair's least persuasive film, in part because Becky has been reimagined as such a modern, proto-feminist heroine that she sometimes seems advanced beyond her environment...
Vanity Fair is an ambitious film that seems at times to mistrust its own reach, but for all its flaws, makes for a worthy start to the painfully long awards season.
A charming movie that falls short of greatness, but is still worth a solid recommendation.
Unfortunately (Witherspoon) fails to inspire much sympathy for the novel’s cunning, charmingly conniving, social-climbing heroine.
Even though it's a valiant effort, Vanity Fair just lacks the necessary talent and oomph to propel it to the level of an elegant, entertaining English period piece.
[Nair] clearly loves these characters, the kind and unkind alike. And the proof of this is that she makes them all so marvelously vivid.
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